The Frame

The new Hulu series unites themes and worlds that will be familiar to King's loyal fans; in a new episode of Song Exploder, singer-songwriter Neko Case dissects her song, "Last Lion of Albion"; why is TV's new "Batwoman" raising such a ruckus?

The Emmy-nominated actor talks about his role as the rapper Paper Boi on Donald Glover's offbeat series; film critic Justin Chang on the "flawed but vital milestone" that is "Crazy Rich Asians"; a look back at a landmark movie with an all-Asian cast: "The Joy Luck Club."

The actress, writer and musician has an Emmy nomination for directing an episode of "Portlandia"; John David Washington and the man he portrays, Ron Stallworth, in "BlacKkKlansman"; singer-songwriter Sam Buck contrasts '90s pop country with personal anecdotes of queer identity.

Desiree Akhavan talks about directing and co-writing the teen coming-of-age film, "The Miseducation of Cameron Post"; Spotify cuts a deal with Samsung, the biggest smartphone maker in the world; a new wave of protest songs by Radney Foster and Gaby Moreno.

The singer revisits work from his 50 years of writing and recording music; the semi-annual TV critics press tour has ended, so what's in store for viewers this Fall?; a new campaign calls for Hollywood to place a priority on telling stories about and by transgender people.

The Academy of Motion Picture Arts and Sciences announced some surprising changes to the Oscar broadcast today, including a new category for 'popular film'; Sarah Silverman talks about her Emmy-nominated Hulu series, "I Love You, America."

Producer David Klawans and writer Jeff Maysh find unusual real-life stories, turn them into long-form articles and pitch them to Hollywood; the Netflix docuseries "Wild Wild Country" tells the remarkable true story of the friction and violence that ensued when an Indian guru tried to create a massive utopia in Oregon in the 1980s.

The new Spike Lee film 'BlacKkKlansman' tells the amazing true story of Ron Stallworth, the black police detective who fooled the KKK into letting him join their ranks; Rosie & the Riveters play folk music with a feminist bent.

Nico sang with the influential Velvet Underground, but this film chronicles the latter part of her career and life; the U.S. Justice Dept. is reviewing a longtime prohibition on movie studios owning their own theaters; mariachi students from around the country are in SoCal for a workshop and competition

The song list is part of Turning the Tables, an ongoing project from NPR Music dedicated to recasting the popular music canon in more inclusive – and accurate – ways; With the sale of 20th Century Fox's studio to the Walt Disney Co., film historian and author Leonard Maltin looks at Fox's movie legacy.

Ira Sachs' latest is a coming-of-age film with a gentrification angle set in Brooklyn; a dinner theater in Hollywood is combining Shakespeare with '80s pop music and a chef-driven menu; screenwriter Mark Boal is trying to avoid turning over all his taped interviews with Bowe Bergdahl.

Patricia Rozema, the writer-director of "Into the Forest," says it was hard to get a film with two female leads off the ground; Stephen Colbert could face a legal challenge over the use of his former "Colbert Report" persona; the Hollywood Bowl's production of "A Chorus Line" is directed by a member of the show's original cast.

Rock the Vote, the non-profit founded by music industry pros doing PSAs on MTV, is still rockin'. The organization has hired a former Bernie Sanders operative to do marketing and was present at both the GOP and Democratic conventions; Bonnie Raitt opens up about a life in music.

Filmmaker Paul Greengrass returns to make a new Jason Bourne movie, this time with cyber security on his mind; Now that Verizon is buying Yahoo!, what will become of the search engine's streaming TV shows?; A Sophocles play gets a modern update with veterans in the cast; Bill Clinton, binge watcher.

What happens when an aspiring filmmaker works as a nanny for wealthy L.A. mothers? Naturally, she comes up with a movie idea. Writer-director Sian Heder talks motherhood, movie-making and "Tallulah;" and a “Star Wars” movie set accident that could have killed Harrison Ford ends with a guilty plea.

The Congressman and civil rights icon was at Comic-Con to introduce the third part of his graphic novel memoir, "March"; there was plenty of news and previews at Comic-Con to keep the fanboys (and fangirls) happy.

The filmmaker leads a tour of the dwelling that houses his extensive collection of horror memorabilia and serves as his retreat; the Republican Convention had plenty of drama, but how much of it was scripted?

The annual pop culture extravaganza is underway in San Diego, with more than 100,000 fans expected to attend; CURRENT: LA chose 16 artists to make water-themed site-specific artwork around the city; "Lights Out" producer Lawrence Grey on why every big Hollywood director secretly wants to do a horror film.

Comedian Mike Birbiglia's new film is about improv, friendship and the struggles that go along with striving for your big break; "The Wolf of Wall Street" producer Red Granite Pictures is at the center of a federal complaint alleging that the film was financed with embezzled funds from Malaysia; We look into the history of pop song usage at political conventions.

R&B singer Irma Thomas never got the acclaim of Aretha Franklin or Etta James, but she is still the undisputed Soul Queen of New Orleans; actor LeVar Burton narrates the kids audio tour of The Broad museum because he's compelled to teach; after tragic shootings of police officers, the USA Network postpones its new series, "Shooter," to the fall.

Singer/songwriter Perla Batalla and playwright Oliver Mayer are collaborating on a new project about the iconic Mexican artist; California Light and Space artist Robert Irwin debuts a new work in West Texas; artists are going public with work at the Republican National Convention.

Betty Buckley offers a feminist take on Edie Bouvier in the musical "Grey Gardens," adapted from the Maysles brothers documentary of the same name; musician Rubén Guevera recounts a life in rock and roll; movie marketing in a time when real violence is all too prevalent.