The Frame

Playwright-turned-TV writer Jessica Goldberg explores a religious cult in "The Path"; comedian Garry Shandling dies at the age of 66; studios threaten to leave Georgia if its governor signs a bill that is considered anti-gay; the music from "Star Trek" is featured in a concert tour.

Ethan Hawke plays jazz singer and trumpeter Chet Baker in the biopic, "Born to Be Blue"; Lyle Workman added Latin sounds to the score for the set-in-L.A. Netflix series, "Love"; rapper Phife Dawg was a key member of A Tribe Called Quest.

Charles Roven was a producer on Christopher Nolan’s “Batman” trilogy and now he’s working with Zack Snyder on “Batman v. Superman: Dawn of Justice”; Jesse Eisenberg on playing Lex Luthor; Rostam Batmanglij leaves Vampire Weekend for a solo career.

Producer DeVon Franklin's "Miracles from Heaven" is a new style of faith-based film; Aofie O'Donovan's latest album was inspired by childhood trips to visit her family in Ireland; there's a high failure rate for for film festivals as they struggle to find a place in the crowded marketplace.

"Midnight Special" filmmaker Jeff Nichols shares how being a father of a young son influenced his new movie and why his next film is about the Supreme Court case of Loving v. Virginia. The UK trio Haelos won the music industry lottery when it got into the Coachella Music Festival. How are changes in the TV biz impacting pilot season?

Co-creator and star Jerrod Carmichael tells The Frame why the NBC comedy "The Carmichael Show" tackles social issues like sexual identity and the Bill Cosby controversy; The Police's drummer Stewart Copeland gets the 1925 silent film "Ben-Hur" out of cold storage to write its score; Teenage classical music students learn to improvise.

The Academy of Motion Picture Arts and Sciences makes changes to its board in an effort to diversify. We talk with two members of the Academy about what's to come. Then composer Laura Karpman talks about her Grammy-winning composition "Ask Your Mama" and how she's working to get more women into the scoring stage.

Producer Janet Yang (The Joy Luck Club, The People v. Larry Flynt) was among the Asian American professionals in Hollywood who sent a letter to the Academy of Motion Pictures Arts and Sciences protesting offensive jokes told at the Oscars. Touring LACMA'S Mapplethorpe exhibit and finding unexpected art. We meet a young African American filmmaker undeterred by Hollywood's diversity problem.

Robert Mapplethorpe gets a massive retrospective at two L.A. museums courtesy of the Mapplethorpe Foundation. Can a set top box that streams first run films the day they're in theaters disrupt the movie business as we know it? Closing the gender gap one women artist at a time.

The massive Hauser Wirth & Schimmel gallery is the newest addition to L.A.'s bustling downtown arts district; singer and bass player Esperanza Spalding adds some theatrical touches to her live show; the South by Southwest film festival kicks off today in Austin.

Joel Edgerton talks about directing his adaptation of a memoir about a boy (played by Lucas Hedges) whose parents (Nicole Kidman and Russell Crowe) won't accept his homosexuality; can politicians play any music they want at rallies?; Jadis is prop store in Santa Monica like no other,

Eli Horowitz and Micah Bloomberg created "Homecoming" as a scripted, fictional podcast, and now they're overseeing the Amazon TV version; the movie ratings system has existed for 50 years, but it has occasionally been plagued by inconsistencies.

The new documentary examines the relationship between art, money, success and notoriety; “Delusion: The Blue Blade" is an immersive theater production described by its creator as "Indiana Jones"-meets-"Blade Runner."

Game designer Ben Esposito takes a user-friendly approach to examine L.A.'s changing neighborhoods; does NBC's Megyn Kelly have a future in TV?; the past, present and future of the L.A. Philharmonic (part 2).

Two prominent music critics look at where the orchestra has been and where it's heading; filmmaker Sandi Tan looks for a lost film of hers in "Shirkers."

Aoife O'Donovan, Sarah Jarosz and Sara Watkins all have successful individual careers, but decided to combine forces for their folk-Americana trio; how is "House of Cards" concluding without Kevin Spacey?; MOCA puts the spotlight on influential painter and film critic Manny Farber.

"The Good Place" creator Michael Schur and writer Jen Statsky talk about making a sitcom that takes on ethics and philosophy; as the Trump Administration reportedly considers rolling back civil rights protections for trans people, we revisit The Frame's 2017 roundtable discussion on transgender representation on television.

The award-winning Broadway smash with music and lyrics by Benj Pasek and Justin Paul finally arrives in Los Angeles; how deep are Saudi Arabia's tentacles in American museums?; the Berlin-based performance group, Gob Squad, examines how we cope with aging.

The mezzo-soprano had a promising hoops career, but then she discovered singing; Netflix buys a huge production studio in Albuquerque; Janelle Monáe breaks down her song, "So Afraid."

She's a rare female minority show-runner, but her main goal is to let the mom character have some fun; how are immigrants depicted on TV?; the L.A. Master Chorale takes its show on the road.

Actor Peter Dinklage and filmmaker Sacha Gervasi on making "My Dinner With Hervé," about the French actor Hervé Villechaize; how do "The Conners" fare without Roseanne? L.A. Times TV critic Lorraine Ali shares her thoughts.

Muslim comedian Mo Amer once sat next to Eric Trump on an international flight. That's just one of many stories in his Netflix special "Vagabond." In the wake of Jamal Khashoggi's disapperance, Hollywood rethinks its relationship with Saudi Arabia. Plus, how Dieter Ruehle came to be the Dodgers' organist.