The Frame

The actor worked with filmmaker Cary Fukunaga and hundreds of non-professional actors to make "Beasts of No Nation;" Grantland's Andy Greenwald gives a status report on the new TV season; the Isango Ensemble transports Bizet's opera to a South Africa township.

Choreographer Twyla Tharp has kept her company and artistic vision going for 50 years with unflagging determination; after spending time in Ghana, ethnomusicologist Brian Shimkovitz scoured the continent and then launched the label, Awesome Tapes from Africa; author Salman Rushdie considers the literary merits of the rapper, Drake.

The actress' next role as a fighter for women's voting rights is in keeping with her activist profile in Hollywood; Kyle Eastwood has scored films for his dad, Clint, but he's made his own name as a jazz bassist and composer; saxophonist Phil Woods was a jazz great, but became known for his solo on a huge pop hit.

Deaf West Theatre's production of "Spring Awakening" started out in a small theater on L.A.'s Skid Row, and now it's on Broadway; Showtime's David Nevins kicks off our talks about the state of the TV industry; Stephin Merritt of The Magnetic Fields deconstructs a song from the band's new album in a new installment of Song Exploder.

Mark Pellington has applied his distinct style to music videos, feature films and now NBC's "Blindspot," about a woman whose tattooed body holds clues to crimes; Trevor Powers records as Youth Lagoon and his new album chronicles some personal losses; How do TV networks choose among streaming services?

Performer Geoff Sobelle has turned the Kirk Douglas Theatre into a warehouse of boxed-up memories; Carolina Miranda of the L.A. Times on the trend toward mega-galleries in Los Angeles; Charlton Heston's family will auction three works by Andrew Wyeth that the actor collected.

Los Lobos' Louie Pérez offers insights into the band's new album, "Gates of Gold"; Margaret Cho has become a role model for a new generation of Asian-American comedians; J.A. Micheline is glad Ta-Nehisi Coates will write some Black Panther comic books, but she says the industry has more work to do regarding diversity.

Playwright Rolin Jones reimagines Shakespeare's "Much Ado About Nothing," setting it in London's swingin' 1960s; Prince and the publishing house claiming a copyright to "Happy Birthday to You" both lose in court; Heidi Duckler Dance Theatre moves its soap opera dance-drama around L.A.

Box office hits such as "Bridesmaids" are being cited as part of an effort to push for more movies and TV shows by, for and about women; The Budos Band makes do as a part-time group; The new TV season is chock-full of new shows that were once feature films.

Emily Mortimer, Dolly Wells and their husbands and kids star in HBO's "Dolly & Em," but it's not about them; Diversity and gender equity were top of mind at the Emmy Awards; The Toronto International Film Festival supplied its annual dose of Oscar buzz.

The writer's iconic essay about the tumultuous 1960s is interpreted by director Lars Jan and actress Mia Barron; remembering French filmmaker Agnes Varda, who died at the age of 90; Resonance Records is unearthing never-released jazz classics.

Jordan Peele's "Get Out" and "Us" were scored by Michael Abels who, prior to those films, was teaching music in LA; Jazz album made by Dreamers wins Grammys; Employment conditions for janitorial staff at big movie theater chains may surprise you.

The singer and bassist experiments with a variety of styles on her latest album, with each song corresponding to different body parts; the Fox Network has some decisions to make about the future of "Empire" and its co-star, Jussie Smollett.

Alison Klayman's documentary follows the former White House strategist since his departure from the Trump Administration; the Autry Museum is seeking to sell the historic Southwest Museum property in Highland Park; the Open Fist Theatre Company examines the political landscape in "What Matters Now?"

The musician plays cello, guitar and banjo, and displays those talents on her album, “The Capitalist Blues”; Apple unveils its plans for streaming movies and TV content; playwright Sarah DeLappe's "The Wolves" has its L.A. premiere

The actor hosts the latest from Adam McKay, who's known for taking on serious subects, but adding a major dose of humor.

The actor's one-man show, "Lackawanna Blues," captures the colorful world of the 1950s boardinghouse in upstate New York that was his childhood home.

The David Hare play at Boston Court is set in 1895 — the best and the worst of times for the playwright; Disney's purchase of the Fox studios is final. Now what?; singer Emily King opts for a change of 'Scenery'

In the new Hulu series, the actress plays a teenage girl whose mother raised her to believe she was plagued by a range of physical and cognitive ailments.

In "The Inventor" Alex Gibney turns his camera on one of the biggest scammers in modern history– Elizabeth Holmes and her company, Theranos. Then, the surfer guitarist Dick Dale has died leaving behind a raucous musical legacy.

“The Highwaymen” tells the true story of the Frank Hamer and Maney Gault who finally took down the 1930’s outlaws Bonnie and Clyde after the FBI were unable to do it.

If you've ever been confused about bitcoin, wondered if counterfeiting is really that big of a deal, or been curious about how exactly money laundering works, Kal Penn will help you figure it out in the Amazon series "This Giant Beast That is the Global Economy."