Support for LAist comes from
Local and national news, NPR, things to do, food recommendations and guides to Los Angeles, Orange County and the Inland Empire
Stay Connected
Listen

Share This

This is an archival story that predates current editorial management.

This archival content was written, edited, and published prior to LAist's acquisition by its current owner, Southern California Public Radio ("SCPR"). Content, such as language choice and subject matter, in archival articles therefore may not align with SCPR's current editorial standards. To learn more about those standards and why we make this distinction, please click here.

News

LAist Interview: Charlie Day of "It's Always Sunny In Philadelphia"

Congress has cut federal funding for public media — a $3.4 million loss for LAist. We count on readers like you to protect our nonprofit newsroom. Become a monthly member and sustain local journalism.

()

LAist had the chance to talk to Charlie Day a couple weeks ago. He's the co-creator, writer, producer, and actor in FX's It's Always Sunny In Philadelphia[FX, 10:00pm Thursday], the best and most outlandish cable comedy on TV. Day created the series after shooting the pilot with a couple friends in their apartments and guerilla-style on the streets of LA. FX picked it up and the team lucked out getting Danny DeVito on board as well as directors like Fred Savage.

We started the questions off asking about the McPoyle Clan, the hilarious rivals to Charlie and his bar buddies.

LAist: Hello, Charlie. I wanted to ask, what was the inspiration for the McPoyle clan? They’re amazing; the caricatures of them when they come on, the whole bunch of them are very riveting.

Support for LAist comes from

Charlie Day: Jimmy Simpson and Nate Mooney, the two very inspired actors who play Ryan and Liam McPoyle, are good friends of mine from way back when. Jimmy Simpson and I were roommates in New York City for many years and all the original home videos started with Jimmy. I think he even helped us out a little bit when we made the Sunny pilot; I think I remember him coming in and holding cameras for us one day. Nate Mooney as well, I’ve been friends with for a long time.

When we were writing their first episode, we had this idea for these crazy brothers and we basically tailor-made the roles for Jimmy and Nate, knowing what they could bring to a scene and how very talented they are. I think one of our secrets to the success of the show is to exploit the talents of all the talented people that we know and those two, I think we have gotten the most mileage out of.

Now the name McPoyle, I went to college with a guy named Brendan McPoyle who is absolutely nothing like those characters whatsoever, although he did have 13 brothers and sisters. I just always thought it was a funny name, so I gave them that name. I’ve since heard from friends who were at a wedding that he’s not happy about it, so I do apologize. I no longer have his phone number, but it’s all in good fun.

LAist: We’ll spread the word.

Charlie Day: I think the inspiration behind the characters was really the talents of Jimmy Simpson and Nate Mooney.

[More interview after the jump!]

LAist: Do you shoot some episodes in Philadelphia or there is at least footage done there. What's the decision making? Is it strictly budget? How do you decide if you are going to do an all on location episode? How plot driven does it have to be? I've enjoyed seeing the shots near the convention center and I know that exact spot. That's a lot of fun seeing that.

Support for LAist comes from

Charlie Day: We write the episodes as if they were all going to take place from beginning to end in Philadelphia. I think, ideally, we would shoot it all in Philadelphia if that were a financial and a life reality for us. We set out and we write the episodes just imagining they do take place in Philadelphia.

Then, we go through and we say to ourselves, what can we actually shoot in Philadelphia and what can we shoot in Los Angeles? In the "Invincible" episode, which I think was the convention center one you're referring to, we wrote that episode and hoped and kept our fingers crossed we'd be allowed to shoot at or near the Linc. And they were great about letting us shoot there. It could have been very possible that we got a memo from Lincoln Financial Field or the NFL saying you can't shoot here. In which case, we would have had to find a parking lot somewhere and cheat it.

That's how those decisions are made. They're made with wishful thinking. You try and jam as much Philadelphia in where you can, and then when challenges or hurdles pop up, you jump through them and hope the audience is none the wiser.

LAist: How much of this current season is done and in the bag, both in terms of writing and what you've shot?

Charlie Day: Writing is done, done, done, we finished that months and months ago in January or February. Shooting is done, completed. Rob, Glenn, and I just locked picture on the final episode. So aside from a small handful of sound mixing, making sure everything sounds perfect, we're done.

LAist: Obviously, you're not just coasting, you're helping promote and get the show out and getting everybody to watch the rest of the season. What else do you have going on right now?

Charlie Day: I'm looking forward to a little coasting, because it has been a really long haul for us. We started writing these episodes about a year ago. Rob, Glenn, and myself really carry the bulk of the work. We wrote, we were there every day and then we shoot. We're there for every day and every scene and then we edit. And we're there for every day that we can be there. Now, we're finally done, but I think we're going to rest up a little bit in the hopes that we'll come back and make more Sunny's for everyone.

LAist: That's great. What do you like about LA and living there, versus where you've come from and what you don't like, one sentence for each?

Charlie Day: It's pretty simple. I love LA because I can have space, sunlight, good weather and play a little golf. There's not too much I hate about LA other than the commutes.

Support for LAist comes from

LAist: Yes, the insane freeways. Great and thank you very much, we're looking forward to the rest of the season.

Charlie Day: Thank you.

As Editor-in-Chief of our newsroom, I’m extremely proud of the work our top-notch journalists are doing here at LAist. We’re doing more hard-hitting watchdog journalism than ever before — powerful reporting on the economy, elections, climate and the homelessness crisis that is making a difference in your lives. At the same time, it’s never been more difficult to maintain a paywall-free, independent news source that informs, inspires, and engages everyone.

Simply put, we cannot do this essential work without your help. Federal funding for public media has been clawed back by Congress and that means LAist has lost $3.4 million in federal funding over the next two years. So we’re asking for your help. LAist has been there for you and we’re asking you to be here for us.

We rely on donations from readers like you to stay independent, which keeps our nonprofit newsroom strong and accountable to you.

No matter where you stand on the political spectrum, press freedom is at the core of keeping our nation free and fair. And as the landscape of free press changes, LAist will remain a voice you know and trust, but the amount of reader support we receive will help determine how strong of a newsroom we are going forward to cover the important news from our community.

Please take action today to support your trusted source for local news with a donation that makes sense for your budget.

Thank you for your generous support and believing in independent news.

Chip in now to fund your local journalism
A row of graphics payment types: Visa, MasterCard, Apple Pay and PayPal, and  below a lock with Secure Payment text to the right
(
LAist
)

Trending on LAist