Sponsored message
Audience-funded nonprofit news
radio tower icon laist logo
Next Up:
0:00
0:00
Subscribe
  • Listen Now Playing Listen
NPR News

The Little Willies: For The Wrenching 'Good Times'

The Little Willies' <em>For the Good Times</em> brings together five accomplished musicians of varying musical backgrounds.
The Little Willies' <em>For the Good Times</em> brings together five accomplished musicians of varying musical backgrounds.
(
Courtesy of the artist
)

Truth matters. Community matters. Your support makes both possible. LAist is one of the few places where news remains independent and free from political and corporate influence. Stand up for truth and for LAist. Make your year-end tax-deductible gift now.

Listen 3:56

It's been six years since The Little Willies released an eponymous debut album. The New York City band is best known as a side project of Grammy-winning singer Norah Jones, along with singer Richard Julian, guitarist Jim Campilongo, bassist Lee Alexander and drummer Dan Rieser. All accomplished musicians with their own careers, they've now released a second album titled For the Good Times — simply because, they say, they missed playing together.

For an album called For the Good Times, The Little Willies' members fill it up with wrenching material. These five friends started getting together in 2003 on a casual basis to play honky-tonk, outlaw country and Western swing favorites. On this new release, they often veer toward themes of unrelenting dissatisfaction and cheating hearts, portrayed in songs like "I Worship You" by the Stanley Brothers.

A large part of The Little Willies' magic lies in chemistry. Julian's voice provides a nice counterpoint to Jones' jazzy inflection, while guitarist Campilongo's string-bending wizardry crests spectacularly before diving back into the ensemble.

The Little Willies' members clearly possess a great love for all sorts of country music, but their approach doesn't always work. Some of these songs left me pining for a grittier and less pretty interpretation. They're most successful when they tackle upbeat Western swing, or ballads that complement the gentle beauty of Jones' voice. But the band members' disparate musical backgrounds and impressive creativity also lend themselves well to turning listeners on to obscure cover tunes, like the oddball pick "Fowl Owl on the Prowl," written by Quincy Jones for the 1967 film In the Heat of the Night.

The Little Willies' music doesn't ache like Hank Williams, or exude Loretta Lynn's feisty nature, though both artists are covered on this album. What they bring to these classic tunes is an extraordinary marriage of relaxed camaraderie and technical excellence. They're all incredible players, but they're also just a bunch of friends who are in it for each other, and for the sake of the songs.

Copyright 2022 NPR. To see more, visit https://www.npr.org.

You come to LAist because you want independent reporting and trustworthy local information. Our newsroom doesn’t answer to shareholders looking to turn a profit. Instead, we answer to you and our connected community. We are free to tell the full truth, to hold power to account without fear or favor, and to follow facts wherever they lead. Our only loyalty is to our audiences and our mission: to inform, engage, and strengthen our community.

Right now, LAist has lost $1.7M in annual funding due to Congress clawing back money already approved. The support we receive before year-end will determine how fully our newsroom can continue informing, serving, and strengthening Southern California.

If this story helped you today, please become a monthly member today to help sustain this mission. It just takes 1 minute to donate below.

Your tax-deductible donation keeps LAist independent and accessible to everyone.
Senior Vice President News, Editor in Chief

Make your tax-deductible year-end gift today

A row of graphics payment types: Visa, MasterCard, Apple Pay and PayPal, and  below a lock with Secure Payment text to the right