The Frame

Lady Gaga’s song “Shallow,” from the movie “A Star is Born,” earned four Grammy nominations today and it's an Oscar favorite too. Meet Mark Ronson, the man who co-wrote and produced it; Shirley Halperin, executive editor for music at Variety, talks about the other 2019 Grammy nominees; who should host the Oscars?

Alexis Bloom's documentary examines the life and career of the late political operative and TV news executive; how casting agents get pulled into sexual harassment incidents; an ex-pat Iranian composer maintains his musical ties.

Director Josie Rourke talks about her mission to reconsider history through a modern perspective on gender, power and sexuality; former L.A. Philharmonic music director Esa-Pekka Salonen will succeed Michael Tilson Thomas at the San Francisco Symphony; two generations of African-American harpists talk about their musical tradition.

The pianist and composer talks about and performs music from the movie about Don Shirley; what were the most streamed songs and albums of 2018?

Gabriel Cordell's attempt to roll across the country in a manual wheelchair is the subject of Lisa France's documentary; the endless options for TV cord-cutters

Executive producer Eric Newman talks about pivoting the focus of the Netflix series from Colombia to Mexico; YouTube is scaling back the scripted output for its streaming service; music veterans Dave Alvin and Jimmie Dale Gilmore collaborate on an album, "Downey to Lubbock."

Yalitza Aparicio went from being a fledgling school teacher to playing a pivotal role in Alfonso Cuarón's "Roma"; the New York Times reports that a faded talent agent and an actress client of his could ruin Les Moonves' chance of receiving any severance from CBS; this season's crop of new Christmas music has a little bit of everything.

The filmmaker has made some downright odd movies (e.g., "The Lobster"), but he takes a more accessible route with his new period drama; Emma Stone talks about her role in "The Favourite"; who's getting into the 2019 Sundance Film Festival?

The playwright and director talks about the real-life events in California's Central Valley that inspired the WWII-era drama, "Valley of the Heart"; Fox Nation launches as a streaming service; the pioneering post-punk band, The Raincoats.

The former Monty Python member revisits his life and career in the memoir, "Always Look on the Bright Side of Life: A Sortabiography"; Luciana Souza puts Leonard Cohen poems to music.

Adam Driver went from the Marines to Julliard where he tapped into his emotions, now he's one of the best actors of his generation. Indie rocker Liz Phair reconsiders how singing about sex got her pigeon-holed. And why is China mad at "South Park"? Plus, "Parasite" filmmaker Bong Joon-Ho tackles class dynamics and economic inequality inside a funny film.

The singer, who has roots in both Mexico and the U.S., takes on issues of the day in her latest album; what we know about the re-named Michael Jackson musical; R&B singer Michael Marshall transforms a '60s hippie anthem for "The Last Black Man in San Francisco."

An exhibit at the Annenberg Space for Photography depicts barriers all over the world — from prisons to refugee camps to fences at the U.S./Mexico border; studio musicians are seeking streaming revenue; singer-songwriter Nilüfer Yanya.

The South Korean director blends horror, comedy and sci-fi into an entertaining story about class struggle; "South Park" is banned in China; Nellie McKay moves her quirky music to the stage.

The actor's solo show examines the dark and often funny work of absurdist playwright, Samuel Beckett; how is "cancel culture" affecting pop culture?; Janet Jackson's “Rhythm Nation 1814” turns 30.

Antonio Banderas talks about reuniting with Pedro Almodóvar for "Pain and Glory"; how is "Cancel Culture" affecting what we see and hear?; the documentary "Diego Maradona"; the creators of Amazon's "Undone"; and the latest from singers Lupita Infante, Jay Som and Gaby Moreno.

The veteran R&B singer has had a long stop-and-start career, but she's still demonstrating her sense of adventure and musical curiosity; James Franco faces a lawsuit that alleges sexual harassment at his former acting school; "Joker" composer Hildur Guðnadóttir.

Forty years after its release, Alexandre Philippe's documentary looks back at Ridley Scott's landmark film; how is Warner Bros. marketing "Joker"?; “Variedades: Little Central America, 1984” is a theatrical performance that puts today’s migration crisis in conversation with the past.

The actor plays a film director in Pedro Almodóvar's autobiographical film; Plácido Domingo resigns as general director of L.A. Opera.

The new HBO documentary by Asif Kapadia examines the life and career of the talented and troubled soccer legend; living in the era of Big Podcast; Gaby Moreno's new album; Jessye Norman, RIP.

The documentary, shot entirely on cell phones, follows an Afghani family's efforts to flee the Taliban and seek asylum; the Endeavor talent agency's growth plan hits a snag; singer/songwriter Jay Som.

Jill Soloway closes out "Transparent" with a massive musical finale; Robbie Roberston and Rhiannon Giddens each reflect on their lives in music, we hear the remarkable story of "Unbelievable" and look back at Janet Jackson's 1989 album Rhythm Nation.