The Frame

The iconic Los Angeles artist is now 80 years ago and remains a vital and influential force; CBS' programming under Les Moonves was male-centric, but that's about to change; how has the FBI been depicted in film and television?

The remake that stars Bradley Cooper and Lady Gaga is getting early Oscar buzz; musician Bryce Dessner of The National is branching out through a new collaborative; how has the FBI been depicted in film and television?

The writer-director's latest is the Netflix film, "The Land of Steady Habits"; actors and characters from Middle Eastern and North African countries continue to fight stereotypes; the experimental R&B musician Tirzah stirs up a quiet storm.

Michel Gondry directed Carrey in "Eternal Sunshine of the Spotless Mind" and now they reunite for an offbeat Showtime series; Ethan Hawke dons his directing hat for "Blaze," a biopic about C&W singer Blaze Foley; in the wake of the CBS/Les Moonves mess.

The actress was honored at the Telluride Film Festival where her new film, "The Favourite," had its North American debut; speaking of film festivals: it's that time of the year for Hollywood; among the Emmy nominees for best original song is a Queen parody from the Netflix series, "Big Mouth."

Orson Welles didn't finish "The Other Side of the Wind" before he died and Neville chronicles that saga in "They'll Love Me When I'm Dead"; there won't be a Most Popular Movie award at the 2019 Oscars; the U.S. Justice Dept. charges a North Korean spy in the hack of Sony Pictures.

The Emmy-nominated actress is looking forward to season five of the series, despite the departure of creator Kenya Barris; climate change and how Californians are responding is at the core of the play, "Hole in the Sky."

The Oscar-winning actor stars in the true story of teenaged drug dealer (and FBI informant) sentenced to life in prison; the history of the abortion debate is chronicled in the documentary, "Reversing Roe."

The entire show is dedicated to coverage of Aretha Franklin’s memorial service, which was held today in Detroit. Dignitaries and prominent artists included Smokey Robinson and gospel legend Shirley Caeser.

The small festival in the Colorado resort town has a reputation for launching best picture hopefuls and winners; veteran British singer, songwriter and guitarist Richard Thompson is back with a new album; in this era of "peak TV," what's it like to watch television the old-fashioned way?

Filmmaker Andrew Jarecki made a feature and now an HBO documentary series (pictured) about Robert Durst, an heir-turned-suspected murderer; the comedy trio Culture Clash revisits "Chavez Ravine," about a key moment in L.A. history; "Jupiter Ascending" and "Seventh Son" are big budget box office flops.

Beyoncé (pictured) is up for six Grammys, including album of the year. Who will win trophies and who should?; Pitchfork has established itself as the go-to music website for millennials; The zombie guru from "Walking Dead" tells all; "Jupiter Ascending" is earthbound, according to critics.

In the wake of the studio's embarrassing computer hack, the co-chair of Sony Pictures will become a producer; Dick Cavett plays himself in a stage play (pictured) that recounts a famous literary feud; "Wild Tales" director Damián Szifrón's film is Argentina's entry in the Academy Awards foreign language film category.

Was Jay-Z wise to plunk down $56 million for the Aspiro music streaming company? The Decemberists (pictured) return with their seventh studio album; Frank Gehry's home was the inspiration for music commissioned by the L.A. Chamber Orchestra; Lynn Shelton talks about directing the pilot for "Fresh Off the Boat."

Director Pawel Pawlikowski on his foreign film nominee, "Ida" (pictured); "Cartel Land" director Matthew Heineman on facing danger in Mexico; "High Maintenance" is a web series that's like “Cheers,” but with weed instead of whiskey; what might Hollywood do with the sequel to “To Kill a Mockingbird"?

Recapping this year's Sundance Film Festival, and a chat with the co-directors of "Meru," which won the Audience Award for U.S. Documentary; actor Randall Park goes from the fire ("The Interview") to the frying pan ("Fresh Off the Boat," pictured).

Anna Bass and Monica Bill Barnes (pictured) imbue their choreography with humor; how the creator of 'Doc McStuffins' made her hit show that counts Michelle Obama among its fans; and two Sundance documentaries show the power of movies to liberate people’s minds.

Rick Famuyiwa, the writer-director of the 2015 Sundance favorite, "Dope," describes being at the center of one of the buzziest films at the fest; “Dear White People” filmmaker Justin Simien looks back at Sundance a year after his breakout; composer Bear McCreary rocks out on his hurdy-gurdy.

Venues for Bill Cosby's live shows sometimes can't cancel a show on their own; Alfonso Gómez-Rejón, director of Sundance favorite "Me & Earl ..." (pictured), on why the film is so personal to him; can Pivot TV's $40 million series, "Fortitude," be a hit for the fledgling network?; "Schoolhouse Rock" creators explain its origins.

Noted documentary director Alex Gibney debuts his HBO film, “Going Clear: Scientology and the Prison of Belief”; no sales record after all for Sundance darling “Me and Earl and the Dying Girl”; Jamie Cullum puts his stamp on jazz standards on his new album, "Interlude."

Awards from the Screen Actors and Producers guilds put "Birdman" (pictured) in the driver's seat for Oscars; watchdog group says "American Sniper" has inspired threats against Arab-Americans and Muslims; sex is a common theme at this year's Sundance festival; actor Tony Hale's children's book.

Karina Canellakis (pictured) is a conductor who does double duty as a violinist, often at the same time; The Frame host John Horn reports from the Sundance Film Festival, where filmmaker Benson Lee returns with a new movie, "Seoul Searching."