The Frame

George C. Wolfe, an accomplished writer and theater director, talks about his Broadway musical, inspired by the 1921 show, “Shuffle Along"; The Broadway hit "Hamilton" won't be on the West Coast until 2017, but devoted fans here have figured out a way to bring it to life now.

Oscar-winning documentarian Charles Ferguson turns his camera to the climate crisis with "Time To Choose"; Stephanie Allain, Director of the L.A. Film Festival is on a mission to showcase filmmakers who Hollywood typically ignores; The rock duo The Kills are back with a new album, and they reveal why they don't have a drummer.

Comedian Quincy Jones was diagnosed with terminal cancer, but that didn't stop him from achieving his goal of filming a stand-up special. This week it airs on HBO; Fandango Fronterizo is an annual event that brings together musicians across the U.S.-Mexico border in celebration and in protest; L.A. theater company Chalk Rep mounts a play in a cluttered garage to bring an immersive experience to their audience.

Bryan Cranston is busier than ever with a number of films in various stages of production and distribution. He reflects on his life in acting — lessons learned and given; Slate culture writer Aisha Harris discusses the piece she co-wrote with Dan Kois, "The Black Film Canon: The 50 Greatest Movies by Black Directors."

"Honky" is a play by Greg Kallares that takes a humorous and provocative look at race, racism and marketing; Starting in September, Netflix will have exclusive rights to valuable Disney titles; South Africa is an increasingly popular locale for American films and TV shows.

Aziz Ansari wasn't happy with the parts he was being offered, so the comic actor created “Master of None” for Netflix; Ellis Ludwig-Leone of the band San Fermin brings together classical music and pop for his own brand of indie rock; Slate culture writer Aisha Harris previews this year's highly-anticipated slate of summer movies.

Kate Beckinsale opens up about Lady Susan, her role in "Love & Friendship," an 18th Century character who behaves very much like a 21st Century woman; DC Comics reboots its universe of familiar characters with "Rebirth"; the González siblings prepare to perform together for the first time in 20 years.

Director Susanne Bier on adapting John Le Carré's novel 'The Night Manager' for TV and lifting women filmmakers by example; meet musician Will Toledo, aka Car Seat Headrest, whose latest album is getting good reviews; Spotify is the leading streaming service with close to 100 million users, but the Swedish company isn't yet making a profit.

Nick Stoller's huge success directing the first "Neighbors" movie led to the inevitable sequel, which centers around a sorority; Asian-American men have a particularly difficult time landing lead roles in films and TV shows; HBO programming chief Michael Lombardo steps down and leaves challenges for his successor.

We visit the set of Maria Bamford's Netflix show “Lady Dynamite” to see how she blends the absurd with autobiography. The filmmakers of the documentary "Song of Lahore" track how musicians revived their art form and found an international audience with their cover of the Dave Brubeck song, "Take Five." What's hot and not at this year's Cannes Film Festival.

The writer and stand-up comedian has a new book and a newfound passion for performing; TV networks preview their coming shows, including the next season of "Fargo," starring Chris Rock and Jason Schwartzman; the exhibit "Natural History of Horror" looks at how real events inspired some favorite scary movies.

There aren't many women working as second unit directors on movies, much less African-Americans, but Victoria Mahoney has broken through; Jeffrey Katzenberg and Meg Whitman make their sales pitch for Quibi.

Zahra Noorbakhsh, an Iranian-American comedian who regularly incorporates her identity into her act, now has some new material; actor Yahya Abdul-Mateen II played Doctor Manhattan on "Watchmen" and this year, he’ll star in two high profile movies; the man behind The Daptone Sound.

The pianist has taken full advantage of his role as bandleader for "The Late Show with Stephen Colbert"; breaking down the Directors Guild Award nominations.

Stars and executive producers Kate Moenning and Leisha Hailey talk about the reboot of the Showtime series; Harvey Weinstein's trial gets underway in New York City; the influential L.A.-based artist John Baldessari has died.

"Watchmen" star Yahya Abdul-Mateen II is in high profile movies this year from Jordan Peele and Aaron Sorkin; John Horn reviews the evolution in film, television, pop music and theater over the last decade; we meet the band Mariachi Arcoiris de Los Angeles.

The highlights and lowlights from the 2010s in movies with Manohla Dargis (New York Times) and culture critic Tre'vell Anderson, and pop music with Nate Sloan and Charlie Harding of the podcast, “Switched on Pop.”

The highlights and lowlights from the 2010s in TV with Lorraine Ali (Los Angeles Times) and Daniel Fienberg (The Hollywood Reporter), and theater with Jesse Green (New York Times).

In his memoir, "Acid For The Children," the bass player from the Red Hot Chili Peppers (born Michael Peter Balzary) details his wild days as a child and teen before forming the band in Los Angeles.

The singer/songwriter's memoir reflects on death, sex, motherhood and misogyny.

Yes, a lot of media outlets are currently re-capping the past decade —and we've been here for half of it! Join us for many of our favorite moments.

The veteran actor has lately been starring in some dark roles ("Get Out," The Handmaid's Tale"), but he has switched things up with the sitcom, "Perfect Harmony."