Sponsored message
Logged in as
Audience-funded nonprofit news
radio tower icon laist logo
Next Up:
0:00
0:00
Subscribe
  • Listen Now Playing Listen

This is an archival story that predates current editorial management.

This archival content was written, edited, and published prior to LAist's acquisition by its current owner, Southern California Public Radio ("SCPR"). Content, such as language choice and subject matter, in archival articles therefore may not align with SCPR's current editorial standards. To learn more about those standards and why we make this distinction, please click here.

Arts & Entertainment

FYF Fest 2011 Wins Punk Rock Hearts with Nearly Flawless Festival

One year ago, Congress defunded public media. Now that we're 100% community funded, please become a sustaining member or increase your existing membership today.

This year's FYF Fest -- last Saturday at L.A. State Historic Park -- had something for everybody and at $40 entry for 10 hours of music on four stages (plus a comedy tent) was the ultimate no-brainer for live music aficionados.

The lineup, curated by Sean Carlson, who founded Fuck Yeah Fest in 2004, featured every shade of modern indie music (with the notable exception of hip hop). Early sets featured sunny-day soundtracks from LA's Fool's Gold, Long Beach's Avi Buffalo, SF singer-songwriter Cass McCombs and Seattle's The Head and the Heart.

Punk, the underground musical response to disco in the late '70s, carries on today both as a reflection of the lo-fi hardcore sound and in attitude, as a middle finger to the establishment. Dan Deacon, for example, who is not associated with punk music, engineered a memorable punk experience, setting up in the middle of the crowd and inspiring a sea of crowd-surfers with some high voltage electroclash and weirdo beats.

There were the hot indie bands of the moment, most notably San Diego's Cults and SF-based Girls -- both highlights of the day. But the dominant sound was from the old guard, whether the punk purist rock of Off!, led by former Black Flag and Circle Jerks singer Keith Morris, the satirical punk of Dead Milkmen, the 90's Athens indie sound of Olivia Tremor Control, or the return of the legendary Descendents.

A year after FYF Fest experienced some growing pains the festival seems to have come into its own, with the help of Coachella promoters Goldenvoice. Lines were relatively fluid, sets started on time across the board and artists had a semi-secluded trailer village. The festival was originally slated for the streets surrounding City Hall but the L.A. State Historic Park was ample space for the 20,000 reported attendees, even if we're still hacking up dust kicked up from the barren north end of the park a few days later. On a day featuring an ideal respite from the late summer heat -- temps topped off in the '70s -- it was a perfect day to spend outdoors.

One year ago, Congress voted to defund public media, eliminating a critical $1.7 million from our budget every year going forward. But they couldn’t silence us, and we’re not going anywhere. LAist is now 100% community funded and that means we’re taking our future into our own hands and turning to you to keep local reporting strong.

You come to LAist because you want independent reporting and trustworthy local information. Our nonprofit newsroom doesn’t answer to shareholders looking to turn a profit. Instead, we answer to you and our communities. We are free to follow facts wherever they lead and to hold power to account without fear or favor. Our only loyalty is to our readers and listeners and our mission: to inform, engage, and strengthen Southern California’s communities.

If this story helped you, please become a monthly member today to help sustain this mission. It just takes 1 minute to donate below.
Senior Vice President News, Editor in Chief

Make your tax-deductible donation today