The Frame

On today's show: jazz trumpeter Terence Blanchard's interest in social issues comes through in his choice of projects, such as his score for “BlacKkKlansman,” the forthcoming film by Spike Lee; documentary films are having a renaissance, evidenced by the success of "RBG" and "Won't You Be My Neighbor."

On today's show: filmmaker Debra Granik says if studios are the equivalent of big agriculture, she is the organic farmer; off the court, LeBron James has a big Hollywood presence; singer-songwriter Sam Buck contrasts '90s pop country with personal anecdotes of queer identity.

On today's show: Sarah Silverman is ramping up for the second season of her Hulu series, in which she travels the country to examine the causes of America’s polarization through a comedic lens.

On today's show: "Woman Walks Ahead" tells the story of Catherine Weldon, a real-life activist and artist who traveled from Brooklyn to the Standing Rock Reservation in the 1880s to paint a portrait of Sitting Bull. Jessica Chastain plays Weldon and is also an activist herself — for equal pay and equal opportunities for women in Hollywood.

On today's show: filmmaker Tim Wardle tells the unreal story of three men who discovered siblings they never knew existed; the mixed messages of the Motion Picture Academy's latest membership push; two exhibitions bring street art inside Chinatown galleries.

On today's show: the lead singer of Imagine Dragons is a practicing Mormon, but he questions the church's stance on LGTBQ issues in the HBO documentary, "Believer."

On today's show: The actress produced and narrates the documentary, which is based on the book of the same name by Jonathan Safran Foer. She wants you to think twice about being a meat-eater; filmmaker Eugene Jarecki goes in search of the America that produced Elvis Presley.

Steven Canals, co-creator of the FX series about the underground club culture, talks about re-creating those elaborate scenes; why is the Pasadena Museum of California Art shutting its doors?; Ben Lewin's film, "The Catcher Was a Spy," is about a major league baseball player who lived a double life during World War II.

Writer/director Shana Feste's father was a troubled but charismatic man who inspired her new film; in the Vice series, "Minority Reports," Lee Adams explores racial angles of fish-out-of-water stories; Rosie & the Riveters play folk music with a feminist bent.

On today's show: After going dark for five years, LALIFF has been revived by its co-founder, Edward James Olmos; Disney makes a counteroffer for properties being sold by Fox; The documentary, "Half the Picture," looks at the long history of systemic discrimination against women filmmakers.

Ira Sachs' latest is a coming-of-age film with a gentrification angle set in Brooklyn; a dinner theater in Hollywood is combining Shakespeare with '80s pop music and a chef-driven menu; screenwriter Mark Boal is trying to avoid turning over all his taped interviews with Bowe Bergdahl.

Patricia Rozema, the writer-director of "Into the Forest," says it was hard to get a film with two female leads off the ground; Stephen Colbert could face a legal challenge over the use of his former "Colbert Report" persona; the Hollywood Bowl's production of "A Chorus Line" is directed by a member of the show's original cast.

Rock the Vote, the non-profit founded by music industry pros doing PSAs on MTV, is still rockin'. The organization has hired a former Bernie Sanders operative to do marketing and was present at both the GOP and Democratic conventions; Bonnie Raitt opens up about a life in music.

Filmmaker Paul Greengrass returns to make a new Jason Bourne movie, this time with cyber security on his mind; Now that Verizon is buying Yahoo!, what will become of the search engine's streaming TV shows?; A Sophocles play gets a modern update with veterans in the cast; Bill Clinton, binge watcher.

What happens when an aspiring filmmaker works as a nanny for wealthy L.A. mothers? Naturally, she comes up with a movie idea. Writer-director Sian Heder talks motherhood, movie-making and "Tallulah;" and a “Star Wars” movie set accident that could have killed Harrison Ford ends with a guilty plea.

The Congressman and civil rights icon was at Comic-Con to introduce the third part of his graphic novel memoir, "March"; there was plenty of news and previews at Comic-Con to keep the fanboys (and fangirls) happy.

The filmmaker leads a tour of the dwelling that houses his extensive collection of horror memorabilia and serves as his retreat; the Republican Convention had plenty of drama, but how much of it was scripted?

The annual pop culture extravaganza is underway in San Diego, with more than 100,000 fans expected to attend; CURRENT: LA chose 16 artists to make water-themed site-specific artwork around the city; "Lights Out" producer Lawrence Grey on why every big Hollywood director secretly wants to do a horror film.

Comedian Mike Birbiglia's new film is about improv, friendship and the struggles that go along with striving for your big break; "The Wolf of Wall Street" producer Red Granite Pictures is at the center of a federal complaint alleging that the film was financed with embezzled funds from Malaysia; We look into the history of pop song usage at political conventions.

R&B singer Irma Thomas never got the acclaim of Aretha Franklin or Etta James, but she is still the undisputed Soul Queen of New Orleans; actor LeVar Burton narrates the kids audio tour of The Broad museum because he's compelled to teach; after tragic shootings of police officers, the USA Network postpones its new series, "Shooter," to the fall.

Singer/songwriter Perla Batalla and playwright Oliver Mayer are collaborating on a new project about the iconic Mexican artist; California Light and Space artist Robert Irwin debuts a new work in West Texas; artists are going public with work at the Republican National Convention.

Betty Buckley offers a feminist take on Edie Bouvier in the musical "Grey Gardens," adapted from the Maysles brothers documentary of the same name; musician Rubén Guevera recounts a life in rock and roll; movie marketing in a time when real violence is all too prevalent.