Support for LAist comes from
Local and national news, NPR, things to do, food recommendations and guides to Los Angeles, Orange County and the Inland Empire
Stay Connected
Listen

Share This

Arts and Entertainment

The little-known connection between LA and Japanese monster masterpiece, 'Godzilla'

A movie poster with a green monster shooting fire out of its mouth. The film is "Godzilla: King of the Monsters!"
"Godzilla: King of the Monsters!" movie poster.
(
Courtesy Toho Co., Ltd.
)

Congress has cut federal funding for public media — a $3.4 million loss for LAist. We count on readers like you to protect our nonprofit newsroom. Become a monthly member and sustain local journalism.

Today marks a very special day for a timeless Japanese icon.

On Nov. 3, 1954, the first Godzilla film was released in Japan. The monster flick, which many people saw as an allegory for the Atomic bomb, was a box office hit in the country, and would go on to become a global sensation.

But, "unbeknownst to many people, Godzilla's international stardom actually began right here in Los Angeles," said Steve Ryfle, who co-authored the book, Ishiro Honda: A Life in Film, from Godzilla to Kurosawa.

Listen 4:55
The little-known connection between LA and Japanese monster masterpiece, 'Godzilla'
Support for LAist comes from

That's because for five decades, according to Ryfle, pretty much the only way audiences in the U.S. and other parts of the Western world could see the film was through a highly altered version of the 1954 Japanese original.

A black and white photo of a giant monster with a spiked spine.
Film still from the 1954 original Japanese film, "Godzilla."
(
Courtesy Toho Co., Ltd.
)

The Los Angeles connection

And that re-edited version, titled Godzilla King of the Monsters! contained added scenes that were all shot in Los Angeles.

"It was a Japanese production, produced for Japanese audiences. It was made for an audience that had only nine years prior experienced the end of the war and the surrender," Ryfle said, referring to the Hiroshima and Nagasaki bombings that brought an end to World War II. "Even though it was entertainment film, a monster film, it was very much about the Japanese experience during and after the war."

Ryfle said audiences outside of Japan might not necessarily connect with the material the same way. Also, he added, the film was entirely in Japanese.

Support for LAist comes from

"In that day and age, you really wouldn't have been able to dub a film or even subtitle it and show it to a mass audience," Ryfle said.

How the film landed in L.A.

The studio behind Godzilla — the renowned Toho Studios — was looking to expand into foreign markets, and set up a small export office in L.A.

One of the films they offered up for sale was the monster film, said Ryfle. The people who bought it were not your typical Hollywood execs.

"If you've ever seen the movie Ed Wood, set in this kind of B-movie world of the 1950s where people were making films fast and cheap and about really exploitative types of subjects — that's the type of people who purchased Godzilla and tried to turn it into an American monster movie," Ryfle said.

A black and white photo of a man in suit and tie holding a piece of paper written in Japanese.
Actor Raymond Burr in a publicity still for "Godzilla: King of the Monsters!"
(
Courtesy Toho Co., Ltd.
)

What these American producers did to the original Japanese version was write in an entirely new character named Steve Martin, who is an American wire service reporter stationed in Japan, played by character actor Raymond Burr of Perry Mason fame.

Support for LAist comes from

How the sausage was made

"They more or less  heavily re-edited new scenes starring Burr into this drama and made him more as a narrator than a protagonist," Ryfle said.

Those scenes were shot around 1955 at a little studio, now defunct, called Visual Drama. Legend has it that all the Burr additions were filmed in a marathon 24-hour session.

"They hired Asian actors, they shot scenes where Burr appeared to be interacting with the Japanese cast, and they used similar clothing, and they kind of used reverse angles and intercut Burr into the scenes of the Japanese film," Ryfle said.

U.S. debut of "Godzilla: King of the Monsters!"

A movie poster with a gigantic green monster swatting down airplanes.
Movie poster for "Godzilla: King of the Monsters!"
(
Courtesy Toho Co., Ltd.
)
Support for LAist comes from

Godzilla: King of the Monsters! opened in American theaters in April 1956 — about a year and a half after the original film was released in Japan. And it was a big hit for a black-and-white independently released low-budget film, according to Ryfle.

That same altered version would expand its fandom on American syndicated television. But it wasn't until 2004, on the 50th anniversary of the release of the first Godzilla, that the Japanese original was officially released in the United States for the first time.

By then Godzilla: King of the Monsters! had become so beloved and seminal in its own rights that the film is now part of the lauded Criterion Collection.

About that little film studio...

The little dingy studio in Koreatown where those Raymond Burr scenes were shot is now an elementary school.

There's a bronze plague staking its claims in Godzilla history, after a group of fans, including The Godzilla Society of North America, and local historians raised money for a commemorative marker in 2006.

"I thought that was a really nice way of denoting this little piece of misunderstood and even unknown Hollywood history," said Ryfle. "To this day, you still have this misunderstanding among a lot of people who are misled into believing that this is the original version of the film."


"Godzilla" anniversary events

Ryfle and his co-author Ed Godziszewski will be on hand for these events celebrating the 70th anniversary of the release of the original Godzilla.

  • Godzilla-Thon! Movie Marathon
    An all-day marathon of 5 Godzilla films
    When: Nov. 3, Sunday, starting from 11:00 a.m.
    Where: David Geffen Theater at the Academy Museum of Motion Pictures, LACMA West, 6067 Wilshire Blvd, Los Angeles
  • Godzilla and the Art of Japanese Special Effects
    A lecture and discussion
    When: Nov. 4, Monday, 7:00 to 8:30 p.m.
    Where: The Japan Foundation, 5700 Wilshire Blvd Suite 100, Los Angeles
    Event is free; registration is required

As Editor-in-Chief of our newsroom, I’m extremely proud of the work our top-notch journalists are doing here at LAist. We’re doing more hard-hitting watchdog journalism than ever before — powerful reporting on the economy, elections, climate and the homelessness crisis that is making a difference in your lives. At the same time, it’s never been more difficult to maintain a paywall-free, independent news source that informs, inspires, and engages everyone.

Simply put, we cannot do this essential work without your help. Federal funding for public media has been clawed back by Congress and that means LAist has lost $3.4 million in federal funding over the next two years. So we’re asking for your help. LAist has been there for you and we’re asking you to be here for us.

We rely on donations from readers like you to stay independent, which keeps our nonprofit newsroom strong and accountable to you.

No matter where you stand on the political spectrum, press freedom is at the core of keeping our nation free and fair. And as the landscape of free press changes, LAist will remain a voice you know and trust, but the amount of reader support we receive will help determine how strong of a newsroom we are going forward to cover the important news from our community.

Please take action today to support your trusted source for local news with a donation that makes sense for your budget.

Thank you for your generous support and believing in independent news.

Chip in now to fund your local journalism
A row of graphics payment types: Visa, MasterCard, Apple Pay and PayPal, and  below a lock with Secure Payment text to the right
(
LAist
)

Trending on LAist