The Frame

CalArts marks the 25th anniversary of its Community Arts Partnership with an annual stage show at Plaza de la Raza; Chaz Budwick is the musical talent behind Toro y Moi; first-time filmmakers Jarrad Paul and Andrew Mogel were fortunate to get Jack Black for "The D Train" (pictured).

Disney is in a dispute with theater owners over box office revenue from "Avengers: Age of Ultron"; the defunct TV show "Revolution"gets new life as a digital comic book; Best Coast (pictured) continues its love affair with California on the band's new album.

A writer asks: How Much Is Music Worth?; an L.A. teen is a finalist in the August Wilson Monologue Competition on Broadway; composer Brian Tyler creates movie magic with his scores to films like "Avengers: Age of Ultron" (pictured) and "Furious 7"; and "Game of Thrones" author George R.R. Martin is a Deadhead.

New York magazine art critic Jerry Saltz says the new Whitney Museum is showing up the rest of the art scene; a new exhibit at Sotheby’s (pictured) pairs work by prominent African-American artists with a soundtrack curated by rapper Drake; Rebekah Maysles, daughter of the late documentary filmmaker Albert Maysles, worked with her father on one of his last films, “Iris.”

California's film and TV industries are happily anticipating the state's expanded program to help keep production in-state; NBC will make all 13 episodes of "Aquarius" available online when the series debuts; Josh Gad (at left, with Billy Crystal) hopes "The Comedians" will improve his track record with TV projects.

At a presentation for advertisers, Hulu announces a new "Walking Dead" spinoff and an Amy Poehler project; Warpaint drummer Stella Mozgawa left Australia to join the band; Brett Morgen was given free rein in directing the documentary, "Kurt Cobain: Montage of Heck" (pictured).

Hollywood actors, and one prominent producer, are largely bypassed in the Tony nominations; artist William Pope.L has his iconoclastic vision on display at MOCA (pictured); comedian Paul F. Tompkins isn't quite the King of All Media, but he's getting close; "The Wire" creator David Simon has good reason to care about Baltimore.

Documentarian Phelim MacLeer on his controversial play "Ferguson," a work of verbatim theater comprised entirely of excerpts from testimony in the Michael Brown case; Costume designer Lisa Padovani on mashing up influences for her work on "Gotham"; French artist Vincent Lamouroux's piece "Projection" covers an abandoned Silver Lake motel and it's palm trees with lime wash.

Summer movie preview of those films we shouldn't miss. Could Cuba's massive Biennial become a global center for art? The rise of the Asian American youtube star. And, as the latest sequel is set to pass $1 billion overseas, the "Fast and Furious" franchise adds number 8.

Hollywood studios continue to preview their 2015 slates at CinemaCon, the splashy convention for theater owners; Song Exploder dissects a new song by My Morning Jacket; photographer Ken Gonzales-Day draws parallels between the history of lynching and recent fatal shootings by police (pictured).

The director presents a gritty version of the city in the movie about a former undercover cop confronted with her past; Producers Guild of America co-president Lucy Fisher on how the organization is operating in the #MeToo era.

The future Supreme Court Justice endured a lot of sexism in her career, and so has the director of the biopic, "On the Basis of Sex"; writer/director Adam McKay takes on Dick Cheney in the darkly comedic "Vice."

The actor has two movies debuting in the coming days, and another that opened earlier this fall, "Beautiful Boy," is still in theaters; the annual so-called "Black List" of exceptional un-produced scripts has been released.

The "Big Bang Theory" actor stars in a radio play production of "It's a Wonderful Life" at the Pasadena Playhouse.

The late night host takes aim at the U.S. Immigration and Customs Enforcement agency in her version of a holiday special; the top five Latin albums you may have missed in 2018.

New York Times theater critic Jesse Green reviews the year on the major stages; "Caparnaum" is a heart-breaking film from Lebanon about a neglected street urchin; Lindsay Buckingham dissects Fleetwood Mac's "Go Your Own Way" for Song Exploder.

The prolific producer has created shows for Nickelodeon, Cartoon Network and, now, PBS Kids; a media expert on the problem with Kidz Bop.

The director follows up the Academy Award Best Picture-winning "Moonlight" with "If Beale Street Could Talk," an adaptation of the Baldwin novel that plays like a tone poem; composer Nicholas Britell collaborates with Jenkins once again.

The virtuoso specializes in Bartók and her recording of his Piano Concerto No. 2 is nominated in the Classical Instrumental Solo category; Kristen Anderson-Lopez and Robert Lopez won an Academy Award for their song from "Coco," "Remember Me," and now it's up for a Grammy; “La Bohème” gets a hipster twist in L.A.

The musical revisits the story of the passengers from 38 airplanes who were stranded in Canada on that fateful day; Taylor Mac turns the Christmas pageant on its head with "Holiday Sauce."

Lady Gaga’s song “Shallow,” from the movie “A Star is Born,” earned four Grammy nominations today and it's an Oscar favorite too. Meet Mark Ronson, the man who co-wrote and produced it; Shirley Halperin, executive editor for music at Variety, talks about the other 2019 Grammy nominees; who should host the Oscars?

Alexis Bloom's documentary examines the life and career of the late political operative and TV news executive; how casting agents get pulled into sexual harassment incidents; an ex-pat Iranian composer maintains his musical ties.