The Frame

The anniversary festival is up in the air as the promoter and his one-time backer are at odds; Max Joseph made a film that's a paean to bookstores and reading; Song Exploder deconstructs a song from The Cranberries' final album.

"Gay of Thrones" is the hilarious Funny or Die web series that recaps each episode of the HBO hit; Georgia's governor signed an abortion bill that might impact film and TV production in the state; the singer who goes by Cimafunk is known as "the Cuban James Brown."

The Korean boy band performed two shows to loud audiences, cementing its place in the global pop music world; filmmaker Mike Mills made an unlikely collaboration with the band, The National; the Write Girl program gives teen girls a boost.

Latinos go the movies in numbers that far surpass their percentage of the U.S. population. So why don't studios cater more to that audience?; the HBO documentary, "At the Heart of Gold," looks at the U.S. gymnastics sexual abuse scandal; creating a soundtrack for "Conversations With a Killer: The Ted Bundy Tapes."

Bruce Springsteen's long-time guitarist has his first solo album in 20 years —and it's just one of his many gigs; Democratic presidential hopefuls are starting to make the rounds in Hollywood.

The streaming service, now mostly owned by Disney, unveiled its new projects that include big stars and an expansion of the company's comic book properties; playwright Eleanor Burgess deals with 'The Niceties'; Jonny Pierce leads the way for the band The Drums.

The musical "Hadestown" led the way with 14 nods, but the big surprise was the omission of "To Kill a Mockingbird" and "Network" in the best new play category; Michelle and Robert King talk about their hit TV series, "The Good Fight."

The campaigns of the rookie Congresswoman and three other candidates are documented in a Netflix film; filmmaker John Singleton ("Boyz n the Hood") died today at the age of 51; with "Avengers: Endgame" breaking box office records, what's next for the Marvel movie universe?

Former CBS executive speaks out about the workplace culture at CBS which she says is toxic. Then, the Victoria Riskin, daughter of Hollywood legends, writes a memoir. And one Armenian-American musician strives to keep her culture's musical history alive.

Aaron Sorkin was approved by Harper Lee to adapt "To Kill A Mockingbird" to the stage but just months before it was due to premiere her estate sued. The issues got resolved and now the play is a timely Broadway blockbuster. And, "Empire" actor Jussie Smollett's future on the show is unknown but last night his character made TV history.

The singer revisits work from his 50 years of writing and recording music; the semi-annual TV critics press tour has ended, so what's in store for viewers this Fall?; a new campaign calls for Hollywood to place a priority on telling stories about and by transgender people.

The Academy of Motion Picture Arts and Sciences announced some surprising changes to the Oscar broadcast today, including a new category for 'popular film'; Sarah Silverman talks about her Emmy-nominated Hulu series, "I Love You, America."

Producer David Klawans and writer Jeff Maysh find unusual real-life stories, turn them into long-form articles and pitch them to Hollywood; the Netflix docuseries "Wild Wild Country" tells the remarkable true story of the friction and violence that ensued when an Indian guru tried to create a massive utopia in Oregon in the 1980s.

The new Spike Lee film 'BlacKkKlansman' tells the amazing true story of Ron Stallworth, the black police detective who fooled the KKK into letting him join their ranks; Rosie & the Riveters play folk music with a feminist bent.

Nico sang with the influential Velvet Underground, but this film chronicles the latter part of her career and life; the U.S. Justice Dept. is reviewing a longtime prohibition on movie studios owning their own theaters; mariachi students from around the country are in SoCal for a workshop and competition

The song list is part of Turning the Tables, an ongoing project from NPR Music dedicated to recasting the popular music canon in more inclusive – and accurate – ways; With the sale of 20th Century Fox's studio to the Walt Disney Co., film historian and author Leonard Maltin looks at Fox's movie legacy.

The actress makes her directing debut with a film about two young girls on a journey to avenge their mother's death; the National Hispanic Media Coalition is targeting movie studios over lack of Latino representation; teenaged jazz bassist Anna Abondolo is going places.

The company that revolutionized moviegoing is floundering as movie theater chains launch similar pass programs; first-time novelist Elizabeth Klehfoth sold her book to Hollywood before she even had a publisher; Taj Mahal and Keb' Mo' bring their blues collaboration to the Hollywood Bowl.

The director and co-writer of "The Spy Who Dumped Me" turns the action-comedy genre on its head; what's the fate of CBS chief Les Moonves?; Netflix and Amazon preview their coming attractions at the TV Critics Assn. press tour.

The Texas native shot her indie feature in her home state, with a script based on her own teenage years there; the Idyllwild Arts Academy appears to have escaped the fire that's ravaging the area; the use of "white voice" by black characters in current films is a comment on white privilege.

On her latest album, the French singer and actress pays tribute to her family legacy and also mourns her sister's death; Spotify is paying advances to some artists, but says it's not actually signing artists the way record labels do. But if it walks like a duck and quacks like a duck ...

The photographer has shot virtually every famous face for Rolling Stone, Vanity Fair and other magazines; the Venice and Toronto film festivals have released their schedules — let the award campaigning begin!; streaming services aren't as encyclopedic as you might think.