The Frame

"Captain America: Civil War" directors Joe and Anthony Russo went from directing TV sitcoms to the massive Marvel movie machine; how Beyoncé and Radiohead are changing the music marketing game; Millennials are forcing film schools to make MFA programs more responsive to their needs.

Tyler is a comedian, actress, talk show and podcast host, a voice on the animated series “Archer,” and she's about to direct her first film; David O. Russell and other prominent directors talk about the important job of script supervisor.

Playwright Stephen Karam tells the story of making "The Humans" a Broadway hit; "Hamilton" broke a Tony nomination record and Broadway proves more diverse than Hollywood; Anybody who's anyone in the digital media world is making online videos, so what's hot at the Newfronts?

The Broadway musical "School of Rock" stars Alex Brightman in the role originated by Jack Black in the 2003 movie of the same name; the married musical duo Marty and Elayne celebrate 35 years of their lounge act at The Dresden Room; a massive festival planned by the promoters of Coachella is stacked with some of the biggest — and oldest — names in classic rock.

Susan Sarandon and Rose Byrne star in Lorene Scafaria's film that was inspired by her own meddlesome mother; North Carolina’s so-called “bathroom law" has some film/TV studios threatening to move out of state. Three below-the-line workers tells us how their lives and careers could be upended; Pace Gallery opens its first West Coast venue in Palo Alto.

Tracy Oliver co-wrote "Barbershop: The Next Cut," her biggest credit in a career that's only getting bigger; What does Comcast's $3.8 billion deal to buy DreamWorks Animation say about the state of Hollywood?; musician and composer Adam Young is writing scores for movies that haven't been made.

Raymond Lee channels the mindset of a school shooter, and the legacy of Korean rage, in the new play "Office Hour"; Vulture's Kyle Buchanan on the trend of casting actors such as Idris Elba and Lupita Nyong'o in roles where you don't see their faces; Kevin Morby finds musical inspiration in his L.A. neighborhood.

Eddie Huang criticized ABC's adaptation of his memoir, "Fresh Off The Boat." He's turned to reality TV for the Viceland food-travel series "Huang's World"; Turner Classic Movies and Criterion Collection are creating a streaming service for film fanatics; painter Lily Simonson's new exhibit depicts the world she found while on a research expedition to Antarctica.

The official weapons master for "Game of Thrones," Tommy Dunne, shares secrets from the show's war chest; "After The Thrones" is the official GoT after-show, hosted by Andy Greenwald; Beyoncé takes a bold artistic and personal leap forward with her new album and short film.

John Carney ("Once") makes a love letter to '80s rock with his new movie, "Sing Street"; playwright, choreographer and theatrical activist Larissa FastHorse chronicles what it means to be a Native American in Los Angeles through her play, "Urban Rez."

With "Logan Lucky," Soderbergh returns to the big screen with a new strategy for indie filmmaking; Disney decides to go its own way with plans to launch two streaming services; a new virtual reality experience puts you into flatline mode.

Aubrey Plaza is changing things up with her role in the FX show, “Legion,” and in two movie parts this summer, including the mentally unbalanced title character in “Ingrid Goes West”; When actor Algee Smith auditioned for “Detroit,” director Kathryn Bigelow did not give him the script or tell him much about the film. Smith chats with John about Bigelow’s unusual process.

"Twilight" actor Robert Pattinson hopes to shake-off his heartthrob rep with the new movie "Good Time"; filmmaker Alejandro Iñárritu uses virtual reality to replicate a border crossing through the desert; "Whose Streets?" documents how the shooting death of Michael Brown inspired grassroots activism in Ferguson, Missouri.

The band Spoon formed in Austin, TX 25 years ago. Lead singer Britt Daniel talks about the band’s new album, “Hot Thoughts," and the many changes in the music industry; YouTube has created a new breed of reviewer: TV and movie superfans; We all gravitate toward different kinds of music, but there is one album we found with sounds that are literally out of this world.

The filmmakers of 'Brigsby Bear' discuss their off-beat comedy and their rise from youtube stars, to SNL, to feature film. The Television Critics Association summer press tour (aka TCA's) continues this week where the subject of who is included in the TV universe – on and off screen– was debated and discussed. And the fallout continues from the cyber attack on HBO which could be larger that the one that hit Sony in 2014.

In the new documentary "Step", filmmaker Amanda Lipitz shows the power of sisterhood, school and stepping in a Baltimore girls inner city school. She and the subjects of her movie tell The Frame what they hope people take away from their story. The French band Phoenix breaks down a song off their new album.

Filmmaker Bryan Fogel set out to make a documentary about performance enhancing drugs and cycling. But once a prominent Russian doping expert got involved, things got really weird; HBO is the latest Hollywood victim of a cyber crime.

The actor and Pulitzer Prize-winning playwright is remembered by longtime collaborators, Ed Harris and Peter Coyote; USC researchers watched 900 movies and found women are often sidelined, sexualized or outright invisible; La Cuneta puts its small country on the musical map.

Filmmaker Joshua Weinstein used non-professional actors for his film set inside an insular Jewish community; TV journalists gather to get the lowdown on shows premiering in the coming months; a new opera digs into the life story of the Apple icon.

The former vice president is back with the timely “An Inconvenient Sequel: Truth to Power"; American Ballet Theater dancer Tiler Peck has curated a showcase called BalletNow; June Foray voiced Rocky the Flying Squirrel and the Russian spy Natasha on the Bullwinkle cartoons.

Mary-Louise Parker and Denis Arndt on the spare staging of "Heisenberg" at the Mark Taper Forum; inside a rehearsal with Nancy Keystone – a theater artist from L.A. whose new production will open the REDCAT's New Original Works Festival; Hollywood Reporter film writer Tatiana Siegel discusses the rocky relationship between Hollywood studios and outside financiers.

“Atomic Blonde" director David Leitch is a former stunt man and coordinator, but this is his first solo directing effort; Musician Flying Lotus called on British animator David Firth to help him make his debut film, "Kuso"; Film composer Michael Giacchino has written scores for every reboot and remake from his childhood, including “Star Trek,” “Star Wars” and “Mission Impossible."