The Frame

The writer-director called on some of her own experiences for the semi-autobiographical film about a troubled standup comic; diversity in Hollywood is depicted as writers are asked to #ShowUsYourRoom; the soundtrack for 'The House with a Clock in its Walls' makes use of a vintage instrument.

A dying man is hired to deliver a message to a recent suicide victim in "The Untranslatable Secrets of Nikki Corona"; Latino Vietnam veterans share their experiences in the play, “Ring Of Red: A Barrio Story;” at age 38, violinist Hilary Hahn's already had a long career.

Alex Honnold's daring climb of Yosemite's famous rock formation is chronicled in a new National Geographic documentary; with Bill Cosby's sentencing hearing this week, and other disgraced entertainment figures re-entering the arena, culture critic Megan Garber examines the “familiarity fallacy” and “accountability theater.”

The Prince archive releases songs that the artist may not have wanted the public to hear; Director Tom Shadyac once made movies with Jim Carrey and Eddie Murphy but his new film is no joke; Spotify's co-dependent relationship with the music biz gets tense.

"Monsters and Men," director Reinaldo Marcus Green's feature debut, examines the complicated fallout of a fatal police shooting of an unarmed black man; the LA Film Festival kicks off today.

The site-specific show at the Huntington's Chinese Garden weaves a story that merges Latino and Chinese elements; the U.S. Senate passes the long-awaited Music Modernization Act; the Los Angeles legacy of jazz musician Alice Coltrane.

HBO and the streaming services dominated the night as the broadcast networks face an increasingly daunting future.

Bekah Brunstetter's play is about a conservative Christian baker who is asked to make a cake for a lesbian wedding — and one of the women is an old friend; yes, the Emmys are tonight, but who might win next year's trophies?; looking back with punk pioneer Ana da Silva.

Hear what it takes to get an Emmy nomination from 13 people who have one (or more). Guests include: Brian Tyree Henry, Sarah Paulson, Bill Hader, Carrie Brownstein and Nikolaj Coster-Waldau. Plus, the creators of "Glow" and "Black-ish." This Emmy special is co-hosted by The Frame's John Horn and LA Times TV critic Lorraine Ali who discuss the social and political relevance of television in this 2017-18 season.

Jim Stern shot his documentary during the 2016 presidential campaign, seeking insights into the support for Donald Trump; the advent of smart phones has changed the world of fashion photography; why is it suddenly more difficult for foreign artists to obtain visas to the U.S.?

As the actress wraps up the final season of "Veep," she looks back and ahead; why are so many theater productions based on old movies and TV shows?

The music producer has worked with Randy Newman, Elvis Costello, Bonnie Raitt and Los Lobos, and occasionally releases his own music; highlights and lowlights from week one of Coachella; the Write Girl program provides mentoring for teens by actors and writers.

Emma Thompson dropped out of a Skydance movie after the studio hired disgraced former Pixar CEO, John Lasseter. The she wrote a public letter about it. She tells us why. We discuss what's next in the on-going fight between the WGA and talent agencies. And we sample new features coming to a movie theater near you.

The comedian's new Hulu series is a fictionalized version of his life growing up in New Jersey as the son of Egyptian immigrant parents; inside the memorial service for Nipsey Hussle; the all-girl Japanese band, Chai.

Re-animated artists have become a big part of the concert business, now including Buddy Holly, Roy Orbison and opera star Maria Callas; why is Netflix buying the Egyptian Theatre?; an experimental production of "King Lear" leaves the king offstage.

The Tony Award-winning actor takes on the role of newsman Howard Beale in a stage adaptation of the 1976 movie; with 'Game of Thrones' about to resume, we visit with the show's weapons master.

Since going viral after the 2017 Women's March, the song by MILCK has taken on a life of its own; what's in store for fans at Coachella this weekend?; the indie hip-hop duo Closegood blends experimental hip-hop with poetry and emo music.

The company specializes in abridged versions of The Bard's works that are played strictly for yuks; what are the challenges facing movie theater owners?; Yo-Yo Ma is embarked on a wildly ambitious Bach Project.

Emilio Estevez writes, directs and stars in the movie, about a library that's a refuge for homeless patrons; "Fresh Off The Boat" hits 100 episodes – what is its lasting impact on the TV landscape?; at CinemaCon, AMC announced theaters in Saudi Arabia, and Helen Mirren yells "F--- Netflix."

The singer's 1972 gospel concert film finally arrives in theaters after decades of technical and legal challenges; the Gay Men's Chorus of Los Angeles is trying to move on from leadership controversies; the Los Angeles Poverty Department has been making theater with the residents of Skid Row for nearly 35 years.

The annual exhibit of site-specific public art has visitors flocking to the Palm Springs area for more than the usual fun-in-the-sun; rapper Nipsey Hussle left behind a legacy of music and community activism.