The Brief

Shen Yun, a performing arts group that tours worldwide and is known for its contentious relationship with the Chinese government, has been accused of forced child labor in a lawsuit brought forth by two former dancers.

The suit was filed last month in a federal district court in New York on behalf of Sun Zan, 32, and Cheng Qing Ling, 28. In a recent interview with NPR, Sun and Cheng said they felt isolated from their families, too afraid to speak up and endured both physical and psychological harm. To this day, they said they are recovering from the physical and emotional toll of their childhood.

The complaint itself alleges that children as young as 13 years old worked grueling 15-hour training schedules at least six days a week, in exchange for little pay and inadequate education. The suit also claims that workers lived under a culture of fear and routinely performed while injured.

A similar suit accusing the dance company of abuse was filed by another former dancer back in November 2024. Both lawsuits came after a New York Times investigation last summer that looked into the Shen Yun enterprise and its treatment of young performers. Both Sun and Cheng were interviewed in the Times' story.

Shen Yun has vehemently denied the allegations detailed in the Times' investigation and lawsuits that have followed. In a statement to NPR, the group firmly rejected that dancers were mistreated or denied medical care, adding that it operates "with integrity" and "committed to upholding the highest artistic and ethical standards."

When asked why he felt compelled to pursue legal action, Sun told NPR, " I just want to be the person that should have been there when I was a kid."

"In our view, this lawsuit offers a chance to hold the powerful accountable for exploiting that kind of vulnerability," said attorney Carol Merchasin, who is representing Sun and Cheng.

What is Shen Yun?

Shen Yun was formed in New York in 2006 by a group of classic Chinese artists looking to revive traditional Chinese culture — or, as the company advertises, "China before communism" — through dance, music and storytelling.

Shen Yun is deeply intertwined with the Chinese spiritual movement Falun Gong, which centers on self-improvement and meditation. The movement was founded in the early '90s by Li Hongzhi, who was also named a defendant in Cheng and Sun's lawsuit, as well as the one filed in November.

The Chinese government has banned the practice of Falun Gong, accusing the movement of being a cult. As a result, practitioners of Falun Gong have faced persecution in China, with thousands imprisoned or sent to labor camps, according to a Human Rights Watch report. Shen Yun performances are also not allowed in China.

Since its inception, the dance group has toured in 36 countries and reached over a million people annually, according to the company. Shen Yun has performed in some of the world's most prestigious theaters including the Lincoln Center in New York and the Kennedy Center in Washington, D.C.

What the lawsuit says

At around age 13, Cheng left her family and home in New Zealand in 2010 to join the Shen Yun dance company in the U.S. Her decision to join was driven by a desire to make her mother — a devoted Falun Gong follower — proud, she told NPR. But over the next five years, the lawsuit claims, Cheng lived in fear, especially of making mistakes or underperforming at dance rehearsals.

" I was in such a survival mode," she told NPR. " 'Oh, thank God at least I'm not the one that's being hit this time. Oh, thank God I'm not being verbally abused this time.' That was the only thing you could focus on and not really, 'Hm, could I have been treated better?'"

Sun, who is also from New Zealand, joined in 2008 at age 15. According to the suit, Sun was invited to New York for a three-month trial period at the group's compound in New York. The suit alleges that, at one point, the instructors forced Sun into a side split, causing internal bleeding and several tears to his leg muscles, which resulted in "extreme pain for several weeks."

After the trial period, Sun became a full-time student at Shen Yun's affiliated religious school Fei Tian Academy, where his long workdays were mainly devoted to dance training, the suit claims.  

"Back then I didn't feel like I really had a choice," he told NPR. "I was kind of just led there — all these adults telling me this is the best thing you can do."

The suit alleges that Shen Yun leaders warned Cheng that "complaining or speaking up would be harmful," while Sun was told his life would be meaningless if he left. After about seven years, Sun was terminated from Shen Yun in 2015 because he was "caught interacting with girls," according to the suit. That year, Cheng was also let go after doing a stint at the costume factory.

Years after parting from Shen Yun, both Sun and Cheng, who are now married to each other, said they are still in the process of healing emotionally and physically.

"You think you can kind of run away from this, but you actually can't, you know?" Sun said. "You're so hurt and so damaged."

For Cheng, one of the toughest challenges has been forgiving her parents, who she said did not protect her from years of hardship.

"At the same time, I do feel like I can't really blame my parents as well," she said. "Because at some point in their life they thought Falun Gong was the right thing for them and hence the right thing for me."

Shen Yun's response

In a statement to NPR, Shen Yun argued that its success depends on healthy dancers, and that they ensure their performers have access to medical care, including physical therapy and rehabilitation, both during rehearsals and on tour.

The company added that it takes its young dancers' education seriously, arguing that students at Fei Tian Academy consistently perform well on standardized tests.

Shen Yun also argued that the dance company and more broadly, Falun Gong, have been under attack by the Chinese Communist Party (CCP) for decades through harassment and disinformation. In February, the Kennedy Center had to be evacuated following a bomb threat targeting Shen Yun. The source of the threat remains unclear.

Shen Yun also pointed to a petition made last year, signed by over 1,550 individuals, including current and former performers as well as family members, in support of the dance group. The petition called for the U.S. Justice Department to "investigate sources of this foreign malign influence campaign and bring to justice those behind it."

"While a small number of individuals who were performers with Shen Yun many years ago are now helping to spread the CCP's narrative, we are grateful for the large number of our performers who are publicly standing up for us despite CCP pressure," Shen Yun said in a statement to NPR.
Copyright 2025 NPR

This story first appeared on The LA Local.

Imagine MacArthur Park without a road running through the middle. That’s what most residents who live around the park say they want.

This is according to preliminary findings from the Reconnecting MacArthur Park project, an effort studying whether the busy roadway between Alvarado Street and Carondelet Street should be closed off permanently. Under this proposal, the park’s north and south sides would be rejoined to form one large green space.

The idea is to turn the major traffic corridor into usable park space in one of the most densely populated neighborhoods in Los Angeles.

Maria Ortiz, 59, who has lived near MacArthur Park for 30 years, welcomes closing off Wilshire, if it improves the area for families like hers. She is a grandmother to three granddaughters.

“Hopefully they can close it so there’s more space for kids to play, more surveillance and fewer homeless people,” Ortiz said. “Right now, the traffic is also bad, it gets really congested. People also don’t respect when the buses are coming.”

For her, the park is important because it’s the only one she has close by. But she added that changes should go beyond closing the road. 

She remembers a different MacArthur Park when she was raising her children, one that felt more welcoming for families.

“There were a lot more events at MacArthur Park before, there were contests, they would give gifts to kids,” she said. 

She joined her neighbors to participate in a public forum to explore the proposal.

The Central City Neighborhood Partners surveyed more than 1,500 people from August to December and asked them to weigh in on five possible options:

• Remove Wilshire entirely through the park and expand green space
  
• Remove Wilshire entirely and keep the short block between Park View Street and Carondelet Street open to cars
  
• Close Wilshire to all cars and turn it into a public space
  
• Close Wilshire only on weekends
  
• Allow only buses through Wilshire Boulevard

More than six in 10 survey respondents supported removing Wilshire and reconnecting the park. Keeping things as they are drew the least support.

The project now moves into the next phase, where the five concepts will go through an environmental review. The city and project partners will also develop design concepts and estimate costs to build.

At this juncture, there is no available funding for any construction.

“What we’ve been able to hear from the community was really that everyone wants to see a change in MacArthur Park,” said Diana Alfaro, associate executive director of Central City Neighborhood Partners. 

“Everyone in this community is excited or wants to be able to see new amenities,” she said, including better lighting and park infrastructure. 

In a February interview, Councilmember Eunisses Hernandez said the neighborhood doesn’t have enough parks or green space, adding that MacArthur Park alone isn’t enough for a densely populated neighborhood like Westlake.

“And that’s why I’ve been moving with my team and pushing for reconnecting MacArthur Park and closing down Wilshire Boulevard in that area to begin to create more spaces, more pedestrianized spaces, more opportunities for green space,” she said. 

At the same time, the city is moving forward with a separate plan to install fencing around MacArthur Park. The plan would add a wrought-iron fence around both halves of the park.  

Officials say the fence will allow the park to close at night and give them time to clean the space overnight. Their goal is to address safety and quality-of-life concerns.

That fencing project is not part of the reconnection study, but Alfaro said it will affect it. According to a report of the survey findings, any redesign of the park will have to factor in where the fence goes, and whether parts of it would need to be removed or rebuilt if the park is eventually reconnected.

City officials have not decided which option, if any, will move forward.

“At the end of the day, there are a lot of changes coming to MacArthur Park,” Alfaro said, “and I think it testifies why there needs to be some more attention around reconnecting or really just adding more green space for the community.”

Alex Lacayo, 35, supports closing Wilshire if it helps improve conditions at the park.

The lifelong Westlake resident often feels the park is “dirty and filthy” when he passes through. 

“If there’s a way to make the park a better place for more people to come, then I feel like it’s a good project,” Lacayo said. “We get a lot of tourists, so improving the park I think will improve the image of Los Angeles.” 

Because of ongoing concerns around homelessness and drug activity, Lacayo often avoids walking through the park. But if conditions improve, he said that could change and he would visit more often.

Alfaro believes the fencing plan and the reconnection project are both responses to those same concerns.

“The purpose of it is to ensure that the park is being well kept and maintained,” she said of the fence.

“I think all of it kind of adds to the same reason why we are doing this project to begin with,” Alfaro added. “Which is to ensure that the park itself is a park that families could use, youth can use, seniors can use.”

Sublime frontman Jakob Nowell recently studied the artifacts of the Grammy Museum's newest exhibit Sublime: Straight From Long Beach.

He wasn't even a year old when his father — the band's founder Bradley Nowell — died from a heroin overdose in 1996.

"It's been a really interesting process getting to know someone posthumously through their work and something that's so emotionally entangled in all of my machinery," Nowell said. " There's just DNA splattered all over everything in this exhibit."

The exhibit opened this week at the Grammy Museum in downtown Los Angeles. It features photos of the band, along with instruments used by the original members, song lyrics, promotional materials and other items.

This summer, Sublime's third, self-titled album celebrates its 30th anniversary. It spawned hits like, "What I Got," and "Santeria" and sold more than nine million copies, redefining Alternative radio with a blend of punk rock, reggae, ska and hip-hop.

Jakob Nowell stepped into his father's role in the band in 2023, a move he said has reconnected him to his family.

"Sometimes our work lives and our careers break us down and rip us apart from the people who matter most," Nowell said. "Getting to be a part of my father's work and my uncle's work, it really has brought together a lot of people in my life that are the most important."

Although the Grammy Museum is celebrating Sublime's past, Nowell and the band are also looking toward the future. The band is releasing a new album Until the Sun Explodes on June 12, and the title track is out now.

It's Nowell's tribute to his late father with lyrics like, "I only hope that you know I owe you my life."

"It's something I've been trying to say for 30 years," he said. "It only came out correctly now. It feels really special to get to share it with people out there. They've been sharing with me their stories my entire life."

At 30, Nowell is two years older now than when his father died at 28, but he has an outlook on their relationship that belongs to someone much older and wiser.

"The permanence of death is an illusion," Nowell said. "It's only temporary and [there's] no more evidence than everything around us here and all of the love and good times.

"It happens at the shows we play," he added. "It's evident to me every single day."

The exhibit is scheduled to run through Sept. 7.

The California Department of Corrections and Rehabilitation has agreed to pay $1.9 million to settle a lawsuit filed by 13 women who say correctional officers injured them during a mass use-of-force incident at the Central California Women’s Facility in 2024.

The plaintiffs say they suffered seizures, respiratory distress and long-term vision problems after officers used batons, physical force and chemical agents on them.

“I couldn’t breathe. My lungs were on fire … I thought I was going to die,” plaintiff Wisdom Muhammad said in a recent interview at her home in Los Angeles.

The women received settlements ranging from $200,000 to $50,000 each, based on the severity of their injuries, according to their attorney Robert Chalfant.

“Sexual abuse of inmates, excessive force, cruel and unusual punishment, retaliation, those things need to stop,” Chalfant said. “And the only way those things stop is through lawsuits and forcing the payment of large amounts of money so that people take notice of what’s happening.”

In an email, CDCR spokesperson Mary Xjimenez said the agency has reviewed the incident and has taken corrective action.

More than 41 staff members were found to have violated policy, making it one of the largest disciplinary actions issued against CDCR staff in a single incident, according to CDCR. Punishment ranged from transfers to termination, CDCR said, but the department has not yet responded to a public records request for disciplinary documents related to the incident.

Incarcerated people stand together in a yard at Central California Women’s Facility in Chowchilla, Madera County.

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Lea Suzuki

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The San Francisco Chronicle via Getty Images

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The Aug. 2, 2024, incident began when officers removed more than 150 women from their cells and locked them in the dining hall while staff conducted a large-scale search of their cells. As temperatures in the Chowchilla facility climbed to more than 100 degrees and time wore on, the women began to ask for water, food and medication.

Prison officials have said that the incarcerated population “became disruptive.” Officers used physical force, batons and chemical agents to “stop the incident,” according to a review from the Office of the Inspector General.

The complaint claims the women were complying with the officers’ orders and that the force was excessive and unnecessary. It also alleges that some women were denied or delayed medical care after being injured, leaving them with lasting physical and psychological harm.

A total of 109 incarcerated persons were medically evaluated, CDCR said, and three were transported to an outside medical facility for a short time. In the wake of the incident, CDCR also said it made mental health staff and resources available to those affected.

Staff were also retrained after the incident on how to respond to alarms and on the appropriate use of force, according to CDCR.

The women involved in the suit have a broader claim about this incident as well, that it was retaliation for sexual assault complaints that they had filed against correctional staff.

The women’s prison in Chowchilla has been plagued by reports of sexual assault for years. In one high-profile case, at least 22 women accused correctional officer Gregory Rodriguez of sexual abuse dating back to 2014. The state ultimately paid millions of dollars to settle those claims. Rodriguez was criminally charged and sentenced to 224 years in prison.

Last year, an audit by the Office of Inspector General found that at least 279 women had sued the department, accusing at least 83 prison employees of sexual misconduct. The audit describes “a wave” of lawsuits filed by currently and formerly incarcerated people alleging staff sexual assault, harassment and misconduct. In response to the lawsuits, the department approved 402 investigations.

The U.S. Department of Justice is also investigating allegations of sexual abuse and staff misconduct at California women’s prisons.

The U.S. Department of Justice has launched a civil rights investigation into staff sexual abuse allegations at two women’s prisons in Chowchilla and Chino, following a series of lawsuits and similar abuses at federal facilities like FCI Dublin, which was closed due to widespread misconduct.

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J. David Ake

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Getty Images

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In the settlement reached this past week, CDCR did not agree to any policy changes or other non-monetary terms, and did not admit to wrongdoing.

“The Department’s focus remains on the safety, security, and well-being of both the incarcerated population and staff,” Xjimenez said.

Another class action lawsuit tied to the Aug. 2 incident is still pending. That case, known as Hooper v. State of California, raises similar claims that medical care was delayed or denied and that the use of force was excessive and retaliatory. It is set to go to mediation in May, according to court filings.

CDCR said it could not comment on pending litigation.

Chalfant said that many of his clients were scared to come forward. The incarcerated woman told him that correctional officers continued to reference the lawsuit and retaliate against them by writing them up for minor infractions and searching their belongings up to the day of the settlement.

“If individuals’ rights are violated in state prisons, lawyers are going to take those cases,” Chalfant said. “[These women] don’t lose their constitutional rights when [they] go into a prison facility.”