The Frame

John Gerrard’s installation at LACMA is a digital simulation that recreates a Nevada solar thermal power plant and the surrounding desert landscape; how the gender imbalance among film critics can affect female-led movies; the Dodgers organist does more than just play “Take Me Out to the Ballgame.”

The two longtime friends use their boyhood home of Oakland as the setting for their tough-minded film about friendship in a changing city; "Skyscraper" writer/director Rawson Marshall Thurber on his summer blockbuster; "Black Panther" costumer Ruth Carter has tips for Comic-Con cos-players.

The chef and restaurant owner uses his experience as an immigrant to inform his PBS series, "No Passport Required"; former Obama speechwriter and current "Funny or Die" writer/producer David Litt weighs in on Sacha Baron Cohen's "Who Is America?"; the South L.A. band Inner Wave has been together for 10 years, and the members are still in their early 20s.

Gus Van Sant makes a movie about the quadriplegic cartoonist John Callahan's life in AA. And could Sacha Baron Cohen's new TV show land him in legal jeopardy? And the LA Phil brings kids to California for the 2nd annual Take A Stand Festival.

Musicians Bhi Bhiman, Gaby Moreno and Radney Foster – each in their own way – sing about the rights and suffering of immigrants. Also, we unpack the 2018 Emmy noms.

"Won't You Be My Neighbor" filmmaker Morgan Neville reveals why his documentary about Fred Rogers has become a hit movie this summer. And singer-songwriter Mary Gautier partners with veterans to make music and mend wounds.

At the Oregon Shakespeare Festival, the classic Rodgers & Hammerstein musical is re-imagined with same-sex lead couples; Warner Bros. wants to build a gondola from its lot to the Hollywood sign; this year's Smithsonian Folklife Festival featured Armenian-American musicians who are challenging traditional sounds.

On today's show: Comedian Bo Burnham has conflicted feelings about the Internet, so he addresses that angst through a young teen in his feature directing debut, "Eighth Grade"; Congress could soon pass long-overdue updates to music copyright laws that will benefit songwriters; the Filipino-American drama "Bitter Melon" screens at Outfest.

On today's show: Inside the restoration of The Beatles' animated classic from 1968; we revisit a 2013 interview with sci-fi author Harlan Ellison, who died on June 27; an initiative to increase the number of women of color in classical music.

On today's show: director Boots Riley and actress Tessa Thompson talk about one of the buzziest movies of the summer; former soccer player and current stuntman Bobby Holland Hanton talks about bad acting in the World Cup.

Artist Rafa Esparza uses traditional handmade adobe bricks in his installations and to bond with his father; Led Zeppelin goes to trial for "Stairway to Heaven" copyright case; meet MØ, a Danish pop singer with the most-played song on Spotify.

Director James Wan took a detour with "Furious 7," but he's back to the horror genre in "The Conjuring 2"; "Harry Potter and the Cursed Child" begins previews in London; Pulitzer Prize winner Caroline Shaw is one of the featured composers at the Ojai Music Festival.

"The Fits" filmmaker Anna Rose Holmer makes a coming-of-age movie that has very little dialogue but a whole lot to say; the L.A.-based band The Allah-Las found early inspiration while working at Amoeba Records; the movie "Me Before You" has revived the debate over how Hollywood portrays people with physical disabilities.

Cellist Yo-Yo Ma and his Silk Road Ensemble are the center of the new documentary, "The Music of Strangers." He reflects on what drives his passion and how music is a source of creative connection and cultural diplomacy; Dissecting where Clinton, Sanders and Drumpf stand in Hollywood on the eve of the California primary.

George C. Wolfe, an accomplished writer and theater director, talks about his Broadway musical, inspired by the 1921 show, “Shuffle Along"; The Broadway hit "Hamilton" won't be on the West Coast until 2017, but devoted fans here have figured out a way to bring it to life now.

Oscar-winning documentarian Charles Ferguson turns his camera to the climate crisis with "Time To Choose"; Stephanie Allain, Director of the L.A. Film Festival is on a mission to showcase filmmakers who Hollywood typically ignores; The rock duo The Kills are back with a new album, and they reveal why they don't have a drummer.

Comedian Quincy Jones was diagnosed with terminal cancer, but that didn't stop him from achieving his goal of filming a stand-up special. This week it airs on HBO; Fandango Fronterizo is an annual event that brings together musicians across the U.S.-Mexico border in celebration and in protest; L.A. theater company Chalk Rep mounts a play in a cluttered garage to bring an immersive experience to their audience.

Bryan Cranston is busier than ever with a number of films in various stages of production and distribution. He reflects on his life in acting — lessons learned and given; Slate culture writer Aisha Harris discusses the piece she co-wrote with Dan Kois, "The Black Film Canon: The 50 Greatest Movies by Black Directors."

"Honky" is a play by Greg Kallares that takes a humorous and provocative look at race, racism and marketing; Starting in September, Netflix will have exclusive rights to valuable Disney titles; South Africa is an increasingly popular locale for American films and TV shows.

Aziz Ansari wasn't happy with the parts he was being offered, so the comic actor created “Master of None” for Netflix; Ellis Ludwig-Leone of the band San Fermin brings together classical music and pop for his own brand of indie rock; Slate culture writer Aisha Harris previews this year's highly-anticipated slate of summer movies.

Kate Beckinsale opens up about Lady Susan, her role in "Love & Friendship," an 18th Century character who behaves very much like a 21st Century woman; DC Comics reboots its universe of familiar characters with "Rebirth"; the González siblings prepare to perform together for the first time in 20 years.

Director Susanne Bier on adapting John Le Carré's novel 'The Night Manager' for TV and lifting women filmmakers by example; meet musician Will Toledo, aka Car Seat Headrest, whose latest album is getting good reviews; Spotify is the leading streaming service with close to 100 million users, but the Swedish company isn't yet making a profit.