The Frame

The director's new film continues his focus on characters struggling to come to terms with themselves; why are 1930s-era murals in San Francisco causing a fuss today?; revisiting our chat with Emmy-nominee Samantha Bee.

His father is Bobby McFerrin and he has a brother and sister who also are singers. Taylor has been making music for some time now, but he's never sung on an album — until now; gay characters are featured on a telenovela for the first time; the story behind "Blinded by the Light."

An Associated Press exposé details decades of alleged sexual harassment by the renown opera singer and conductor; the documentary “Cold Case Hammarskjöld” turned into a whodunnit; how did a little-known L.A. band end up opening for The Rolling Stones?

One of the few major music festivals in the U.S. that is not organized by a giant company, Outside Lands took over Golden Gate Park this weekend; Universal Pictures scraps "The Hunt," an R-rated satire in which elites hunt "deplorables" for sport.

In "Escape At Dannemora," director Ben Stiller goes inside a prison to tell the story of the inmates who broke out; comedian and SNL writer Julio Torres prefers humor about ordinary objects to politics; Geena Davis hopes her research institute and a new documentary will convince Hollywood the value of creating film and TV with a diverse cast of women and girls.

The offbeat comedian talks about his path from immigrant to "SNL" writer to star of an HBO stand-up special; Rolling Stone writer Elias Leight on the continuing practice of payola in the radio industry; an episode of Song Exploder with Corin Tucker and Carrie Brownstein of Sleater-Kinney.

Geena Davis is executive producer of the new documentary that explores the status of women in the film industry; David Rubin, the newly-elected president of the Academy of Motion Picture Arts and Sciences; rock musician Ty Segall.

Nanfu Wang's documentary is a personal look at China’s former one child policy, which continues to reverberate there; The Emmy Awards will go without a host; on the 20th anniversary of "Eyes Wide Shut," a look at how its composer was chosen.

The wrongly-convicted former athlete and director Tom Shadyac discuss the path to making the movie; we revisit the documentary, "Toni Morrison: The Pieces I Am," following her death; Bruce Lee's family is unhappy about his depiction in "Once Upon A Time in Hollywood."

Barak Goodman's documentary, “Woodstock: Three Days that Defined a Generation,” asks: Why did 400,000 young people trek across the country for a festival in the middle of nowhere?; music historian Andy Zax helped restore every Woodstock performance for a 38-disc boxed set; filmmaker Sam Jones on the influence of documentary director D.A. Pennebaker.

Jill Soloway on the making of the "musicale finale" of "Transparent" — without actor Jeffrey Tambor; a group of up-and-coming film composers and indie directors convene at Skywalker Ranch for some intensive collaboration.

Jim Gaffigan is best known for his comedy, but can play a mean child kidnapper too; what the retirement of the head of the Rock & Roll Hall of Fame could mean for overlooked artists; singer/songwriter Lupita Infante carries on her grandfather's legacy.

The LA-based contemporary dance company BodyTraffic debuts new works; what The Black Keys concert fiasco says about the live music industry; how the prolific musician Alex G transforms his voice.

Executive producers Susannah Grant and Sarah Timberman on their Netflix adaptation of a true story about the search for a serial rapist; concerns in Aurora, Colorado about the themes in "Joker"; the band Trashcan Sinatras.

The actress talks about playing the iconic singer and actress Judy Garland; Emmys were a big night for Phoebe Waller-Bridge, not so good for the broadcast networks; our resident "Downton Abbey" nerds revel in their big weekend.

Television is exploding and it’s time to celebrate! Join The Frame's John Horn and L.A. Times TV critic Lorraine Ali as they break down the year in television and this year's Emmy-worthy shows.

Documentary filmmaker Irene Taylor Brodsky turns the camera on her 11-year-son and his effort to learn Beethoven's composition; Hollywood struggles to strike the right note of climate urgency; how sound becomes a character in the film, "The Sound of Silence."

The writer/director of the hit film talks about the making of the movie, and life as a woman director in Hollywood; "Bandersnatch" is not your average TV movie.

In the animated series from the people behind “Bojack Horseman” (Raphael Bob-Waksburg and Kate Purdy), there’s no horse, but there’s still an existential crisis; the play Mike Pesca on SNL's on- again, off-again casting of Shane Gillis; "American Mariachi" is a soundtrack for Mexican-American life.

The director and co-writer of the space epic talks about his new film, which stars Brad Pitt as an astronaut on a perilous mission; NBC announces plans for its streaming service, which will be called Peacock; Rhiannon Giddens talks about her affinity for country music.

The singer and songwriter has a new album and a new movie score coming up, plus a documentary about his time with The Band; Variety film critic Peter Debruge wraps up the Toronto International Film Festival.

Nick Offerman goes on tour; NYT TV critic deconstructs Donald Trump's TV character; Gay of Thrones and The Handmaid's Tale costumer go for Creative Arts Emmys; La Santa Cecilia plays in El Paso and "This Close" is a TV show created by and starring deaf people.