It's our spring member drive!

Be one of 5,000 members to make a sustaining gift to help unlock $1 million.
Audience-funded nonprofit news
radio tower icon laist logo
Next Up:
0:00
0:00
Subscribe
  • Listen Now Playing Listen
  • Listen Now Playing Listen
NPR News

The Creole Choir Of Cuba: Reviving Caribbean History In 'Santiman'

The Creole Choir of Cuba's latest album, <em>Santiman</em>,<em> </em>has a satisfying flow from celebration to solemnity.
The Creole Choir of Cuba's latest album, <em>Santiman</em>,<em> </em>has a satisfying flow from celebration to solemnity.
(
Courtesy of the artist
)

If you value independent local news, become a sustainer today. Your gift could help unlock a $1M challenge.

Listen 4:09

It might come as a surprise to learn that people of Haitian descent are the largest ethnic minority in Cuba. But that's the history behind The Creole Choir of Cuba, a vocal and percussion ensemble that performs songs about history, faith and social change in the Caribbean.

The choir consists of six women and four men, who sing in tribute to the migrations of their ancestors. On their new album, Santiman, the choir delves into the intertwined histories of Cuba and neighboring Haiti.

There are clear echoes of Christian church music in "Juramento," an arrangement of a Cuban folk song. But elsewhere, the focus shifts to pre-Christian sources, as in "Simbi," an ode to a Haitian spirit. The percussion and lead male vocal evoke the feeling of a Haitian Voodoo ceremony, with ties to ancient spiritual practices in West Africa.

The history of Haitian immigration to Cuba goes back to the Haitian Revolution more than 200 years ago. It was only in the 1990s, however, that The Creole Choir of Cuba made the short trip to its ancestral home. Its members have since returned often, particularly in the wake of Haiti's devastating earthquake. The song "Pou Ki Ayiti Kriye?" asks how such a beautiful country has to suffer so much.

The Creole Choir of Cuba has matured artistically since its first international album, Tande-La. Santiman has a satisfying flow from celebration to solemnity, nostalgia and even playful humor; the Haitian folk song "Panama Mwen Tonbe" pokes fun at a horseman whose Panama hat has blown off in the wind.

A dash of trumpet here and piano there add welcome texture to the group's sound. In the end, though, it's all about the vocals — clear, strong, committed and deeply informed by Caribbean history.

Copyright 2022 NPR. To see more, visit https://www.npr.org.

Sponsored message

You come to LAist because you want independent reporting and trustworthy local information. Our newsroom doesn’t answer to shareholders looking to turn a profit. Instead, we answer to you and our connected community. We are free to tell the full truth, to hold power to account without fear or favor, and to follow facts wherever they lead. Our only loyalty is to our audiences and our mission: to inform, engage, and strengthen our community.

Right now, LAist has lost $1.7M in annual funding due to Congress clawing back money already approved. The support we receive from readers like you will determine how fully our newsroom can continue informing, serving, and strengthening Southern California.

If this story helped you today, please become a monthly member today to help sustain this mission. It just takes 1 minute to donate below.

Your tax-deductible donation keeps LAist independent and accessible to everyone.
Senior Vice President News, Editor in Chief

Make your tax-deductible donation today