Sponsored message
Logged in as
Audience-funded nonprofit news
radio tower icon laist logo
Next Up:
0:00
0:00
Subscribe
  • Listen Now Playing Listen

This is an archival story that predates current editorial management.

This archival content was written, edited, and published prior to LAist's acquisition by its current owner, Southern California Public Radio ("SCPR"). Content, such as language choice and subject matter, in archival articles therefore may not align with SCPR's current editorial standards. To learn more about those standards and why we make this distinction, please click here.

Arts & Entertainment

Disturbingly Good: 'Daddy' at Hudson Mainstage

DADDY_1sm.jpg
Gerald McCullouch and Dan Via in 'Daddy.' (Photo by Eric Krieger)

One year ago, Congress defunded public media. Now that we're 100% community funded, please become a sustaining member or increase your existing membership today.

Daddy, currently playing at Hudson Mainstage, is Dan Via's superbly crafted and touching play about the convergent complexities of defining love, friendship, and family in an anti-equaity political arena. Daddy examines a plethora of finely intertwined themes, but what what makes Via's play so engaging is the acknowledgment of the painful uncertainty and emergent joys that accompany the transition to an era of legal mainstreaming and rapidly changing social expectations, both for and from the American gay diaspora. Under the direction of Rick Sparks, Daddy offers unexpected plot twists, well-timed laughs, relevancy, and fluid transitions. Believability is a defining factor that draws the audience deeply into the lives of the characters. The cast is realistic and delivers a natural performance without reliance on stereotypes and coded slang -- a gay glossary for straight folks is not needed to understand the play's jokes or sub-context.

Via not only wrote Daddy, but gives an impressive performance full of warmth, refinement, and perfectly timed nuance in the role of Stewart. Gerald McCullouch renders central character Colin with intensity, grace, and an incredible range of emotional force in a role that is as dynamic as it is demanding. Ian Verdun gives a disturbingly expressive and intuitive performance with aptly applied restraint and simmering energy.

Daddy is playing at Hudson Mainstage in Hollywood through February 13, 2011. Tickets can be obtained online or via phone at 323-960-7738.

One year ago, Congress voted to defund public media, eliminating a critical $1.7 million from our budget every year going forward. But they couldn’t silence us, and we’re not going anywhere. LAist is now 100% community funded and that means we’re taking our future into our own hands and turning to you to keep local reporting strong.

You come to LAist because you want independent reporting and trustworthy local information. Our nonprofit newsroom doesn’t answer to shareholders looking to turn a profit. Instead, we answer to you and our communities. We are free to follow facts wherever they lead and to hold power to account without fear or favor. Our only loyalty is to our readers and listeners and our mission: to inform, engage, and strengthen Southern California’s communities.

If this story helped you, please become a monthly member today to help sustain this mission. It just takes 1 minute to donate below.
Senior Vice President News, Editor in Chief

Make your tax-deductible donation today