The Brief

At a rally in February, the mayor of West Hollywood said he’s advocated for direct rail access to the city for years. Each time a new line was built, Mayor John Heilman said he was told it wasn’t the city’s time.

“Now is our time,” he said at the rally.

L.A. Metro’s Board is set to vote on Thursday on the staff-recommended route for the northern extension of the K Line, which would place three much sought-after rail stations in West Hollywood.

The decision over the train route is a political test for the board. West Hollywood has established itself as a powerfully pro-transit city and has for years studied the feasibility of fronting billions of dollars to kickstart the project without raising taxes.

At the same time, a small contingent of homeowners in an historic Mid City neighborhood continue to reject Metro staff’s assurances, backed by years of studies and history, that the train and its construction will have minimal, if any, effect on their daily lives.

The homeowners have met with L.A. Mayor Karen Bass, who has a seat on the board of the countywide transportation agency, as recently as March 16. Metro Board Director Jacquelyn Dupont-Walker, who lives in the neighborhood where residents are concerned, was also at the meeting despite recusing herself from public meetings about the project.

L.A. County Supervisor Lindsey Horvath, who has held positions as mayor and City Council member of West Hollywood and has a seat on the Metro Board, characterized the decision on Thursday as an existential one for Metro.

“Are they interested in being serious partners in building infrastructure when people come to the table with billions of dollars to invest?” Horvath said to LAist on Wednesday after a Metro committee declined to take a position on the rail extension. “Or are we going to move in a different direction?”

L.A. County Supervisor Lindsey Horvath has worked with and alongside West Hollywood to bring Metro rail to the city. L.A. Mayor Karen Bass has engaged privately with Lafayette Square residents who are opposed to the route for the K Line Northern extension,

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Myung J. Chun / Los Angeles Times via Getty Images

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Primer on the extension

The K Line currently runs from Redondo Beach to Crenshaw and stops at the LAX/Metro Transit Center. Earlier in March, Metro officials recommended a route for the train to continue north through Mid City and West Hollywood and terminate at the Hollywood Bowl.

L.A. Metro staff recommended the San Vicente-Fairfax alignment for the K Line Northern extension. The alignment the Metro Board is approving is mostly shown in this map in a dotted green line. The section going through Mid-City has been altered slightly in an attempt to appease residents' concerns. The pink line represents the current K Line.

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L.A. Metro

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The recommended route would attract 60,000 daily trips, the most of the routes studied by Metro. It would also reach a higher number of residents and jobs within a half-mile of the nine proposed stations, according to Metro staff estimates.

Committee meeting lays bare the politics at play 

During the public comment period at Metro’s Planning and Programming committee meeting on March 18, supporters celebrated the transformational potential of the route.

The route would connect to the D Line in Wilshire and the B Line in Hollywood, closing a north-south gap that currently exists in Metro’s rail network. The extension would link to cultural hubs, including the Museum District and Hollywood Bowl, major employers such as Cedars Sinai Medical Center and queer nightlife along Santa Monica and Sunset boulevards.

Also at the meeting, Lafayette Square residents expressed concerns, which have persisted for years, over the effects of tunneling on property values, noise and vibration, as well as the planned demolition of a nearby grocery store.

Based on the concerns, the Metro Board directed agency staff in October 2024 to do additional analysis and community outreach. That work, which cost an additional $2.3 million, filtered into the recommendation Metro staff will present to its board on Thursday. The presentation includes a modified route that minimizes underground easements under residential neighborhoods and assurances that tunneling will be deep enough to zero out any surface-level disruptions.

“They still want to tear down our only grocery store and our only drugstore,” Wade Eck, a 25-year resident of Lafayette Square, said to LAist. “That’s where people should really question what’s going on.”

Metro said it’s committed to relocating the Ralph’s that would be demolished before construction.

The fissure in public opinion about the train was enough for acting director of the committee, Ara Najarian, to suggest the discussion continue at the full board meeting Thursday, which he termed a “more august forum,” rather than issuing a recommendation.

Najarian said he supports the route as proposed by Metro staff, but he wants to ensure Bass can weigh in. The mayor could still share her thoughts on Thursday even if the committee recommended the item for approval.

The mayor’s meetings

Bass’ office told LAist she participated in meetings on March 11 and 16 about the K Line Northern Extension. The March 16 meeting involved members of the Lafayette Square neighborhood.

Bass supports the extension, her office said, but didn’t specify if that meant she supports the Metro staff-recommended route, would like to see a modification or wants to delay the vote entirely.

“Mayor Bass supports the K Line Northern extension because it will ease congestion, create jobs and expand access to culture, education, opportunity and housing,” her office said in a statement. “Mayor Bass regularly meets with community members and believes residents should have their voices heard at Metro headquarters.”

Jacquelyn Dupont-Walker, who is one of the mayor’s appointees to the Metro Board, was present for both meetings, Bass’ office said.

The founding member of a faith-based development group in South L.A., Dupont-Walker’s current residence is in Lafayette Square, according to an LAist review of public records.

When the item came up at the committee meeting on Wednesday, Dupont-Walker recused herself, citing a “perceived conflict.”

When reached by email and phone, Dupont-Walker declined to comment on the nature and terms of her recusal and in what capacity she attended the meetings with the mayor.

“Unfortunately while deliberations are in process this month, I am not engaging [regarding] this matter,” Dupont-Walker said in an email to LAist.

Metro Board Member Jacquelyn Dupont-Walker, a Lafayette Square resident, as recused herself from public meetings about the extension but has participated in private meetings with the L.A. mayor about the project.

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Brian Feinzimer

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LAist

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West Hollywood isn’t shaken

West Hollywood City Councilmember Chelsea Byers grew up in Phoenix, Arizona, and told her parents she wanted to move to a city that was walkable and had a train.

“ My parents now live in that city in Arizona, while I am waiting for a train here,” Byers said to LAist.

Byers said she’s hoping the politics and behind-the-scenes maneuvering doesn’t jeopardize the opportunity the train extension presents for West Hollywood.

In 2018, the West Hollywood City Council initiated the process of studying how the city could, in coordination with L.A. County, capture a certain proportion of future property tax growth in a defined area near the project and funnel it towards construction. Critically, this plan wouldn’t involve raising taxes.

“Every time a property is redeveloped or sold, it adds to that increment, which adds to the amount of money that you can raise,” Eli Lipmen, head of transit advocacy group Move LA and supporter of the Metro-recommended route for the extension, said to LAist.

The Metro-staff recommended route is the most expensive of the options studied, with an estimated capital cost of nearly $15 billion. That cost far exceeds the $2.2 billion allocated toward the project in the expenditure plan for Measure M, the half-cent sales tax for transit projects county voters approved in 2016.

Byers said a swift decision on Thursday is critical to the success of the financial plan, known as an Enhanced Infrastructure Financing District, since the city has a “huge list” of redevelopment projects on the horizon.

If the Metro staff-recommended route is approved on Thursday, West Hollywood City Council and the L.A. County Board of Supervisors would separately pursue creating the district within which property tax growth could be captured.

Though she was “disappointed” that the vote on Thursday will happen without the recommendation from the committee, Horvath ultimately struck an optimistic tone.

“ I believe that this agency is committed to a future that connects our region …  and I think this alignment really is an important component of that regional conversation,” she said.

A new trail across the beloved natural area of Elephant Hill in Northeast Los Angeles is officially opening this weekend.

The route is years in the making, and it's a big milestone in the decades-long conservation efforts to preserve this local jewel in the community of El Sereno.

The hiking trail connects one side of Elephant Hill to the other — from the corner of Pullman Street and Harriman Avenue all the way across to Lathrop Street.

It's 0.75 miles in total, but packs a punch.

"It's a pretty straight shot, but because of the terrain — the trail is kind of twisty and curvy. There's switchbacks — and great views," Elva Yañez, board president of the nonprofit Save Elephant Hill, said.

People have always been able to access the 110-acre green space, but Yañez said the new trail provides a safe and easy way to navigate the steep hillsides.

The El Sereno nonprofit has been working for two decades to preserve the land. Illegal dumping and off-roading have damaged the open space over the years. And the majority of the 110 acres are privately owned by an estimated 200 individual owners.

Mountains Recreation and Conservation Authority (MRCA) joined the efforts in 2018, spurred by a $700,000 grant from Los Angeles County Regional Park and Open Space District, in part, to build the trail. The local agency received some $2 million in grants from the Santa Monica Mountains Conservancy to add to the 10 acres of Elephant Hill it manages and conserves. This year, MCRA acquired an additional 12 parcels — or about 2.4 acres.

And the spiffy new footpath — with trail signage, information kiosks and landscape boulders — is not just a long-sought-for victory but a beginning in a sense.

"We know that it means a lot to the community," Sarah Kevorkian, who oversees the trail project for MRCA, said. "We're wrapping up the trail, but it really feels like the beginning of all that is to come."

A hint of that vision already exists — for hikers traversing the new route, courtesy of Test Plot, the L.A.-based nonprofit that works to revitalize depleted lands.

"They're able to see at the end of the trail, at the 'test plot' — exactly what a restored Elephant Hill would look like," Yañez said.

Here's a preview:

The Venice Boardwalk after sunset has generally been a no-go zone for tourists and locals alike, as the beachside bars and restaurants close on the early side and safety is often an issue. Now, a group of artists is out to bring some vibrancy to the creative neighborhood with a series of new installations that will include live evening performances – and even a “Venice Opera House.”

“Let's play with light and let's play with sound and give people a reason to come to the Boardwalk after sundown,” said artist and entrepreneur Stefan Ashkenazy, who is curating the project and owns the buildings housing them. “I mean, let's just be open 24 hours a day.”

The concept doesn’t have an official name yet, but he’s been calling it “See World.”

Artist James Ostrer's space looks out from a bed through the fence to the ocean at Venice Beach.

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Laura Hertzfeld

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LAist

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William Attaway, a longtime Venice artist, created a gallery space filled with various paintings and sculptures.

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Laura Hertzfeld

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LAist

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The pair of modern buildings on the Venice Boardwalk at Thornton Ave. – with their big balconies, floor-to-ceiling glass windows, and seven open garage-style retail spaces – have sat mostly empty since Snapchat vacated their beachside offices in 2019. Ashkenazy recently bought the building and recruited artists to fill those front-facing spaces with creative work until a full-time tenant comes in.

Over the past several weeks the installations have been created in real-time, in public.

All of the projects are loosely along the theme of “home,” with each artist claiming a “room” in the two buildings that stretch across a full block on the Boardwalk. Several local Venice artists are featured, including William Attaway, whose intricate mosaic work is recognizable on the Venice public restrooms along the beach. Attaway’s space features a floating larger-than-life-sized statue and various works in a mini-gallery. In the next room is Robin Murez’s pieces, featuring carved wooden seats from her beloved neighborhood Venice Flying Carousel.

Ashkenazy is no stranger to wild (and wildly successful) art ideas. He’s the owner of the Petit Ermitage hotel in West Hollywood, a longtime haven for visiting artists, and the founder of the decade-old Bombay Beach Biennale, where artists install all kinds of work in an annual event near the Salton Sea. Many of the artists from that community are featured at the Venice project.

A "Venice Opera House" will host pop-up music events throughout the summer.

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Laura Hertfeldz

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LAist

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New York-based artist Greg Haberny's paintings on the wall of his Venice space.

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Laura Hertzfeld

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LAist

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New York-based artist Greg Haberny and London-based artist James Ostrer have brought some of their work in the Bombay Beach Biennale to the Venice project. Their windows on the Boardwalk both speak to a child-like sense of wonder and creativity.

“I think it's just kind of exploring and playing a little bit, to have the freedom to be able to do that,” Haberny says of his imagined child’s bedroom space, which includes a fort made out of puffy cheese balls. “It's a big space, too.
It's beautiful.”

Ostrer is experimenting with a performance art idea where he sits in bed amongst a room full of his own artwork, which he describes as “happy art with an edge.” Looking out at the ocean from the bed, he’s invited passersby to sit and have chats with him about his work or anything else they want to talk about.

“It’s a very intimate space, so you have a different kind of conversation,” he said. “I use art to channel human creativity, and [talk about] dark things.”

While there are open fences that block off the spaces, they aren’t sealed up at night. Both Ashkenazy and the team of artists seemed open to the idea that anything could happen and that the installations are a conversation with the public – and with that comes some risk.

Greg Haberny (right) works with his assistants on an installation featuring kid-inspired graffiti art and a "cheesy puff" fort.

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Laura Hertzfeld

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LAist

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“I don't really know if I [would] say worried, but I guess it's just the cost of doing business,” Haberny said. “I don't really make things to get damaged or broken, sure. But I have done [things like] burned all my paintings and then made paint out of ash.”

While he’s felt safe – and even slept overnight in the installation – Ostrer has been collaborating with a local female artist who performs in a pig mask in front of his installation some nights. Watching her perform, he said, has taught him about the vulnerability of women in public spaces like the Boardwalk. “I've started to, on a very fractional level, have seen how scary that is. Because I've sat in the bed behind her performing at the front here… the way in which men are approaching her and shrieking at her … it's shocking.”

Ashkenazy says he will keep the artists in the space, potentially rotating new ones in, until a fulltime tenant takes over.

“This is an experiment … and after acquiring the building, the intention wasn't, ‘let's open a bunch of public art spaces,’ he said. “It is kind of …what the building wanted and listening to what the Boardwalk needed. Let's play, let's have the artists that we love and appreciate have a space to play and engage and give the locals and the visitors to the Boardwalk something to experience.”

A coalition of residents from across the San Gabriel Valley are mobilizing over a battery storage project and possibly more industrial development in the City of Industry they say could pollute communities next door.

A protest is scheduled today in neighboring Rowland Heights, targeting a 400-megawatt battery energy storage facility sited on about 9 acres that was approved by the City of Industry leaders in January.

Such Battery Energy Storage Systems, or BESS, are used to keep the power grid stable, especially as output from renewable energy sources like solar and wind fluctuate. But fires involving lithium batteries at some sites have heightened environmental and public health fears.

Because of the City of Industry’s unusual, sprawling shape stretching along the 60 Freeway, it borders on more than a dozen communities, meaning what happens there can have far-reaching impact.

“Pollution does not end right at the border,” said Andrew Yip, an organizer with No Data Centers SGV Coalition. “Pollution travels.”

Some local activists with the Puente Hills Community Preservation Association have challenged the approval of the battery facility under the California Environmental Quality Act.

Beyond environmental concerns, locals have also been frustrated with how decisions are made by officials in the City of Industry, a municipality that’s almost entirely zoned for industrial use and has less than 300 residents.

Organizers say they’ve struggled to get direct responses from city officials whom they say have replaced regular meetings with special meetings, which under state law require less advance notice.

A city spokesperson has not responded to requests for comment.

The so-called Marici Energy Storage System Facility would be run by Aypa Power. The fact that the battery storage developer is owned by the private equity giant Blackstone, a major investor in AI and data centers, has only fueled concerns that a battery storage facility would lay the groundwork for data center development.

A request for comment from Aypa was not returned.

Today’s protest is taking place at Peter F. Schabarum Regional Park in Rowland Heights across the street from the Puente Hills Mall, a largely vacant “dead” mall, which activists fear could be redeveloped into a data center and bring higher utility costs and greater air and noise pollution.

Yip pointed out that industrial developments make a lot of money for the City of Industry.

“But none of these surrounding communities receive any of those benefits,” Yip said. “Yet we have to put up with all the harmful effects and impacts from this city that does all this development without really reaching out.”

It’s about the size of a park bench and made of steel and wood. The bench’s arm rests are formed by the letters “L” and “A” in a design that’s unmistakable to any sports fan. But the welder-artist who created it says it’s not a Dodgers bench.

“This is about civic pride, L.A. pride. I made a design statement saying that it has nothing affiliated with the Dodgers,” said Steve Campos.

Campos grew up near Dodger Stadium, raised by parents who were die-hard Dodgers fans. So much, that they named him after Steve Garvey but that legacy doesn’t keep him from confronting how the Dodgers benefitted from the mass displacement of working-class people from Chavez Ravine after World War Two. That’s why he calls it an L.A. Bench, and not a Dodgers Bench.

The logo may be synonymous with the city's beloved baseball team, but the design of the interlocking letters was used by the L.A. Angels minor league baseball team before the Dodgers moved to L.A. in 1958.

“The monogram was here before the Dodgers,” Campos said.

A second-generation welder

Welding is the Campos family business. His father created gates and security bars for windows and doors for L.A. clients. That was the foundation for the work Campos has done for two decades since graduating from Lincoln High School, L.A. Trade Tech College, and enrolling in a summer program at Art Center in Pasadena.

The inspiration for the L.A. Bench came last year while he was playing around in his shop creating versions of the L.A. logo. A friend he hangs with at Echo Park Lake asked Campos to make him a piece of furniture.

“I was trying to figure out what my friend Curly wanted. He liked Dodgers and drinking and getting into fights, so I was like, 'Let me make something with the LA monogram,'” he said.

Welder-artist Steve Campos created whimsical steel sculptures with the LA logo.

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Courtesy Steve Campos

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It didn’t design itself. He said he had to lengthen the legs on the “A” and lean the back of the “L” in order to make the bench functional. In the process, he’s made a piece of furniture with a ubiquitous logo that he’s embedded with his own L.A. pride, as well as city history past and present.

LA civic pride travels to Japan

Campos vacationed in Japan the last week of April and took advantage of the trip to reach out to people who may be interested in the L.A. Bench. He was caught off guard by people’s reaction when he showed them pictures of it.

“They look at it and they go, 'Oh, Ohtani bench,'” he said.

For them, it’s still a bench embedded with pride, he said, but centered around Dodgers star Shohei Ohtani, an icon in his native Japan.

Campos has made four L.A. benches and is selling them fully assembled, he said, for $2,500 each — taking into account his labor and how costly the raw materials have become. For now, he’s offering the metal parts as a package for $500, which requires the buyer to purchase the wood for the seat and the back — an easy process, he said.

While he has no plans to mass produce the L.A. Bench, he does have one goal in mind that shows how hard it is for him to separate L.A. civic pride and the Dodgers.

“I would love to get a couple of them installed at Dodger Stadium,” he said.