The Frame

Don Randi recalls his days as a pianist with the legendary studio band The Wrecking Crew in his memoir, "You've Heard These Hands"; the documentary "Song of Lahore" tells the unlikely story of how a group of Pakistani musicians found worldwide acclaim; YouTube enters the streaming biz with an app.

The actor goes behind the camera to direct his first feature, "Shelter," starring his wife, Jennifer Connelly; Katie Theroux is the sole L.A. semi-finalist in the Thelonious Monk Jazz Competition; the Hollywood Reporter will still name the industry's 100 most powerful women, but they won't be ranked.

Director Patricia Riggen and cinematographer Checco Varese — her husband — were partners above and below ground on the mining disaster film, "The 33"; Boston Globe reporter Mike Rezendes is played by Mark Ruffalo in "Spotlight"; Song Exploder dissects a song by Dan Auerbach's side project, The Arcs.

One year out from the 2016 Presidential election, we hear from Beau Willimon, an executive producer of "House of Cards," and Jay Roach, director of an HBO film about Lyndon Johnson.

Ewan McGregor and filmmaker Rodrigo Garcia share stories of making their movie about Jesus wandering the desert; Leon Bridges' quick rise to soul stardom; Do box office results impact Oscar voting?

Michael Keaton leads the cast in "Spotlight," about the Boston archdiocese cover-up of sexual abuse cases; NBC and "Saturday Night Live" have resisted calls to remove Donald Trump as host of the show; Performance artist and composer Laurie Anderson examines love and loss in the documentary, "Heart of a Dog."

Director Catherine Hardwicke's new movie is written by and about women. As an advocate for women in Hollywood she practices what she preaches; Flailing TV shows remain on the air in this new era; Two Chicago institutions bring dance and sketch comedy together.

The actor says the experience of Dalton Trumbo and other blacklist victims still resonates today; Quentin Tarantino is facing a boycott of his films because of comments he made at a protest against police brutality; the German classic film, "M," was remade for American audiences but never released.

Disney is delaying publication of a companion book to "The Force Awakens" in hopes of keeping the story line under wraps; Jason Segel's performance as David Foster Wallace is another example of a cult figure on the big screen; Women wrote just 22 percent of the plays produced last year in the U.S.

The Irish actress plays a young immigrant in a story that mirrors what her own parents experienced; Kyle Buchanan of Vulture.com assembled a list of women directors who Hollywood studios should be hiring; "Songs from Suicide Bridge" is another excavation project from Light In the Attic records.

Rock the Vote, the non-profit founded by music industry pros doing PSAs on MTV, is still rockin'. The organization has hired a former Bernie Sanders operative to do marketing and was present at both the GOP and Democratic conventions; Bonnie Raitt opens up about a life in music.

Filmmaker Paul Greengrass returns to make a new Jason Bourne movie, this time with cyber security on his mind; Now that Verizon is buying Yahoo!, what will become of the search engine's streaming TV shows?; A Sophocles play gets a modern update with veterans in the cast; Bill Clinton, binge watcher.

What happens when an aspiring filmmaker works as a nanny for wealthy L.A. mothers? Naturally, she comes up with a movie idea. Writer-director Sian Heder talks motherhood, movie-making and "Tallulah;" and a “Star Wars” movie set accident that could have killed Harrison Ford ends with a guilty plea.

The Congressman and civil rights icon was at Comic-Con to introduce the third part of his graphic novel memoir, "March"; there was plenty of news and previews at Comic-Con to keep the fanboys (and fangirls) happy.

The filmmaker leads a tour of the dwelling that houses his extensive collection of horror memorabilia and serves as his retreat; the Republican Convention had plenty of drama, but how much of it was scripted?

The annual pop culture extravaganza is underway in San Diego, with more than 100,000 fans expected to attend; CURRENT: LA chose 16 artists to make water-themed site-specific artwork around the city; "Lights Out" producer Lawrence Grey on why every big Hollywood director secretly wants to do a horror film.

Comedian Mike Birbiglia's new film is about improv, friendship and the struggles that go along with striving for your big break; "The Wolf of Wall Street" producer Red Granite Pictures is at the center of a federal complaint alleging that the film was financed with embezzled funds from Malaysia; We look into the history of pop song usage at political conventions.

R&B singer Irma Thomas never got the acclaim of Aretha Franklin or Etta James, but she is still the undisputed Soul Queen of New Orleans; actor LeVar Burton narrates the kids audio tour of The Broad museum because he's compelled to teach; after tragic shootings of police officers, the USA Network postpones its new series, "Shooter," to the fall.

Singer/songwriter Perla Batalla and playwright Oliver Mayer are collaborating on a new project about the iconic Mexican artist; California Light and Space artist Robert Irwin debuts a new work in West Texas; artists are going public with work at the Republican National Convention.

Betty Buckley offers a feminist take on Edie Bouvier in the musical "Grey Gardens," adapted from the Maysles brothers documentary of the same name; musician Rubén Guevera recounts a life in rock and roll; movie marketing in a time when real violence is all too prevalent.

Joe Weisberg and Joel Field, writers and executive producers for "The Americans," talk about the joy and surprise at getting the nominations that long eluded the show; Emmy-nominated hairstylist Amanda Mofield shares her secrets for creating hundreds of looks for "Key & Peele;" "Ghostbusters" screenwriter Katie Dippold defends her movie against critics.

Neil Druckmann is a writer and creative director who has won acclaim for his cinematic approach to video games such as "The Last of Us" and "Uncharted 4"; Eric Glatt was a lead plaintiff in a class action lawsuit against Fox Searchlight after working as an unpaid intern on "The Black Swan." The case has settled, but his mission to challenge what he calls "wage theft" continues.