Sponsored message
Audience-funded nonprofit news
radio tower icon laist logo
Next Up:
0:00
0:00
Subscribe
  • Listen Now Playing Listen
NPR News

Amadou And Mariam: Well Beyond Mali

Truth matters. Community matters. Your support makes both possible. LAist is one of the few places where news remains independent and free from political and corporate influence. Stand up for truth and for LAist. Make your year-end tax-deductible gift now.

Listen 5:16

The self-billed "blind couple of Mali" have been recording since the '80s, and they've never been strictly Malian about it. Amadou and Mariam's 1999 song "Chantez-Chantez" features the duo singing in unison, which is atypical for them; they usually split the vocals. But the thick, rock-ish tone of husband Amadou Bagayoko'a guitar is almost a signature. And then there's the underlying riff, the kind of bluesy thing you think you've heard before — for good reason.

I couldn't swear that Amadou and Mariam copped that riff from Stevie Wonder's "Higher Ground" and wouldn't think less of them if they did. That's the way they've operated for a long time, and they're good at it — never better than on their brand-new Welcome to Mali.

The opening track is the very atypical, keyboard-dominated "Sabali." It's getting attention from alternative rock fans because it's produced by Damon Albarn of Blur and Gorillaz. One could say, "What's so African about that song? It's cheesy French electropop." And that's true — only it's terrific, even daring cheesy French electropop. Usually, African artists who flatter the Euro-American audience come off compromised. Amadou and Mariam absorb ideas from anywhere and sound like they're having a ball.

Listen to Welcome to Mali and you'll notice harmonica, disco synth drums, the Somalia-born rapper K'Naan, plenty of garage guitar and the synth riff from Stevie Wonder's "Superstition." But that doesn't mean the album isn't basically Malian. In "Djuru," Mariam Doumbia's sweet admonitions meld with Toumani Diabate's kora and traditional West African doum doum drums, which sound electronic.

The Bambara words of that song are about buying on credit, which makes it one of the more specific tracks on the album. Amadou and Mariam are not great lyricists. As attractive as their worldly melodicism is, it's hard to imagine an English-speaking act getting away with generalizations as simplistic as, "Hypocrisy in politics, it's not good / We don't want any." But when we get to the heartfelt vows of "Compagnon de la Vie" ("Companion for Life"), I say Amadou and Mariam, together now for more than 30 years, have earned a pass.

Copyright 2022 NPR. To see more, visit https://www.npr.org.

You come to LAist because you want independent reporting and trustworthy local information. Our newsroom doesn’t answer to shareholders looking to turn a profit. Instead, we answer to you and our connected community. We are free to tell the full truth, to hold power to account without fear or favor, and to follow facts wherever they lead. Our only loyalty is to our audiences and our mission: to inform, engage, and strengthen our community.

Right now, LAist has lost $1.7M in annual funding due to Congress clawing back money already approved. The support we receive before year-end will determine how fully our newsroom can continue informing, serving, and strengthening Southern California.

If this story helped you today, please become a monthly member today to help sustain this mission. It just takes 1 minute to donate below.

Your tax-deductible donation keeps LAist independent and accessible to everyone.
Senior Vice President News, Editor in Chief

Make your tax-deductible year-end gift today

A row of graphics payment types: Visa, MasterCard, Apple Pay and PayPal, and  below a lock with Secure Payment text to the right