The Frame

John Gerrard’s installation at LACMA is a digital simulation that recreates a Nevada solar thermal power plant and the surrounding desert landscape; how the gender imbalance among film critics can affect female-led movies; the Dodgers organist does more than just play “Take Me Out to the Ballgame.”

The two longtime friends use their boyhood home of Oakland as the setting for their tough-minded film about friendship in a changing city; "Skyscraper" writer/director Rawson Marshall Thurber on his summer blockbuster; "Black Panther" costumer Ruth Carter has tips for Comic-Con cos-players.

The chef and restaurant owner uses his experience as an immigrant to inform his PBS series, "No Passport Required"; former Obama speechwriter and current "Funny or Die" writer/producer David Litt weighs in on Sacha Baron Cohen's "Who Is America?"; the South L.A. band Inner Wave has been together for 10 years, and the members are still in their early 20s.

Gus Van Sant makes a movie about the quadriplegic cartoonist John Callahan's life in AA. And could Sacha Baron Cohen's new TV show land him in legal jeopardy? And the LA Phil brings kids to California for the 2nd annual Take A Stand Festival.

Musicians Bhi Bhiman, Gaby Moreno and Radney Foster – each in their own way – sing about the rights and suffering of immigrants. Also, we unpack the 2018 Emmy noms.

"Won't You Be My Neighbor" filmmaker Morgan Neville reveals why his documentary about Fred Rogers has become a hit movie this summer. And singer-songwriter Mary Gautier partners with veterans to make music and mend wounds.

At the Oregon Shakespeare Festival, the classic Rodgers & Hammerstein musical is re-imagined with same-sex lead couples; Warner Bros. wants to build a gondola from its lot to the Hollywood sign; this year's Smithsonian Folklife Festival featured Armenian-American musicians who are challenging traditional sounds.

On today's show: Comedian Bo Burnham has conflicted feelings about the Internet, so he addresses that angst through a young teen in his feature directing debut, "Eighth Grade"; Congress could soon pass long-overdue updates to music copyright laws that will benefit songwriters; the Filipino-American drama "Bitter Melon" screens at Outfest.

On today's show: Inside the restoration of The Beatles' animated classic from 1968; we revisit a 2013 interview with sci-fi author Harlan Ellison, who died on June 27; an initiative to increase the number of women of color in classical music.

On today's show: director Boots Riley and actress Tessa Thompson talk about one of the buzziest movies of the summer; former soccer player and current stuntman Bobby Holland Hanton talks about bad acting in the World Cup.

Movie ticket sales dropped five percent in 2014, worrying studios and theater owners; filmmaker Lee Daniels talks about his foray into TV production with his new Fox series, "Empire" (pictured); Shamir is one musician to watch in 2015.

Ranking various versions of the New Year's Eve tune, from Rod Stewart to Mariah Carey to ... cats!; Christmas came early for music lovers when an L.A. record store let customers cart off 25 albums for free; the City of L.A.'s former arts czar assesses the city's place in the cultural world.

The iconoclastic theater/opera director Peter Sellars (pictured) uses Los Angeles as his base while he travels the world to mount work with themes of social justice; a new investigation concludes North Korea wasn't behind the Sony hack; and a look at the top films of 2014.

We break down the Christmas weekend box office and video-on-demand numbers for the controversial film, "The Interview"; writer/director J.C. Chandor talks about his latest film, "A Most Violent Year," starring Oscar Isaac and Jessica Chastain (pictured); David Lynch's artwork is featured in a major museum exhibition.

Alamo Drafthouse cinema on convincing Sony to release "The Interview"; The screenwriter of ‘The Imitation Game’ always wanted to tell the true story of Alan Turing; Celebrating 10 years of The Black List, the place where Oscar winners “Argo,” “Slumdog Millionaire” and “The King’s Speech” debuted; What television to binge-watch over the holidays.

Sony will allow "The Interview" to be seen after all! We talk to the founder of the Downtown Independent about his quest to get the film at his theater; The screenwriters of “Big Eyes” spent a decade trying to get their movie about kitschy art made —and it cost them dearly; Song Exploder dissects a tune from the rock band, The National; Meet the L.A. rabbi with a side job in television.

Playwright James Lapine compares the Hollywood and Broadway versions of "Into The Woods"; "Nightcrawler" writer/director Dan Gilroy weighs in on the Sony hack and "The Interview" scandal; and a Festivus for the rest of us.

Director Angelina Jolie talks about her personal commitment to bring Lou Zamperini’s story to the screen in the movie “Unbroken.” Seth Rogen and James Franco, the stars of “The Interview,” got a special shout-out from President Obama at a White House news conference.

Since you won't see "The Interview," we have a recap of the film, and two critics weigh in on whether the movie is worth all the drama; The Museum of Latin American Art in Long Beach has the first solo U.S. museum exhibition of contemporary Cuban artist Esterio Segura; and we end our Colbert Countdown.

Sony won't release "The Interview" amid threats and the largest theater chains declining to screen the film; writer/director Judd Apatow weighs in on potential harm to the industry; Day 3 of our countdown to the end of 'The Colbert Report'; Rafe Fiennes on working with Wes Anderson.

The Japanese rock star Miyavi was picked by Angelina Jolie to play a WWII prison commandant for his first acting role; what makes Stephen Colbert geek-out, and what did an appearance on "The Colbert Report" do for author Gregory Rodriguez?; artist Ben Noam looks for inspiration in a park.

Dan Sterling talks about the genesis of "The Interview" (starring James Franco, left, and Seth Rogen, right) and how North Korea's leader Kim Jong Un made his way into the script; we launch our week-long farewell tribute to "The Colbert Report."