The Frame

The writer-director called on some of her own experiences for the semi-autobiographical film about a troubled standup comic; diversity in Hollywood is depicted as writers are asked to #ShowUsYourRoom; the soundtrack for 'The House with a Clock in its Walls' makes use of a vintage instrument.

A dying man is hired to deliver a message to a recent suicide victim in "The Untranslatable Secrets of Nikki Corona"; Latino Vietnam veterans share their experiences in the play, “Ring Of Red: A Barrio Story;” at age 38, violinist Hilary Hahn's already had a long career.

Alex Honnold's daring climb of Yosemite's famous rock formation is chronicled in a new National Geographic documentary; with Bill Cosby's sentencing hearing this week, and other disgraced entertainment figures re-entering the arena, culture critic Megan Garber examines the “familiarity fallacy” and “accountability theater.”

The Prince archive releases songs that the artist may not have wanted the public to hear; Director Tom Shadyac once made movies with Jim Carrey and Eddie Murphy but his new film is no joke; Spotify's co-dependent relationship with the music biz gets tense.

"Monsters and Men," director Reinaldo Marcus Green's feature debut, examines the complicated fallout of a fatal police shooting of an unarmed black man; the LA Film Festival kicks off today.

The site-specific show at the Huntington's Chinese Garden weaves a story that merges Latino and Chinese elements; the U.S. Senate passes the long-awaited Music Modernization Act; the Los Angeles legacy of jazz musician Alice Coltrane.

HBO and the streaming services dominated the night as the broadcast networks face an increasingly daunting future.

Bekah Brunstetter's play is about a conservative Christian baker who is asked to make a cake for a lesbian wedding — and one of the women is an old friend; yes, the Emmys are tonight, but who might win next year's trophies?; looking back with punk pioneer Ana da Silva.

Hear what it takes to get an Emmy nomination from 13 people who have one (or more). Guests include: Brian Tyree Henry, Sarah Paulson, Bill Hader, Carrie Brownstein and Nikolaj Coster-Waldau. Plus, the creators of "Glow" and "Black-ish." This Emmy special is co-hosted by The Frame's John Horn and LA Times TV critic Lorraine Ali who discuss the social and political relevance of television in this 2017-18 season.

Jim Stern shot his documentary during the 2016 presidential campaign, seeking insights into the support for Donald Trump; the advent of smart phones has changed the world of fashion photography; why is it suddenly more difficult for foreign artists to obtain visas to the U.S.?

Joe Weisberg and Joel Field, writers and executive producers for "The Americans," talk about the joy and surprise at getting the nominations that long eluded the show; Emmy-nominated hairstylist Amanda Mofield shares her secrets for creating hundreds of looks for "Key & Peele;" "Ghostbusters" screenwriter Katie Dippold defends her movie against critics.

Neil Druckmann is a writer and creative director who has won acclaim for his cinematic approach to video games such as "The Last of Us" and "Uncharted 4"; Eric Glatt was a lead plaintiff in a class action lawsuit against Fox Searchlight after working as an unpaid intern on "The Black Swan." The case has settled, but his mission to challenge what he calls "wage theft" continues.

Chris Kelly, the writer-director of "Other People," shares the personal story behind his film about a gay son and his terminally ill mother; Nintendo's Pokemon franchise has been revived with an augmented reality phone app that's sweeping the nation; the Exceptional Minds School trains people on the autism spectrum for visual effects careers in Hollywood.

The recent spate of killings of African-Americans by police officers has inspired new protest songs and political acts by Jay-Z, the singer Miguel, Beyoncé, and Snoop Dogg; the writer and director of the new movie "The Infiltrator" are also mother and son; a top rock 'n' roll tour manager shares tales from his unglamorous life on the road.

In the wake of the past week's violence around the country, we hear from artists who see it as their duty to also be activists. Among the voices: poet Claudia Rankine, comedian Jerrod Carmichael and singer Aloe Blacc.

Aloe Blacc considers himself an "artivist" — equal parts artist and activist — and it's evident in his hopeful and soulful sound; Amazon's content division has added a new platform for the growing world of podcasts; why did a Variety film critic pick on Renee Zellweger's appearance?

Matt Ross may be most known for playing Gavin Belson, a narcissistic executive on the HBO show "Silicon Valley" but he's also a filmmaker. He's written and directed the new movie "Captain Fantastic," in which Viggo Mortensen plays a father of six children living off the grid; a former convict became a gifted guitar maker through the state's prison arts program.

Composer Cliff Martinez shares his philosophy on movie music and stories from his collaborations with Nicolas Winding Refn ("The Neon Demon," "Drive") and Steven Soderbergh ("Contagion," "The Knick"); how singer-songwriter Kandace Springs was inspired by her father and mentored by Prince; why the holiday weekend left Spielberg's "The BFG" wanting.

Roseanne Barr ran for the U.S. presidency in 2012 and a lot of people didn’t take her seriously. She came in 6th place in the general election and now she’s the subject of a documentary about her bid for the White House called “Roseanne for President!”; Academy of Motion Picture Arts and Sciences members are voting for who will lead them on the Board of Governors into this new era. We hear from three people running for election

Comedians Paul Scheer and Rob Huebel talk about moving their stand-up comedy show into a bus and out onto the streets of L.A.; Artist Martine Syms on her short film "Laughing Gas" now on display at "Made In L.A." at the Hammer Museum; Nielsen independently assembled ratings for three streaming shows: “Orange is the New Black," “Better Call Saul" and “Seinfeld."

July 1 is a big day for Sara Watkins: her new solo album is out and she performs on Garrison Keillor’s final “Prairie Home Companion"; Academy president Cheryl Boone Isaacs discusses the latest effort to diversify the historically white, male Hollywood institution; veteran visual effects supervisor Ellen Poon on what she learned in her first year as an Academy member.

Paul Dini went from writing Batman stories to mining his own traumatic history in the graphic novel “Dark Knight: A True Batman Story”; NBC is going all-in on Summer Olympic coverage like you've never seen; inside a bootcamp for Broadway dreamers with pros such as Taye Diggs.