Sponsored message
Logged in as
Audience-funded nonprofit news
radio tower icon laist logo
Next Up:
0:00
0:00
Subscribe
  • Listen Now Playing Listen
  • Listen Now Playing Listen
NPR News

The 'Once' and Future Musical

This story is free to read because readers choose to support LAist. If you find value in independent local reporting, make a donation to power our newsroom today.

Listen 0:00
Listen

JACKI LYDEN, host:

Back in the 1950s, it was no big deal to have Gene Kelly or Debbie Reynolds sing on screen. But these days, audiences seem to think it's weird for a character to walk down the street, belting lyrics. So to making a movie musical, you need a strategy.

Irish director John Carney came up with several for his new film, "Once." We'll talk to him and the film's stars in just a moment. But first, we've asked critic, Bob Mondello to take us through a couple of the film's musical moments and explain how they work.

BOB MONDELLO: The guy is a street musician, singing songs for pennies. The girl walks up to him and makes small talk, revealing that in her spare time she plays the piano. Not having one of her own, she plays in the back of a music store so they go there and he teaches her a song he's just written, first playing the chords for her, then singing as she reads along with the lyrics that he's placed on the piano.

(Soundbite of musical "Once")

Mr. GLEN HANSARD (Lead singer, The Flames): (As character) (Singing) I don't know you, but I want you all the more for that.

MONDELLO: Then she surprises him by singing along in harmony.

Sponsored message

Mr. HANSARD and Ms. MARKETA IRGLOVA (Musicians): (As characters) (Singing) Words fall through me and always fool me. And I can't react.

MONDELLO: His face lights up and you know they've made a connection. Now, she's a musician, so, of course, she can harmonize and she can play along on the piano. But now, what? He can still sing on the street different songs that will tell us what he's thinking. But how do you get her singing? Have her lug around the piano? And more important, how can she sing her own thoughts as opposed to lyrics that he's written? Well, how about this? He's recorded some background chords for a song, but he's having trouble with the lyrics.

(Soundbite of musical "Once")

MONDELLO: He gives her a Walkman with the background chords on a disc and she writes rhymes to go with them…

(Soundbite of musical "Once")

Ms. IRGLOVA: (As character) (Singing) Are you really sure that you believe me…

MONDELLO: And then when the Walkman's batteries run down and she has to go buy some more, she can entirely realistically walk down the street with his music playing in her earphones while singing her lyrics. It makes perfect sense even if you're a stickler for realism.

Sponsored message

I'm Bob Mondello.

(Soundbite of musical "Once")

Ms. IRGLOVA: (As character) (Singing) …to see you better all I want. To satisfy you. Transcript provided by NPR, Copyright NPR.

You come to LAist because you want independent reporting and trustworthy local information. Our newsroom doesn’t answer to shareholders looking to turn a profit. Instead, we answer to you and our connected community. We are free to tell the full truth, to hold power to account without fear or favor, and to follow facts wherever they lead. Our only loyalty is to our audiences and our mission: to inform, engage, and strengthen our community.

Right now, LAist has lost $1.7M in annual funding due to Congress clawing back money already approved. The support we receive from readers like you will determine how fully our newsroom can continue informing, serving, and strengthening Southern California.

If this story helped you today, please become a monthly member today to help sustain this mission. It just takes 1 minute to donate below.

Your tax-deductible donation keeps LAist independent and accessible to everyone.
Senior Vice President News, Editor in Chief

Make your tax-deductible donation today