The Frame

The iconic Los Angeles artist is now 80 years ago and remains a vital and influential force; CBS' programming under Les Moonves was male-centric, but that's about to change; how has the FBI been depicted in film and television?

The remake that stars Bradley Cooper and Lady Gaga is getting early Oscar buzz; musician Bryce Dessner of The National is branching out through a new collaborative; how has the FBI been depicted in film and television?

The writer-director's latest is the Netflix film, "The Land of Steady Habits"; actors and characters from Middle Eastern and North African countries continue to fight stereotypes; the experimental R&B musician Tirzah stirs up a quiet storm.

Michel Gondry directed Carrey in "Eternal Sunshine of the Spotless Mind" and now they reunite for an offbeat Showtime series; Ethan Hawke dons his directing hat for "Blaze," a biopic about C&W singer Blaze Foley; in the wake of the CBS/Les Moonves mess.

The actress was honored at the Telluride Film Festival where her new film, "The Favourite," had its North American debut; speaking of film festivals: it's that time of the year for Hollywood; among the Emmy nominees for best original song is a Queen parody from the Netflix series, "Big Mouth."

Orson Welles didn't finish "The Other Side of the Wind" before he died and Neville chronicles that saga in "They'll Love Me When I'm Dead"; there won't be a Most Popular Movie award at the 2019 Oscars; the U.S. Justice Dept. charges a North Korean spy in the hack of Sony Pictures.

The Emmy-nominated actress is looking forward to season five of the series, despite the departure of creator Kenya Barris; climate change and how Californians are responding is at the core of the play, "Hole in the Sky."

The Oscar-winning actor stars in the true story of teenaged drug dealer (and FBI informant) sentenced to life in prison; the history of the abortion debate is chronicled in the documentary, "Reversing Roe."

The entire show is dedicated to coverage of Aretha Franklin’s memorial service, which was held today in Detroit. Dignitaries and prominent artists included Smokey Robinson and gospel legend Shirley Caeser.

The small festival in the Colorado resort town has a reputation for launching best picture hopefuls and winners; veteran British singer, songwriter and guitarist Richard Thompson is back with a new album; in this era of "peak TV," what's it like to watch television the old-fashioned way?

Fifteen young musicians from L.A. are collaborating with counterparts from the Japanese region struck by disaster four years ago (pictured); Burger Records has built a mini-indie empire in Southern California; Alex Gibney's documentary about the Church of Scientology debuts on HBO.

The Youth Orchestra is in Japan to conduct some teenage musical diplomacy (pictured); "Marilyn Forever" gives the Hollywood icon the opera treatment; Chapman University's film program decides to compete at the multiplex; Rihanna’s singing career just collided with her film career — and not in a good way.

Considering the success of TV shows such as "Fresh Off the Boat" (pictured), two casting directors discuss whether the demand for diversity has turned into a new form of affirmative action; filmmaker Noah Baumbach joins us for a discussion about his new film, "While We're Young."

Last year, for the first time, the record industry made more money from streaming services than from the sale of CDs; British singer/songwriter Laura Marling (pictured) talks about her love-hate relationship with L.A.; “Justified” creator Graham Yost on how the show maintained its spirit after the death of co-creator, Elmore Leonard.

NPR music critic Ann Powers provides a rundown of standout acts, including Leon Bridges (pictured), at SxSW; Twin Shadow goes from indie rock to pop music on his latest album, “Eclipse"; Lacey Schwartz talks about uncovering her secret racial identity in her documentary, "Little White Lie."

This weekend GLAAD honors entertainment and media that best represent LGBT characters. But handing out awards isn’t the group's only job in Hollywood; Why the Iranian band Kiosk had to flee their country to fully realize their art; Suge Knight's bail is set to $25 million, and his lawyers accuse the prosecution of equating Knight with "Empire."

James Corden reveals his hopes and fears as host of the revamped "Late Late Show." Actor Ethan Hawke and pianist Seymour Bernstein talk stage fright and their new documentary. Mr. T gets a reality show gig.

ASCAP president and board chairman Paul Williams (pictured) advocates better pay for songwriters; The Emmys define TV comedies by length; Hammer Museum celebrates the work of artist Charles Atlas.

Apple plans to offer an online package of 25 TV channels including ABC, CBS and FOX, perhaps as soon as this fall; singer/songwriter Tobias Jesso Jr. turned his misfortune into a music career that's blowing up.

Violinist Bing Wang (pictured) is one of the 120-plus L.A. Philharmonic musicians on a two-week tour of Asia; HBO's "The Jinx" is just the latest documentary to play a key role in a criminal case; hanging out with the dudes at the 14th annual celebration of "The Big Lebowski."

How is SxSW in Austin different from all other film festivals?; artist Charles Gaines (pictured) reflects on being black in the art world and gets a retrospective of his very own at the Hammer Museum.

The L.A. Philharmonic is set to leave on a tour of Asia, where it will make its first visit to mainland China and conductor Gustavo Dudamel will work with a youth orchestra born out of the Fukushima disaster in Japan; We take an audio tour of the Bjork exhibit at MOMA that's generating so much snark