The Frame

"Captain America: Civil War" directors Joe and Anthony Russo went from directing TV sitcoms to the massive Marvel movie machine; how Beyoncé and Radiohead are changing the music marketing game; Millennials are forcing film schools to make MFA programs more responsive to their needs.

Tyler is a comedian, actress, talk show and podcast host, a voice on the animated series “Archer,” and she's about to direct her first film; David O. Russell and other prominent directors talk about the important job of script supervisor.

Playwright Stephen Karam tells the story of making "The Humans" a Broadway hit; "Hamilton" broke a Tony nomination record and Broadway proves more diverse than Hollywood; Anybody who's anyone in the digital media world is making online videos, so what's hot at the Newfronts?

The Broadway musical "School of Rock" stars Alex Brightman in the role originated by Jack Black in the 2003 movie of the same name; the married musical duo Marty and Elayne celebrate 35 years of their lounge act at The Dresden Room; a massive festival planned by the promoters of Coachella is stacked with some of the biggest — and oldest — names in classic rock.

Susan Sarandon and Rose Byrne star in Lorene Scafaria's film that was inspired by her own meddlesome mother; North Carolina’s so-called “bathroom law" has some film/TV studios threatening to move out of state. Three below-the-line workers tells us how their lives and careers could be upended; Pace Gallery opens its first West Coast venue in Palo Alto.

Tracy Oliver co-wrote "Barbershop: The Next Cut," her biggest credit in a career that's only getting bigger; What does Comcast's $3.8 billion deal to buy DreamWorks Animation say about the state of Hollywood?; musician and composer Adam Young is writing scores for movies that haven't been made.

Raymond Lee channels the mindset of a school shooter, and the legacy of Korean rage, in the new play "Office Hour"; Vulture's Kyle Buchanan on the trend of casting actors such as Idris Elba and Lupita Nyong'o in roles where you don't see their faces; Kevin Morby finds musical inspiration in his L.A. neighborhood.

Eddie Huang criticized ABC's adaptation of his memoir, "Fresh Off The Boat." He's turned to reality TV for the Viceland food-travel series "Huang's World"; Turner Classic Movies and Criterion Collection are creating a streaming service for film fanatics; painter Lily Simonson's new exhibit depicts the world she found while on a research expedition to Antarctica.

The official weapons master for "Game of Thrones," Tommy Dunne, shares secrets from the show's war chest; "After The Thrones" is the official GoT after-show, hosted by Andy Greenwald; Beyoncé takes a bold artistic and personal leap forward with her new album and short film.

John Carney ("Once") makes a love letter to '80s rock with his new movie, "Sing Street"; playwright, choreographer and theatrical activist Larissa FastHorse chronicles what it means to be a Native American in Los Angeles through her play, "Urban Rez."

Bruce Springsteen's long-time guitarist has his first solo album in 20 years —and it's just one of his many gigs; Democratic presidential hopefuls are starting to make the rounds in Hollywood.

The streaming service, now mostly owned by Disney, unveiled its new projects that include big stars and an expansion of the company's comic book properties; playwright Eleanor Burgess deals with 'The Niceties'; Jonny Pierce leads the way for the band The Drums.

The musical "Hadestown" led the way with 14 nods, but the big surprise was the omission of "To Kill a Mockingbird" and "Network" in the best new play category; Michelle and Robert King talk about their hit TV series, "The Good Fight."

The campaigns of the rookie Congresswoman and three other candidates are documented in a Netflix film; filmmaker John Singleton ("Boyz n the Hood") died today at the age of 51; with "Avengers: Endgame" breaking box office records, what's next for the Marvel movie universe?

Former CBS executive speaks out about the workplace culture at CBS which she says is toxic. Then, the Victoria Riskin, daughter of Hollywood legends, writes a memoir. And one Armenian-American musician strives to keep her culture's musical history alive.

Aaron Sorkin was approved by Harper Lee to adapt "To Kill A Mockingbird" to the stage but just months before it was due to premiere her estate sued. The issues got resolved and now the play is a timely Broadway blockbuster. And, "Empire" actor Jussie Smollett's future on the show is unknown but last night his character made TV history.

Actress Kate del Castillo is back with "La Reina del Sur." She opens up about her secret meeting with El Chapo, the backlash she suffered in her career and her return in a role of a lifetime; As Disney chief Bob Iger benefits from the largess of his company, critics look at what Disneyland workers are paid and question the mogul's compensation.

The humorist, best known for his work in The New Yorker, is on tour before live audiences; students at Chapman University have successfully petitioned for the removal of posters from "The Birth of a Nation" that had been on display at the film school; Angelina Spicer fights postpartum depression through comedy.

The documentary by Penny Lane explores the misconceptions behind the Satanic Temple; L.A. Times TV critic Lorraine Ali on depictions of Muslims; Zev Feldman of Resonance Records is known as the "Indiana Jones" of lost jazz recordings.

The women behind the weekly podcast scheduled a live taping for April 18, and then had to scramble when the date was chosen for the Mueller report's release; actress Michelle Williams on playing Gwen Verdon in "Fosse/Verdon."

The Tony Award-winning actor takes on the role of newsman Howard Beale in a stage adaptation of the 1976 movie; with the final season of 'Game of Thrones' underway, we visit with the show's weapons master.

When the actresses met a few years back, they bonded over their love of music, and it led to the formation of their eclectic act; the Writers Guild of America filed suit today against Hollywood's major talent agencies, claiming some of their practices violate state law.