The Frame

"The Apprentice" creator Mark Burnett is the subject of a riveting, comprehensive story in The New Yorker; Sony Music is reportedly dropping R. Kelly; Isabella Rossellini is the ringleader of an animal circus!

The playwright talks about his latest production, which revolves around a man going through a divorce and an epic mid-life crisis; the band Los Texmaniacs has a timely remake of a Woody Guthrie song about farmworkers.

The much-hyped Fyre Festival seemed to good to be true —and, as a new Netflix documentary shows, that was sadly the case; YouTube's struggles to police user-generated content; the influential artist and critic Manny Farber.

The 21-year-old singer who prefers to remain anonymous is nominated for Album of the Year and Best New Artist; NBC Universal joins the crowded field of streaming services; the Spanish singer Rosalía is putting a fresh spin on flamenco.

The company led by Benjamin Millepied is presenting its first full season in its new home in L.A.'s Arts District; a former Weinstein Company film, "The Upside," won the box office this weekend. What has become of all the former Weinstein properties?; generations of African-American harpists bond over their connection to a pioneer of the genre.

The remake with Bradley Cooper and Lady Gaga is the only movie nominated in all 11 guild and film society award competitions; Merrill Markoe and Megan Koester chat about their audiobook, "The Indignities of Being a Woman"; the venerable country-swing band Asleep at the Wheel is still rollin' along.

Series creator Michael Schur and one of the show's key writers, Jen Statsky, talk about the ways that the cast and crew take their own research and turn it into a hit show; John Lasseter was ousted from Pixar over inappropriate behavior, and his hiring at another studio has created a furor.

In 2018, for the first time in the 90-year history of the Academy Awards, a woman was nominated for cinematography. Why did this recognition take so long?; L.A.-based singer/songwriters recently gathered in Topanga Canyon to share their works; on Song Exploder, Yo-Yo Ma deconstructs one of his signature Bach performances.

The film just received a Writers Guild Award nomination for Best Adapted Screenplay and is considered a contender for several Academy Award nods; 'Surviving R. Kelly' revisits scathing accusations against the singer; The Count Basie Orchestra swings its way to another Grammy nomination.

The photographer's wide-ranging vision is on exhibit at the Fahey/Klein Gallery in Los Angeles; Eugene Jarecki's Elvis Presley documentary, "The King," has a Grammy nomination for Best Music Film.

Between "Portlandia," "Documentary Now" and "Seth Meyers: Late Night," Fred Armisen may be the hardest working man in show business; since its release in May, Ezra Edelman's "O.J.: Made in America" continues to resonate as a chronicle of the relationship between African-Americans and law enforcement.

Google announced a slew of new products today, including the Pixel phone, Chromecast Ultra and the Daydream VR headset; Willie Bobo was a Latin music legend from the '60s-'80s. His son, Eric, has assembled an album of his father's previously unreleased music; for 40 years, filmmaker Terrence Malick has been working on a documentary about the origins of the universe. We talk to the producers who shepherded the project into existence.

We debate the issues surrounding the film, "The Birth of a Nation," and its writer-director-star, Nate Parker; remembering two L.A. cultural icons: Gordon Davidson of the Center Theatre Group and conductor Sir Neville Marriner, the first music director of the Los Angeles Chamber Orchestra.

The creators of “For the Record” build cabaret-like stage shows around classic pop songs used by top filmmakers; "Saturday Night Live" returns in the heat of the presidential campaign; L.A. singer-songwriter Devendra Banhart uses the city as inspiration on his latest album.

Bell says the title of his new comedy album refers to his being called on as a news show commentator only after more prominent people are unavailable; Kirsten Johnson is an award-winning documentary cinematographer who has woven footage from her 25-year career into a documentary memoir called “Cameraperson."

Filmmaker Andrea Arnold cast “American Honey” with amateur actors, including Sasha Lane, who was discovered on a beach in Florida; the Wanda Group's purchase of American movie theaters and production companies has some members of Congress worried; there's an effort to make vinyl copies of a recording of life on earth that was sent into outer space.

The success of "Between Two Ferns" with Hillary Clinton explains why Funny or Die opened a bureau in the nation's capitol; a new state bill aims to prevent websites like IMDb from publishing the age of actors and actresses; Grammy nominee Austin Wintory composed the music for the new video game, "Abzu."

Director Mira Nair's new movie, "Queen of Katwe," tells an inspirational story that's set in Uganda, showing a side of Africa not often seen in big studio movies; TV producers are high on reboots and remakes, with no sign of slowing; photographer Phil Toledano's bizarre attempt to deal with his death anxiety is documented in the film, "The Many Sad Fates of Mr. Toledano"

Rankine, whose poetry has examined everyday racism in America, and Wolfe, whose music addresses issues of the American worker, were both named MacArthur Foundation fellows; as the Fall TV season launches, we visit with producer Betsy Beers at Shondaland, one of the most successful companies in the industry.

Diavolo Dance Theatre is reinventing modern dance by combing architecture and wildly physical choreography; media critics have been piling on NBC for going soft on the GOP nominee, and now late night host Samantha Bee has joined the fray; Richard Nelson keeps his election-themed plays current by writing until the last minute.

The new documentary, “The Lovers and the Despot,” tells the true story of what happened in 1978 when Kim Jong-il ordered the kidnapping of a filmmaking couple from South Korea to jumpstart North Korea's movie industry; William Bell has revived the classic Stax sound; a new report shows that the music business is actually making money in the streaming age.

Playwright and performer Lucy Alibar draws on her Southern childhood for “Throw Me on the Burnpile and Light Me Up"; Aziz Ansari and Alan Yang, who won a writing Emmy for "Master of None," talk about their approach to diversity; the Toronto International Film Festival kicked off a lot of Academy Award talk.