The Frame

Roseanne Barr ran for the U.S. presidency in 2012 and a lot of people didn’t take her seriously. She came in 6th place in the general election and now she’s the subject of a documentary about her bid for the White House called “Roseanne for President!”; Academy of Motion Picture Arts and Sciences members are voting for who will lead them on the Board of Governors into this new era. We hear from three people running for election

Comedians Paul Scheer and Rob Huebel talk about moving their stand-up comedy show into a bus and out onto the streets of L.A.; Artist Martine Syms on her short film "Laughing Gas" now on display at "Made In L.A." at the Hammer Museum; Nielsen independently assembled ratings for three streaming shows: “Orange is the New Black," “Better Call Saul" and “Seinfeld."

July 1 is a big day for Sara Watkins: her new solo album is out and she performs on Garrison Keillor’s final “Prairie Home Companion"; Academy president Cheryl Boone Isaacs discusses the latest effort to diversify the historically white, male Hollywood institution; veteran visual effects supervisor Ellen Poon on what she learned in her first year as an Academy member.

Paul Dini went from writing Batman stories to mining his own traumatic history in the graphic novel “Dark Knight: A True Batman Story”; NBC is going all-in on Summer Olympic coverage like you've never seen; inside a bootcamp for Broadway dreamers with pros such as Taye Diggs.

"Mystery Science Theater 3000" went off the air 17 years ago, but the cult TV show is having a reunion; Gary Ross has never been happier as a filmmaker than when doing research for the Civil War drama, “Free State of Jones.”; a federal judge dismissed another lawsuit filed against the Cinemark theater chain in relation to the 2012 mass shooting in Colorado.

Jennifer Lopez joins us from the set of her NBC show "Shades of Blue." She reflects on her life as an actress, singer, producer and mother and how she refuses to be "put in one box;" What does Brexit mean for the film, TV and music industries? We check in to see how the UK's exit from the European Union could impact the creative world.

New Zealand filmmaker Taiki Waititi went from HBO's "Flight of the Concords" to the next "Thor" but along the way he made the sweet indie comedy "Hunt for The Wilderpeople;" Musician Mike Hadreas aka Perfume Genius opens up about being bullied and embracing his queer identity; Big name musicians take on Youtube and the DMCA

A.D. Miles says "The Tonight Show" will take its audience wherever — on the air or online; the copyright infringement suit against Robert Plant and Jimmy Page over "Stairway to Heaven" goes to the jury; Stephen Lieberman is one of the leading production designers on the electronic music circuit.

Ayad Akhtar discusses his Pulitzer Prize-winning play, "Disgraced," and how he explores issues of Muslim identity in post-9/11 America; Reggae icon Burning Spear and his wife and manager Sonia Rodney prepare for his final appearance in California.

Chilean musician Alex Anwandter has branched out to filmmaking to extend his message of tolerance for the LGBT community; Long Beach Opera makes another foray into experimentation with a work stripped from the headlines; Ticketmaster customers who were part of a class action suit are learning how they will benefit.

Joel Edgerton talks about directing his adaptation of a memoir about a boy (played by Lucas Hedges) whose parents (Nicole Kidman and Russell Crowe) won't accept his homosexuality; can politicians play any music they want at rallies?; Jadis is prop store in Santa Monica like no other,

Eli Horowitz and Micah Bloomberg created "Homecoming" as a scripted, fictional podcast, and now they're overseeing the Amazon TV version; the movie ratings system has existed for 50 years, but it has occasionally been plagued by inconsistencies.

The new documentary examines the relationship between art, money, success and notoriety; “Delusion: The Blue Blade" is an immersive theater production described by its creator as "Indiana Jones"-meets-"Blade Runner."

Game designer Ben Esposito takes a user-friendly approach to examine L.A.'s changing neighborhoods; does NBC's Megyn Kelly have a future in TV?; the past, present and future of the L.A. Philharmonic (part 2).

Two prominent music critics look at where the orchestra has been and where it's heading; filmmaker Sandi Tan looks for a lost film of hers in "Shirkers."

Aoife O'Donovan, Sarah Jarosz and Sara Watkins all have successful individual careers, but decided to combine forces for their folk-Americana trio; how is "House of Cards" concluding without Kevin Spacey?; MOCA puts the spotlight on influential painter and film critic Manny Farber.

"The Good Place" creator Michael Schur and writer Jen Statsky talk about making a sitcom that takes on ethics and philosophy; as the Trump Administration reportedly considers rolling back civil rights protections for trans people, we revisit The Frame's 2017 roundtable discussion on transgender representation on television.

The award-winning Broadway smash with music and lyrics by Benj Pasek and Justin Paul finally arrives in Los Angeles; how deep are Saudi Arabia's tentacles in American museums?; the Berlin-based performance group, Gob Squad, examines how we cope with aging.

The mezzo-soprano had a promising hoops career, but then she discovered singing; Netflix buys a huge production studio in Albuquerque; Janelle Monáe breaks down her song, "So Afraid."

She's a rare female minority show-runner, but her main goal is to let the mom character have some fun; how are immigrants depicted on TV?; the L.A. Master Chorale takes its show on the road.

Actor Peter Dinklage and filmmaker Sacha Gervasi on making "My Dinner With Hervé," about the French actor Hervé Villechaize; how do "The Conners" fare without Roseanne? L.A. Times TV critic Lorraine Ali shares her thoughts.

Muslim comedian Mo Amer once sat next to Eric Trump on an international flight. That's just one of many stories in his Netflix special "Vagabond." In the wake of Jamal Khashoggi's disapperance, Hollywood rethinks its relationship with Saudi Arabia. Plus, how Dieter Ruehle came to be the Dodgers' organist.