The Brief

This story was originally published by Boyle Heights Beat on July 31, 2024, and is the first installment in a series on the efforts to explore East L.A. cityhood.

It’s not uncommon for people to refer to East L.A. as the "City of East L.A." After all, L.A. culture is heavily influenced by East Los Angeles, a region that is home to the historic 1968 Walkouts and where iconic films like Blood In, Blood Out and Stand and Deliver took place.

But East L.A., a region of nearly 120,000 who are mostly Latino, is not a city.

There is no mayor or city council making decisions for East L.A. residents. That’s because East L.A. is an unincorporated community within the county of Los Angeles.

The representative of East L.A. is county Supervisor Hilda Solis, whose district — in addition to East L.A. — includes portions of 20 other cities, as well as dozens of unincorporated communities and City of L.A. neighborhoods that encompass nearly 2 million residents. In East L.A., services like police, street maintenance, building and development, libraries and parks and recreation are deferred to the county.

Given the size of East L.A.’s population and its cultural significance, some residents would like to have more say when it comes to decision-making in the region. They want to know if East L.A. is getting an equitable share of county services. And, they’re calling on the county to be more transparent in how it spends on services across the region.

Efforts to incorporate East L.A. into a city have failed in the past, with one of the latest attempts failing in 2012 when the Local Agency Formation Commission for the County of Los Angeles found that the unincorporated area would not be able to financially sustain cityhood.

Most recently, state Assemblymember Wendy Carrillo — whose jurisdiction includes unincorporated East L.A. — introduced a bill to the state Legislature this spring that seeks to explore whether cityhood, or incorporation, is possible.

The bill, AB 2986, is moving forward, but not without opposition.

What is AB 2986?

The bill calls for a study exploring whether East L.A. has the tax base to be able to sustain itself as its own city or special district.

Introduced by Carrillo in March, the bill initially called for an 11-person task force — made up of stakeholders and residents appointed by the Local Agency Formation Commission for the County of Los Angeles (LAFCO) — to conduct this study. LAFCO, an independent agency that approves the formation of cities, in 2012 denied a proposed incorporation of East L.A.

Guadalupe Mural at La Milagrosa Market in East Los Angeles.

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Antonio Mejías-Rentas

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Boyle Heights Beat

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The bill, however, has since changed.

Now, instead of the LAFCO-appointed task force, the bill establishes the County of Los Angeles as the agency required to submit a feasibility study by March 2025 that analyzes if East L.A. has the fiscal viability to become a special district or city.

Carrillo has made it clear, the bill would not mandate cityhood. It would simply study the possibility of it.

“We want to see better representation,” Carrillo said at a community meeting in April. “I no longer want to hear what’s not feasible, I want to hear what’s possible.”

The bill, as it stands, would cost the county an estimated $14 million, according to a letter from L.A. County Chief Executive Officer Fesia Davenport.

Why did the bill change?

The bill changed after a number of amendments were made at a July 3 hearing of the state senate local government committee. The bill moved forward, as amended, with a 5-0 vote.

These amendments reflect language from two motions that Solis spearheaded and that the rest of the county supervisors unanimously approved in April and May. With these proposals, Solis, who opposes Carrillo’s bill, is saying the county can do this work without overreach from the state.

Wendy Carrillo and Kristie Hernandez at the listening session.

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Andrew Lopez

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Boyle Heights Beat

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Now, the proposed bill mandates the county to conduct the feasibility study, as well as give annual reports detailing services and investments in unincorporated communities with populations of over 10,000. The county would also produce campaigns informing unincorporated area residents about county services, projects and programs.

The latest developments have spurred confusion among some residents who are unsure what this means for the proposed legislation.

Some say the bill was “gutted,” after the LAFCO-established task force — which was to meet quarterly and incorporate “robust community engagement” — was removed to instead appoint the county to prepare the study.

Particularly confusing is the fact that both Solis and Carrillo have touted the amendments as a win, even as the supervisor continues to oppose the legislation.

Solis said that the latest version of the bill, rejects the original language, and reaffirms the bill is “duplicative, fundamentally flawed, and expensive.”

Carrillo, however, said she made these amendments as a way to hold county officials accountable. She told the Beat that the attention brought to the bill ultimately benefits the residents of East L.A., no matter who leads the study.

Who favors this bill?

Supporters of the bill include advocates calling for more transparency on tax revenue generated by the community. They’re also asking if an equitable share of county services are funneled back to East L.A.

Kristie Hernandez, a longtime community organizer and East L.A. resident, supports Carrillo’s efforts and said investments in the community should reflect the fact that the region is the largest unincorporated area in California. Hernandez said residents also have a hard time navigating county bureaucracy.

Business owners like Tony DeMarco gathered at Carrillo’s listening session in April in support of her bill. DeMarco stressed the need for more economic stimulation along Whittier Boulevard.

Other supporters include the East L.A. Coalition, Maravilla Community Advisory Committee, Los Angeles Lowrider Alliance and the Whittier Blvd Merchant Association of East Los Angeles, among others.

If her bill passes, Carrillo said it signals that “the state has invested in having the county report to the Legislature.”

“It starts off a process of real transparency and real local community voices being part of the process,” Carrillo said.

Who opposes it?

Solis and her office have been quick to publicly oppose the bill, noting that cityhood efforts have failed in the past. The supervisor has pointed to the LAFCO study that projected a massive deficit, concluding that the East L.A. area would not be able to adequately support services like a police force and fire department, things the county already provides.

Some East LA residents held signs voicing their opposition to the bill.

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Andrew Lopez

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Boyle Heights Beat

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LAFCO opposes Carrillo’s bill, according to its chief officer Paul Novak.

“We remain opposed to the bill, even in its amended version,” Novak told the Beat.

East Area Progressive Democrats representatives called the bill a “slapdash effort” in a letter addressed to the state Senate. They said the money to fund the study should instead go directly to residents.

Others in East L.A. fear a loss of community services and that their taxes could be raised if cityhood happens down the line. Some have shared those concerns on Solis’s Instagram page and during public comment during a County Board of Supervisors meeting in April.

Among other opponents of the bill are East L.A. Community Corporation, the City of Monterey Park, and dozens of other county, union and grassroots groups.

What happens next?

The seven members of the Senate Appropriations Committee will review the bill in August. The bill still needs to be voted on by the full legislature before heading to the governor’s desk for a signature or veto.

If the governor signs the bill, the county would be required to report its findings by March of 2025. If it fails, the county will still conduct its proposed cityhood feasibility study and report on county investments in East Los Angeles with results to be shared in the early fall.

At a community meeting on Saturday, July 27, Genesis Coronado, a renter in East L.A. said that even if the bill fails, it still spurred conversations about government transparency and holding elected officials accountable, things she marked as a win for all East L.A. residents.

A new trail across the beloved natural area of Elephant Hill in Northeast Los Angeles is officially opening this weekend.

The route is years in the making, and it's a big milestone in the decades-long conservation efforts to preserve this local jewel in the community of El Sereno.

The hiking trail connects one side of Elephant Hill to the other — from the corner of Pullman Street and Harriman Avenue all the way across to Lathrop Street.

It's 0.75 miles in total, but packs a punch.

"It's a pretty straight shot, but because of the terrain — the trail is kind of twisty and curvy. There's switchbacks — and great views," Elva Yañez, board president of the nonprofit Save Elephant Hill, said.

People have always been able to access the 110-acre green space, but Yañez said the new trail provides a safe and easy way to navigate the steep hillsides.

The El Sereno nonprofit has been working for two decades to preserve the land. Illegal dumping and off-roading have damaged the open space over the years. And the majority of the 110 acres are privately owned by an estimated 200 individual owners.

Mountains Recreation and Conservation Authority (MRCA) joined the efforts in 2018, spurred by a $700,000 grant from Los Angeles County Regional Park and Open Space District, in part, to build the trail. The local agency received some $2 million in grants from the Santa Monica Mountains Conservancy to add to the 10 acres of Elephant Hill it manages and conserves. This year, MCRA acquired an additional 12 parcels — or about 2.4 acres.

And the spiffy new footpath — with trail signage, information kiosks and landscape boulders — is not just a long-sought-for victory but a beginning in a sense.

"We know that it means a lot to the community," Sarah Kevorkian, who oversees the trail project for MRCA, said. "We're wrapping up the trail, but it really feels like the beginning of all that is to come."

A hint of that vision already exists — for hikers traversing the new route, courtesy of Test Plot, the L.A.-based nonprofit that works to revitalize depleted lands.

"They're able to see at the end of the trail, at the 'test plot' — exactly what a restored Elephant Hill would look like," Yañez said.

Here's a preview:

The Venice Boardwalk after sunset has generally been a no-go zone for tourists and locals alike, as the beachside bars and restaurants close on the early side and safety is often an issue. Now, a group of artists is out to bring some vibrancy to the creative neighborhood with a series of new installations that will include live evening performances – and even a “Venice Opera House.”

“Let's play with light and let's play with sound and give people a reason to come to the Boardwalk after sundown,” said artist and entrepreneur Stefan Ashkenazy, who is curating the project and owns the buildings housing them. “I mean, let's just be open 24 hours a day.”

The concept doesn’t have an official name yet, but he’s been calling it “See World.”

Artist James Ostrer's space looks out from a bed through the fence to the ocean at Venice Beach.

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Laura Hertzfeld

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LAist

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William Attaway, a longtime Venice artist, created a gallery space filled with various paintings and sculptures.

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Laura Hertzfeld

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LAist

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The pair of modern buildings on the Venice Boardwalk at Thornton Ave. – with their big balconies, floor-to-ceiling glass windows, and seven open garage-style retail spaces – have sat mostly empty since Snapchat vacated their beachside offices in 2019. Ashkenazy recently bought the building and recruited artists to fill those front-facing spaces with creative work until a full-time tenant comes in.

Over the past several weeks the installations have been created in real-time, in public.

All of the projects are loosely along the theme of “home,” with each artist claiming a “room” in the two buildings that stretch across a full block on the Boardwalk. Several local Venice artists are featured, including William Attaway, whose intricate mosaic work is recognizable on the Venice public restrooms along the beach. Attaway’s space features a floating larger-than-life-sized statue and various works in a mini-gallery. In the next room is Robin Murez’s pieces, featuring carved wooden seats from her beloved neighborhood Venice Flying Carousel.

Ashkenazy is no stranger to wild (and wildly successful) art ideas. He’s the owner of the Petit Ermitage hotel in West Hollywood, a longtime haven for visiting artists, and the founder of the decade-old Bombay Beach Biennale, where artists install all kinds of work in an annual event near the Salton Sea. Many of the artists from that community are featured at the Venice project.

A "Venice Opera House" will host pop-up music events throughout the summer.

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Laura Hertfeldz

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LAist

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New York-based artist Greg Haberny's paintings on the wall of his Venice space.

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Laura Hertzfeld

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LAist

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New York-based artist Greg Haberny and London-based artist James Ostrer have brought some of their work in the Bombay Beach Biennale to the Venice project. Their windows on the Boardwalk both speak to a child-like sense of wonder and creativity.

“I think it's just kind of exploring and playing a little bit, to have the freedom to be able to do that,” Haberny says of his imagined child’s bedroom space, which includes a fort made out of puffy cheese balls. “It's a big space, too.
It's beautiful.”

Ostrer is experimenting with a performance art idea where he sits in bed amongst a room full of his own artwork, which he describes as “happy art with an edge.” Looking out at the ocean from the bed, he’s invited passersby to sit and have chats with him about his work or anything else they want to talk about.

“It’s a very intimate space, so you have a different kind of conversation,” he said. “I use art to channel human creativity, and [talk about] dark things.”

While there are open fences that block off the spaces, they aren’t sealed up at night. Both Ashkenazy and the team of artists seemed open to the idea that anything could happen and that the installations are a conversation with the public – and with that comes some risk.

Greg Haberny (right) works with his assistants on an installation featuring kid-inspired graffiti art and a "cheesy puff" fort.

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Laura Hertzfeld

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LAist

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“I don't really know if I [would] say worried, but I guess it's just the cost of doing business,” Haberny said. “I don't really make things to get damaged or broken, sure. But I have done [things like] burned all my paintings and then made paint out of ash.”

While he’s felt safe – and even slept overnight in the installation – Ostrer has been collaborating with a local female artist who performs in a pig mask in front of his installation some nights. Watching her perform, he said, has taught him about the vulnerability of women in public spaces like the Boardwalk. “I've started to, on a very fractional level, have seen how scary that is. Because I've sat in the bed behind her performing at the front here… the way in which men are approaching her and shrieking at her … it's shocking.”

Ashkenazy says he will keep the artists in the space, potentially rotating new ones in, until a fulltime tenant takes over.

“This is an experiment … and after acquiring the building, the intention wasn't, ‘let's open a bunch of public art spaces,’ he said. “It is kind of …what the building wanted and listening to what the Boardwalk needed. Let's play, let's have the artists that we love and appreciate have a space to play and engage and give the locals and the visitors to the Boardwalk something to experience.”

A coalition of residents from across the San Gabriel Valley are mobilizing over a battery storage project and possibly more industrial development in the City of Industry they say could pollute communities next door.

A protest is scheduled today in neighboring Rowland Heights, targeting a 400-megawatt battery energy storage facility sited on about 9 acres that was approved by the City of Industry leaders in January.

Such Battery Energy Storage Systems, or BESS, are used to keep the power grid stable, especially as output from renewable energy sources like solar and wind fluctuate. But fires involving lithium batteries at some sites have heightened environmental and public health fears.

Because of the City of Industry’s unusual, sprawling shape stretching along the 60 Freeway, it borders on more than a dozen communities, meaning what happens there can have far-reaching impact.

“Pollution does not end right at the border,” said Andrew Yip, an organizer with No Data Centers SGV Coalition. “Pollution travels.”

Some local activists with the Puente Hills Community Preservation Association have challenged the approval of the battery facility under the California Environmental Quality Act.

Beyond environmental concerns, locals have also been frustrated with how decisions are made by officials in the City of Industry, a municipality that’s almost entirely zoned for industrial use and has less than 300 residents.

Organizers say they’ve struggled to get direct responses from city officials whom they say have replaced regular meetings with special meetings, which under state law require less advance notice.

A city spokesperson has not responded to requests for comment.

The so-called Marici Energy Storage System Facility would be run by Aypa Power. The fact that the battery storage developer is owned by the private equity giant Blackstone, a major investor in AI and data centers, has only fueled concerns that a battery storage facility would lay the groundwork for data center development.

A request for comment from Aypa was not returned.

Today’s protest is taking place at Peter F. Schabarum Regional Park in Rowland Heights across the street from the Puente Hills Mall, a largely vacant “dead” mall, which activists fear could be redeveloped into a data center and bring higher utility costs and greater air and noise pollution.

Yip pointed out that industrial developments make a lot of money for the City of Industry.

“But none of these surrounding communities receive any of those benefits,” Yip said. “Yet we have to put up with all the harmful effects and impacts from this city that does all this development without really reaching out.”

It’s about the size of a park bench and made of steel and wood. The bench’s arm rests are formed by the letters “L” and “A” in a design that’s unmistakable to any sports fan. But the welder-artist who created it says it’s not a Dodgers bench.

“This is about civic pride, L.A. pride. I made a design statement saying that it has nothing affiliated with the Dodgers,” said Steve Campos.

Campos grew up near Dodger Stadium, raised by parents who were die-hard Dodgers fans. So much, that they named him after Steve Garvey but that legacy doesn’t keep him from confronting how the Dodgers benefitted from the mass displacement of working-class people from Chavez Ravine after World War Two. That’s why he calls it an L.A. Bench, and not a Dodgers Bench.

The logo may be synonymous with the city's beloved baseball team, but the design of the interlocking letters was used by the L.A. Angels minor league baseball team before the Dodgers moved to L.A. in 1958.

“The monogram was here before the Dodgers,” Campos said.

A second-generation welder

Welding is the Campos family business. His father created gates and security bars for windows and doors for L.A. clients. That was the foundation for the work Campos has done for two decades since graduating from Lincoln High School, L.A. Trade Tech College, and enrolling in a summer program at Art Center in Pasadena.

The inspiration for the L.A. Bench came last year while he was playing around in his shop creating versions of the L.A. logo. A friend he hangs with at Echo Park Lake asked Campos to make him a piece of furniture.

“I was trying to figure out what my friend Curly wanted. He liked Dodgers and drinking and getting into fights, so I was like, 'Let me make something with the LA monogram,'” he said.

Welder-artist Steve Campos created whimsical steel sculptures with the LA logo.

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Courtesy Steve Campos

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It didn’t design itself. He said he had to lengthen the legs on the “A” and lean the back of the “L” in order to make the bench functional. In the process, he’s made a piece of furniture with a ubiquitous logo that he’s embedded with his own L.A. pride, as well as city history past and present.

LA civic pride travels to Japan

Campos vacationed in Japan the last week of April and took advantage of the trip to reach out to people who may be interested in the L.A. Bench. He was caught off guard by people’s reaction when he showed them pictures of it.

“They look at it and they go, 'Oh, Ohtani bench,'” he said.

For them, it’s still a bench embedded with pride, he said, but centered around Dodgers star Shohei Ohtani, an icon in his native Japan.

Campos has made four L.A. benches and is selling them fully assembled, he said, for $2,500 each — taking into account his labor and how costly the raw materials have become. For now, he’s offering the metal parts as a package for $500, which requires the buyer to purchase the wood for the seat and the back — an easy process, he said.

While he has no plans to mass produce the L.A. Bench, he does have one goal in mind that shows how hard it is for him to separate L.A. civic pride and the Dodgers.

“I would love to get a couple of them installed at Dodger Stadium,” he said.