The Frame

George C. Wolfe, an accomplished writer and theater director, talks about his Broadway musical, inspired by the 1921 show, “Shuffle Along"; The Broadway hit "Hamilton" won't be on the West Coast until 2017, but devoted fans here have figured out a way to bring it to life now.

Oscar-winning documentarian Charles Ferguson turns his camera to the climate crisis with "Time To Choose"; Stephanie Allain, Director of the L.A. Film Festival is on a mission to showcase filmmakers who Hollywood typically ignores; The rock duo The Kills are back with a new album, and they reveal why they don't have a drummer.

Comedian Quincy Jones was diagnosed with terminal cancer, but that didn't stop him from achieving his goal of filming a stand-up special. This week it airs on HBO; Fandango Fronterizo is an annual event that brings together musicians across the U.S.-Mexico border in celebration and in protest; L.A. theater company Chalk Rep mounts a play in a cluttered garage to bring an immersive experience to their audience.

Bryan Cranston is busier than ever with a number of films in various stages of production and distribution. He reflects on his life in acting — lessons learned and given; Slate culture writer Aisha Harris discusses the piece she co-wrote with Dan Kois, "The Black Film Canon: The 50 Greatest Movies by Black Directors."

"Honky" is a play by Greg Kallares that takes a humorous and provocative look at race, racism and marketing; Starting in September, Netflix will have exclusive rights to valuable Disney titles; South Africa is an increasingly popular locale for American films and TV shows.

Aziz Ansari wasn't happy with the parts he was being offered, so the comic actor created “Master of None” for Netflix; Ellis Ludwig-Leone of the band San Fermin brings together classical music and pop for his own brand of indie rock; Slate culture writer Aisha Harris previews this year's highly-anticipated slate of summer movies.

Kate Beckinsale opens up about Lady Susan, her role in "Love & Friendship," an 18th Century character who behaves very much like a 21st Century woman; DC Comics reboots its universe of familiar characters with "Rebirth"; the González siblings prepare to perform together for the first time in 20 years.

Director Susanne Bier on adapting John Le Carré's novel 'The Night Manager' for TV and lifting women filmmakers by example; meet musician Will Toledo, aka Car Seat Headrest, whose latest album is getting good reviews; Spotify is the leading streaming service with close to 100 million users, but the Swedish company isn't yet making a profit.

Nick Stoller's huge success directing the first "Neighbors" movie led to the inevitable sequel, which centers around a sorority; Asian-American men have a particularly difficult time landing lead roles in films and TV shows; HBO programming chief Michael Lombardo steps down and leaves challenges for his successor.

We visit the set of Maria Bamford's Netflix show “Lady Dynamite” to see how she blends the absurd with autobiography. The filmmakers of the documentary "Song of Lahore" track how musicians revived their art form and found an international audience with their cover of the Dave Brubeck song, "Take Five." What's hot and not at this year's Cannes Film Festival.

Bruce Springsteen's long-time guitarist has his first solo album in 20 years —and it's just one of his many gigs; Democratic presidential hopefuls are starting to make the rounds in Hollywood.

The streaming service, now mostly owned by Disney, unveiled its new projects that include big stars and an expansion of the company's comic book properties; playwright Eleanor Burgess deals with 'The Niceties'; Jonny Pierce leads the way for the band The Drums.

The musical "Hadestown" led the way with 14 nods, but the big surprise was the omission of "To Kill a Mockingbird" and "Network" in the best new play category; Michelle and Robert King talk about their hit TV series, "The Good Fight."

The campaigns of the rookie Congresswoman and three other candidates are documented in a Netflix film; filmmaker John Singleton ("Boyz n the Hood") died today at the age of 51; with "Avengers: Endgame" breaking box office records, what's next for the Marvel movie universe?

Former CBS executive speaks out about the workplace culture at CBS which she says is toxic. Then, the Victoria Riskin, daughter of Hollywood legends, writes a memoir. And one Armenian-American musician strives to keep her culture's musical history alive.

Aaron Sorkin was approved by Harper Lee to adapt "To Kill A Mockingbird" to the stage but just months before it was due to premiere her estate sued. The issues got resolved and now the play is a timely Broadway blockbuster. And, "Empire" actor Jussie Smollett's future on the show is unknown but last night his character made TV history.

Actress Kate del Castillo is back with "La Reina del Sur." She opens up about her secret meeting with El Chapo, the backlash she suffered in her career and her return in a role of a lifetime; As Disney chief Bob Iger benefits from the largess of his company, critics look at what Disneyland workers are paid and question the mogul's compensation.

The humorist, best known for his work in The New Yorker, is on tour before live audiences; students at Chapman University have successfully petitioned for the removal of posters from "The Birth of a Nation" that had been on display at the film school; Angelina Spicer fights postpartum depression through comedy.

The documentary by Penny Lane explores the misconceptions behind the Satanic Temple; L.A. Times TV critic Lorraine Ali on depictions of Muslims; Zev Feldman of Resonance Records is known as the "Indiana Jones" of lost jazz recordings.

The women behind the weekly podcast scheduled a live taping for April 18, and then had to scramble when the date was chosen for the Mueller report's release; actress Michelle Williams on playing Gwen Verdon in "Fosse/Verdon."

The Tony Award-winning actor takes on the role of newsman Howard Beale in a stage adaptation of the 1976 movie; with the final season of 'Game of Thrones' underway, we visit with the show's weapons master.

When the actresses met a few years back, they bonded over their love of music, and it led to the formation of their eclectic act; the Writers Guild of America filed suit today against Hollywood's major talent agencies, claiming some of their practices violate state law.