The Frame

"The Daily Show" host (far right) talks about his film directing debut, "Rosewater"; how is the LGBT community faring in depictions on television?; Jake Gyllenhaal tells us about the first time he realized he wanted to act; and singer Perla Batalla recalls her family-run record store that is gone, but not forgotten.

Hilary Swank talks about her unglamorous role in “The Homesman" (pictured); Mexico's most acclaimed filmmakers criticize the handling of a student massacre in their homeland; the grandson of General George S. Patton on how filmmaking can help veterans deal with PTSD; and Amazon unveils its next slate of TV shows.

The director on why "Interstellar" is his "most aggressive" attempt at a family blockbuster; how a high school teacher works the arts into the classroom; the butler from “The Fresh Prince of Bel-Air” becomes King Lear; Jon Stewart tells us about the first time he bombed as a stand-up comic.

The Los Angeles County Museum of Art gets a collection (including a Monet, pictured) valued at $500 million; Herbie Hancock talks about the Thelonious Monk Jazz Competition in L.A.; James Marsh's 'Theory' tells the Stephen Hawking story; and the AARP puts on its second film festival in L.A. (Did you know the "R" no longer stands for "retired"?)

The director of "Interstellar" (seen with Matthew McConaughey) is a rare creature in Hollywood; Pink Floyd revives songs that are 20 years old; Tyler the Creator transitions from rapper to carnival barker; and the AFI Fest opens in Los Angeles.

Why the biggest pop star broke up with the world's biggest streaming service; election day ends a great comedy campaign season; and two young L.A. musicians give opera a modern-day makeover.

The “Nightcrawler” writer-director (leaning on car door) explains how he cast L.A. as a character in his movie; a new stage production examines the legacy of the Black Panthers; and art writer Jori Finkel has the latest news about architect Frank Gehry and collector Eli Broad.

Our guide to Dia de los Muertos, the Mexican commemoration of All Souls’ Day, which is a popular tradition in Mexican-American communities; the Comikaze pop culture convention is in LA this weekend.

Choking, torture and waterboarding — are extreme haunts going too far?; a postcard from San Francisco's idyllic music festival; and why hasn’t there been a Wonder Woman movie?

Jake Gyllenhaal goes deeper, and darker, in his new movie; Song Exploder dissects Julia Holter's "Horns Surrounding Me"; and actors between gigs scare up some cash by working in haunted houses.

Adam Driver went from the Marines to Julliard where he tapped into his emotions, now he's one of the best actors of his generation. Indie rocker Liz Phair reconsiders how singing about sex got her pigeon-holed. And why is China mad at "South Park"? Plus, "Parasite" filmmaker Bong Joon-Ho tackles class dynamics and economic inequality inside a funny film.

The singer, who has roots in both Mexico and the U.S., takes on issues of the day in her latest album; what we know about the re-named Michael Jackson musical; R&B singer Michael Marshall transforms a '60s hippie anthem for "The Last Black Man in San Francisco."

An exhibit at the Annenberg Space for Photography depicts barriers all over the world — from prisons to refugee camps to fences at the U.S./Mexico border; studio musicians are seeking streaming revenue; singer-songwriter Nilüfer Yanya.

The South Korean director blends horror, comedy and sci-fi into an entertaining story about class struggle; "South Park" is banned in China; Nellie McKay moves her quirky music to the stage.

The actor's solo show examines the dark and often funny work of absurdist playwright, Samuel Beckett; how is "cancel culture" affecting pop culture?; Janet Jackson's “Rhythm Nation 1814” turns 30.

Antonio Banderas talks about reuniting with Pedro Almodóvar for "Pain and Glory"; how is "Cancel Culture" affecting what we see and hear?; the documentary "Diego Maradona"; the creators of Amazon's "Undone"; and the latest from singers Lupita Infante, Jay Som and Gaby Moreno.

The veteran R&B singer has had a long stop-and-start career, but she's still demonstrating her sense of adventure and musical curiosity; James Franco faces a lawsuit that alleges sexual harassment at his former acting school; "Joker" composer Hildur Guðnadóttir.

Forty years after its release, Alexandre Philippe's documentary looks back at Ridley Scott's landmark film; how is Warner Bros. marketing "Joker"?; “Variedades: Little Central America, 1984” is a theatrical performance that puts today’s migration crisis in conversation with the past.

The actor plays a film director in Pedro Almodóvar's autobiographical film; Plácido Domingo resigns as general director of L.A. Opera.

The new HBO documentary by Asif Kapadia examines the life and career of the talented and troubled soccer legend; living in the era of Big Podcast; Gaby Moreno's new album; Jessye Norman, RIP.

The documentary, shot entirely on cell phones, follows an Afghani family's efforts to flee the Taliban and seek asylum; the Endeavor talent agency's growth plan hits a snag; singer/songwriter Jay Som.

Jill Soloway closes out "Transparent" with a massive musical finale; Robbie Roberston and Rhiannon Giddens each reflect on their lives in music, we hear the remarkable story of "Unbelievable" and look back at Janet Jackson's 1989 album Rhythm Nation.