‘Dust Bunny’ director Bryan Fuller on telling queer stories with universal appeal

Bryan Fuller probably is best known for creating television shows like Pushing Daisies and Hannibal — shows with devoted fans, many of whom still hope for series comebacks.

But when Fuller first came to Los Angeles to go to film school at USC in the 1990s, things didn’t go as planned.

After running out of financial aid, he had to drop out. But by staying in L.A. and taking odd jobs, like delivering head shots to casting directors at night, Fuller told LAist he still got an education in the industry.

Getting a foothold in L.A.

“There were a couple of times when I was delivering head shots that I would just see that they're in the middle of auditions, and I put my name down and I would go in and audition,” Fuller says. “Just because I was there and sort of fearless at that time and didn’t know what I should or should not do.”

That same fearlessness helped lead to his first writing job, for Star Trek: Deep Space Nine. His unusual job-seeking tactic: “ I would pull up to the gate and say I was a delivery person and slide story ideas under the doors of Star Trek producers until they hired me.”

Fuller went on to work on Star Trek: Voyager, and in the early 2000s, he created his first original series, Dead Like Me, for Showtime.

As he got a foothold in the industry and went on to create other shows, as an openly gay writer and producer, Fuller took pride in infusing his stories with queer themes, something he would become known for (and touch on directly in an Achievement Award acceptance speech at Outfest in 2017).

Gateway horror, queer horror and the origins of ‘Dust Bunny’

In 2022, he executive produced a docuseries called Queer for Fear: The History of Queer Horror, and his latest project, the film Dust Bunny, which he wrote and marks his feature directorial debut, feels like a natural progression.

Part fairy tale, part thriller (or “gateway horror” as Fuller also describes it) the film is about a little girl who hires a hit man to kill the monster under her bed.

And while it might not seem like a queer story on its face, Fuller says it could be interpreted as one.

“Whenever I see a child championing themselves,” Fuller says, “that feels like a queer story. Because so many times, we as queer children have to become our own heroes and have to become our own champions.”

Sophie Sloane and Mads Mikkelsen in a scene from "Dust Bunny," written and directed by Bryan Fuller.

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Gabor Kotschy

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Courtesy Roadside Attractions

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But the story is also universal, which was by design.

Fuller explains: “There's a line in Dust Bunny where Aurora, played by Sophie Sloan [...] says, ‘My parents weren’t very nice to me,’ and that was designed to be a little unclear so the audience could see themselves in Aurora, whatever that means to them.”

Having a film or TV show that makes you feel seen, Fuller says, “I think is valuable not only for queer people, but for any child who feels that they may not belong or feels that they may not have a support system.”

The role of queer storytellers

Asked whether the Trump administration’s targeting of the LGBTQ community, particularly trans people, has changed his perspective on his role as a queer storyteller, Fuller was reflective.

“I think queer people have always encountered some kind of resistance that gives us friction," Fuller says. "And with that friction, there are sparks and growth, and that scar tissue is necessary to build an armor, particularly when we're looking at these stories through a fictional lens. They allow us to build upper resistance to real-life threats.”

Fuller says it also connects to his love of horror.

“It's one of the reasons I love horror movies and I love the thematic of 'the final girl,'" Fuller says. “Because I look at those movies as — if [Friday the 13th actresses] Amy Steele and Adrienne King can survive Crystal Lake, then I can survive my adversaries.”

To watch Bryan Fuller’s full interview with LAist host Julia Paskin, about "Dust Bunny," what he thinks it would take to keep more film and TV production here in Los Angeles and his ideas for a new ‘Star Trek’ movie, click here.