The Frame

The singer and bassist experiments with a variety of styles on her latest album, with each song corresponding to different body parts; the Fox Network has some decisions to make about the future of "Empire" and its co-star, Jussie Smollett.

Alison Klayman's documentary follows the former White House strategist since his departure from the Trump Administration; the Autry Museum is seeking to sell the historic Southwest Museum property in Highland Park; the Open Fist Theatre Company examines the political landscape in "What Matters Now?"

The musician plays cello, guitar and banjo, and displays those talents on her album, “The Capitalist Blues”; Apple unveils its plans for streaming movies and TV content; playwright Sarah DeLappe's "The Wolves" has its L.A. premiere

The actor hosts the latest from Adam McKay, who's known for taking on serious subects, but adding a major dose of humor.

The actor's one-man show, "Lackawanna Blues," captures the colorful world of the 1950s boardinghouse in upstate New York that was his childhood home.

The David Hare play at Boston Court is set in 1895 — the best and the worst of times for the playwright; Disney's purchase of the Fox studios is final. Now what?; singer Emily King opts for a change of 'Scenery'

In the new Hulu series, the actress plays a teenage girl whose mother raised her to believe she was plagued by a range of physical and cognitive ailments.

In "The Inventor" Alex Gibney turns his camera on one of the biggest scammers in modern history– Elizabeth Holmes and her company, Theranos. Then, the surfer guitarist Dick Dale has died leaving behind a raucous musical legacy.

“The Highwaymen” tells the true story of the Frank Hamer and Maney Gault who finally took down the 1930’s outlaws Bonnie and Clyde after the FBI were unable to do it.

If you've ever been confused about bitcoin, wondered if counterfeiting is really that big of a deal, or been curious about how exactly money laundering works, Kal Penn will help you figure it out in the Amazon series "This Giant Beast That is the Global Economy."

Bill Maher’s use of a racial epithet on his HBO show has led to calls for Maher's firing and ignited debate over who can say the N-word. We get reaction from NPR's Karen Grigsby Bates and "Dear White People" filmmaker Justin Simien; Brett Haley's new movie, “The Hero," looks at our admiration of cinematic heroes through the life of an aging actor whose public persona is defined by a role he played on screen.

Artist Jeff Koons has his detractors, but he is an undeniable force in contemporary art; blues veterans Taj Mahal and Keb' Mo' have finally made an album together; George Pérez is the DC Comics writer and artist who revived "Wonder Woman" in the 1980s.

Between the White House Correspondents Dinner, his "Daily Show" gig and Netflix special, comedian Hasan Minjaj is having a good year; a playwriting workshop tries to help veterans re-connect with civilian life; Spotify settles a class action lawsuit that was filed by songwriters claiming they weren’t being properly compensated.

Sheila Nevins talks about how she navigated the workforce early in her career as assumptions about women were changing in America; Now that the DGA and WGA contracts are signed, it’s time for SAG-AFTRA to step to the negotiating table; Mexican-American singer Lila Downs has a new album that takes the romantic ballad genre known as bolero and pairs it with topical lyrics.

After a performance in blackface at an inaugural gala for President Ronald Reagan in 1981, Ben Vereen's career suffered. Artist Edgar Arceneaux has written an experimental play that explores the Broadway legend's intent; Vulture.com's Kyle Buchanan gives a recap on the most striking moments of this year's Cannes Film Festival.

Reed Morano talks about being executive producer and director for the first three episodes of "The Handmaid's Tale"; Zoe Lister-Jones' directed "Band Aid" with marriage and music in mind.

Yuja Wang is an internationally recognized piano genius who is in L.A. for the next two weeks to perform Bartók's piano concertos with the L.A. Phil; David Michod talks about how he’d been looking to make a film about America’s wars in Iraq and Afghanistan for about a decade before he came across Michael Hastings’ book.

Luhrmann's love of hip-hop history brought him on to the series 'The Get Down' which Netflix has just decided not to renew for a second season. He discusses his first foray into television– an ambitious project that Luhrmann says was like producing a Broadway show in every episode. And The Frame visits writer-director Robin Swicord on the set of her Bryan Cranston-Jennifer Garner movie 'Wakefield.'

"Long Strange Trip" documents how The Grateful Dead found its sound and made Jerry Garcia a reluctant leader. "Wait Wait Don't Kill Me" is a podcast musical that satirizes the podcast "Serial," but it's also about our fascination with true crime and murder. Can Snapchat build an audience for short form shows by well-known TV celebs like Conan O'Brien?

Documentary filmmaker Ryan White's investigation of a nun's murder led to uncovering a sex abuse scandal in Baltimore; music critic Ann Powers on the connection between young girls and live music.

"Black Mirror" creator Charlie Brooker and co-executive producer Annabel Jones on their sci-fi show that has become a touchstone for certain moments in real life; promoters of the ill-fated Fyre Festival are reportedly facing a federal fraud investigation.

'Guardians of the Galaxy' director James Gunn opens up about how Marvel Comics and Alice Cooper made him realize he wasn't alone in the world. He explains the importance of score and music to the success of the 'Guardians' franchise; Daniel Fienberg, TV critic for The Hollywood Reporter, and Jeanine Poggi, media reporter at AdAge, recap Upfronts 2017.