The Frame

The iconic Los Angeles artist is now 80 years ago and remains a vital and influential force; CBS' programming under Les Moonves was male-centric, but that's about to change; how has the FBI been depicted in film and television?

The remake that stars Bradley Cooper and Lady Gaga is getting early Oscar buzz; musician Bryce Dessner of The National is branching out through a new collaborative; how has the FBI been depicted in film and television?

The writer-director's latest is the Netflix film, "The Land of Steady Habits"; actors and characters from Middle Eastern and North African countries continue to fight stereotypes; the experimental R&B musician Tirzah stirs up a quiet storm.

Michel Gondry directed Carrey in "Eternal Sunshine of the Spotless Mind" and now they reunite for an offbeat Showtime series; Ethan Hawke dons his directing hat for "Blaze," a biopic about C&W singer Blaze Foley; in the wake of the CBS/Les Moonves mess.

The actress was honored at the Telluride Film Festival where her new film, "The Favourite," had its North American debut; speaking of film festivals: it's that time of the year for Hollywood; among the Emmy nominees for best original song is a Queen parody from the Netflix series, "Big Mouth."

Orson Welles didn't finish "The Other Side of the Wind" before he died and Neville chronicles that saga in "They'll Love Me When I'm Dead"; there won't be a Most Popular Movie award at the 2019 Oscars; the U.S. Justice Dept. charges a North Korean spy in the hack of Sony Pictures.

The Emmy-nominated actress is looking forward to season five of the series, despite the departure of creator Kenya Barris; climate change and how Californians are responding is at the core of the play, "Hole in the Sky."

The Oscar-winning actor stars in the true story of teenaged drug dealer (and FBI informant) sentenced to life in prison; the history of the abortion debate is chronicled in the documentary, "Reversing Roe."

The entire show is dedicated to coverage of Aretha Franklin’s memorial service, which was held today in Detroit. Dignitaries and prominent artists included Smokey Robinson and gospel legend Shirley Caeser.

The small festival in the Colorado resort town has a reputation for launching best picture hopefuls and winners; veteran British singer, songwriter and guitarist Richard Thompson is back with a new album; in this era of "peak TV," what's it like to watch television the old-fashioned way?

Lena Dunham's love-it-or-hate-it HBO series is ending its six-season run; Icelandic music is more than just Björk and Sigur Rós. Composers Valgeir Sigurdsson, Nico Muhly and other members of their music collective are also part of an ongoing showcase at Disney Hall.

The 14th Factory is a massive warehouse filled with installations by artists from around the world; major life changes contributed to the latest album by Tift Merritt; the Cannes Film Festival lineup is short on blockbusters, but brimming with politics.

Ever wonder what musicians hear during a concert? We sit onstage at Disney Hall during a rehearsal to find out; comic book artist Dash Shaw has made his first animated feature, “My Entire High School Sinking Into The Sea”; we help you sort through the conflicts on the Coachella Music Festival schedule.

After almost 40 years as front man of the band T.S.O.L., Jack Grisham retains his punk spirit; "The Encounter" is Simon McBurney's tour de force about an explorer of the Amazon jungle; 'Finding Oscar' looks at fallout from Guatemala's civil war.

Photographer and filmmaker Lauren Greenfield spent years documenting wealth throughout the world. Now her work is featured in a multimedia exhibit titled “Generation Wealth"; We get an update on the Writer’s Guild contract negotiations, which resumed today; With its third album, the L.A. band Jungle Fire is solidifying its tropical funk sound.

We visit a rehearsal for the CW show "Crazy Ex-Girlfriend" and meet choreographer Kat Burns, the woman behind the comedic dance routines on the show; Two correspondents for Vice on HBO talk about what it's like to cover such dangerous and emotional stories; A Middle East scholar reflects on changes "Homeland" has made to respond to criticism of the show's depiction of Muslims.

Gina Prince-Bythewood and Reggie Rock Bythewood reveal that it was a conversation with their sons about Trayvon Martin and Emmett Till that gave them the idea for the Fox event series "Shots Fired." And Andrew McCarthy found his true calling as an actor when he was a teenager, but later in life he's found that writing is his preferred form of creative expression.

Mandolin virtuoso Chris Thile balances a busy recording career with his new role as host of "A Prairie Home Companion"; How can a big company like Pepsi make such a tone-deaf ad?; The storm clouds at Disney Hall have nothing to do with the orchestra's emotional state.

Aimee Mann happily talks about her new album, "Mental Illness"; revenue was up in 2016 for record companies, but it's still half what it was at its peak; in a new episode of "Song Exploder," Norah Jones breaks down the title song from her latest album, "Day Breaks."

“Building the Wall" is a new Robert Schenkkan play that imagines the effects of President Donald Trump's immigration policies; in the era of Instagram and Snapchat, art museums are harnessing the power of their visitors' social media feeds; the Emmys are not until September, but award campaigning is underway.

The new Hulu series, co-created by Moira Buffini, has been likened to Sofia Coppola’s "Marie Antoinette" and the sharply modern feminist commentary of “Orange Is the New Black.”

Danger Mouse is an adventurous music producer whose 2004 project, “The Grey Album,” put him on the map. Since then he’s won six Grammy Awards and worked with some of the biggest names in pop. Now he has a collection of songs he imagined would be heard on the radio station on Amazon’s dystopian WWII series, “The Man in the High Castle.”