With our free press under threat and federal funding for public media gone, your support matters more than ever. Help keep the LAist newsroom strong, become a monthly member or increase your support today during our fall member drive.
This archival content was written, edited, and published prior to LAist's acquisition by its current owner, Southern California Public Radio ("SCPR"). Content, such as language choice and subject matter, in archival articles therefore may not align with SCPR's current editorial standards. To learn more about those standards and why we make this distinction, please click here.
Concert Review: Billy Joel @ Honda Center, 2/23/08

The piano man is also a guitar man
I’m not ashamed to admit that somewhere among my Jon Brion, Of Montreal and Vampire Weekend albums, you’ll find a bunch of Billy Joel CDs. Although I wasn’t even born when he first hit the airwaves, I’ve always had a soft spot for his music. Since I didn’t get to see him perform during the days when he was releasing and performing new music, I was excited for the opportunity to see him Saturday night in Anaheim.
The evening began at 8:30 p.m. when Joel took the stage at the Honda Center. He introduced himself as “Billy’s dad” because “Billy was busy at home…combing his hair.” He thanked those sitting in the nosebleed seats (which he referred to as “all the way in Rancho Cucamonga”) and said he appreciated their support in buying tickets because his “car insurance rates have gone through the roof.”
More photos after the jump.

I think that one unique challenge he must face when performing in a venue like this is that there’s not enough time to play all his popular songs, because there are just too many. In the end, I'd guess he probably averaged two songs per album.
After a performance of “Captain Jack,” he told the story of how, when Hillary Clinton was running for a seat in the Senate, her aides accidentally played "Captain Jack" rather than “New York State of Mind” at a rally. Soon after that, her then-opponent Rudy Giuliani jumped on the gaffe, stating that her mistake encouraged drug use. It took Joel a lot longer than it should have to tell the story, because each time Clinton’s name was mentioned, choruses of cheers and boos erupted from various concertgoers. It seemed like he just wanted to tell a funny story, but it was obvious that things are different in an election year.
I’m sure he said some other interesting things, however, I ended up sitting next to really-drunk-and-endlessly-yelling-in-my-ear-guy (who later ended up ruining my purse by doing some flail-armed dance move and dumping his sixth cup of beer all over me).
Although the stage setup wasn’t too fancy, Joel’s piano rotated every 30 minutes or so to give each side of the auditorium a chance to see his face as well as his piano-work.
At one point, Joel picked up a guitar and invited one of his crew members, “Chainsaw,” to join him on the stage. Chainsaw then performed AC/DC’s “Highway to Hell” with Joel on guitar. That got the Honda Center jumping. In fact, some people remained in that spirit to the point that I even saw one guy head-banging to “Scenes from an Italian Restaurant” during the encore.
All in all, the experience of those 2 hours and 20 minutes was what I’d hoped it would be. Billy Joel is still an entertainer, and he’ll always be the piano man.
Setlist
My Life
Everybody Loves You Now
The Entertainer
The Ballad of Billy the Kid
Allentown
New York State of Mind
Zanzibar
Root Beer Rag
Movin' Out
Don't Ask Me Why
Captain Jack
She's Always a Woman
Keeping the Faith
River of Dreams
Highway to Hell [Chainsaw on vocals]
We Didn't Start the Fire
It's Still Rock and Roll to Me
You May Be Right
Scenes from an Italian Restaurant
Only the Good Die Young
Piano Man






A million points of cell phone light...and one lighter
At LAist, we believe in journalism without censorship and the right of a free press to speak truth to those in power. Our hard-hitting watchdog reporting on local government, climate, and the ongoing housing and homelessness crisis is trustworthy, independent and freely accessible to everyone thanks to the support of readers like you.
But the game has changed: Congress voted to eliminate funding for public media across the country. Here at LAist that means a loss of $1.7 million in our budget every year. We want to assure you that despite growing threats to free press and free speech, LAist will remain a voice you know and trust. Speaking frankly, the amount of reader support we receive will help determine how strong of a newsroom we are going forward to cover the important news in our community.
We’re asking you to stand up for independent reporting that will not be silenced. With more individuals like you supporting this public service, we can continue to provide essential coverage for Southern Californians that you can’t find anywhere else. Become a monthly member today to help sustain this mission.
Thank you for your generous support and belief in the value of independent news.

-
Kevin Lacy has an obsession with documenting California’s forgotten and decaying places.
-
Restaurants share resources in the food hall in West Adams as Los Angeles reckons with increasing restaurant closures.
-
It will be the second national day of protest against President Donald Trump.
-
The university says the compact, as the Trump administration called it, could undermine free inquiry and academic excellence.
-
This is the one time you can do this legally!
-
Metro officials said it will be able to announce an opening date “soon.”