The Frame

In "Girl" director Lukas Dhont tells the true story of trans dancer Nora Monsecour and he defends his choice to cast a cis-male in the lead role; Hollywood Screenwriters argue with their talent agencies saying they're putting their companies' interests ahead of their clients.

Laure de Clermont-Tonnerre's feature film debut is about a former inmate sent to a rehab program to train wild horses; a new study from the Berklee School examines at women in the music industry; a report from the SxSW Film Festival in Austin.

The filmmaker directs an HBO docu-series about the murder case made famous in the podcast, "Serial"; drummer Antonio Sanchez, who created the percussion score for the film, "Birdman," is performing his album, "Bad Hombre," live for the first time.

The playwright's drama, set in Northern Ireland during "The Troubles," is based on a real story; Spotify and other streaming services balk at paying more to songwriters; "Captain Marvel" is female-centric, down to the music.

It's hard to gain traction in the oversaturated podcast market, but Wondery has become know for its deep dives into true crime stories; one-half of Kevin & Bean is calling it quits; comedian Angelina Spicer found humor in her darkest moments.

A new documentary includes never-before-seen footage and newly discovered audio recordings to dramatize the 1969 moon landing.

"Gloria Bell," starring Julianne Moore, is a remake of the 2013 Chilean film "Gloria." Both are directed by Sebastián Lelio who celebrates a character usually sidelined in traditional movies. And we meet the Portland-based group Y LA BAMBA and we what learn what China can teach the world about music streaming.

He's a co-founder of the rock band The National, but also a sought-after composer of contemporary classical works; Dan Reed, director of the Michael Jackson documentary, "Leaving Neverland," on how his film came together; celebrating the 100th anniversary of the theremin.

Series co-creators Anna Konkle and Maya Erskine talk about capturing the awkward and hilarious middle school experience; Martin Scorsese may be forcing Netflix to change its theatrical screening strategy.

The actor didn't imagine he would write and direct the adaptation of "The Boy Who Harnessed The Wind," but that's what happened; composer, conductor and pianist André Previn has died; Van Nuys High School students collaborate with the L.A. Master Chorale.

Chiwetel Ejiofor plays a scientist in “Z for Zachariah,” an apocalypse movie unlike any you’ve seen; Jenny Yang and Keiko Agena created a comedy festival as a showcase for Asian-American performers; actors really get tipsy on "Drunk History," which is exactly what creator Derek Waters wants.

Jeffrey Tambor and the "Transparent" cast and crew are shooting the second season of the hit show, which has garnered 11 Emmy nominations; a scene in the postponed season finale of "Mr. Robot" rekindles the debate over gun violence on television.

Lili Zanuck worked decades to produce her biopic of blues singer Bessie Smith, and to make sure Queen Latifah got the lead role; Sony bought the rights to 33 Van Morrison albums and will make many available digitally for the first time; Rob Cordrry and David Wain on making their spoof of medical dramas.

José Padilha tells the story of Pablo Escobar in the new Netflix series, "Narcos;" The indie band Gardens and Villa has an artist compound near Dodger Stadium; Warner Bros. is in talks to co-finance a slate of movies made in China; 40 years ago today, Bruce Springsteen released his landmark album, “Born to Run.”

Yo La Tengo's new album has the trio reimagining songs they love by other artists; Regal Cinemas steps up security measures at movie theaters; Emmy-nominated actor Titus Burgess from "Unbreakable Kimmy Schmidt"; Neil Young's Pono needs money

Jim Reid says he couldn't imagine the band's 1985 debut album, "Psychocandy," remaining popular 30 years later; "Sneakerheadz" is a documentary about obsessive sneaker collectors; writer Steven Johnson says the digital age has not brought on the expected apocalypse for the creative class.

Doug Aitken didn't want a traditional documentary about his music and art-filled train project, so he instead made 62 one-minute films; FYF founder Sean Carlson talks about the music festival's growing pains; for bands like Lower Dens and The Drums, FYF is another stop on a never-ending road trip.

"Jackass" stunt master Johnny Knoxville made a documentary, "Being Evel," about his childhood hero; Mac Quayle went from producing dance music for the likes of Donna Summer to composing music for TV shows such as "American Horror Story"; a vote by SAG-AFTRA members could chart the future for Hollywood's biggest union.

“Straight Outta Compton" received rave reviews, but some critics say the movie minimizes the misogyny and violence against women at the heart of N.W.A.’s music; The L.A. band Health continues to rise in the music scene, but is the band at its peak?; poet Claudia Rankine’s book on racism and prejudice gets adapted to the stage.

Ice Cube is played by his son in "Straight Outta Compton" and the father/son duo tell us how they wanted the performance to be authentic; Guy Ritchie's "The Man From U.N.C.L.E." isn't your average, everyday spy movie; Star Wars Land and other Disney-related news from D23; Tracy Morgan to return as host of SNL.

OITNB's Crazy Eyes actress Uzo Aduba embraces her Nigerian looks; African-American artist Mark Bradford puts a unique South L.A. spin on abstract art; How we watch TV today hurts the market value of traditional media companies.

Cinespia lures Angelenos to the Hollywood Forever Cemetery for outdoor movies; The 50th anniversary of the Watts Riots inspires a new play; Sarah and Sean Watkins make an album with Fiona Apple and other friends who play in their Watkins Family Hour stage show