The Brief

Coming into the first major mayoral debate, Los Angeles city resident Sapna Suresh wanted to understand how the potential alternatives to incumbent Mayor Karen Bass diagnose the problems the city is facing.

For the three candidates who attended the debate Monday, one diagnosis was clear: L.A. isn’t the city it could be.

• Adam Miller, founder of a homelessness nonprofit and self-described lifelong Democrat, said the city is “broken,” physically and figuratively.
• Nithya Raman, an L.A. city councilwoman, said the city is “challenged.”
• Rae Huang, a Presbyterian minister, community organizer and member of the Democratic Socialists of America, said L.A. needs “new and fresh leadership.”

The candidates, among 40 to qualify for the June primary, answered questions about housing and transportation over the course of about an hour and a half in downtown L.A. The debate was organized by groups Streets for All and Housing Action Coalition. Streets for All founder Michael Schneider and Housing Action Coalition’s Southern California Director Jesse Zwick moderated.

Bass declined the invitation to participate. Spencer Pratt, another candidate surfacing high in polling, was invited but did not attend. The debate came on the heels of a poll released Sunday from UC Berkeley and the Los Angeles Times that showed her leading the crowded field, even while many voters say they view her unfavorably.

Los Angeles Mayor Karen Bass delivers her State of the City address from City Hall in Los Angeles on April 15, 2024.

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The poll found Bass had about 25% of support from likely voters. Raman, who entered the race just two months ago, is polling at 17%. Pratt, a former reality TV star, has 14% of support from those polled. Huang and Miller are each polling below 10%.

Takeaways from attendees

Truman Segal and Jacob Wasserman, whom LAist interviewed together, said they admired Huang’s passion, grassroots campaign and community-focused policies.

Ultimately, Suresh, who'd come to hear the candidates take on the state of the city, left the debate feeling confident about her pre-existing preference for Raman.

Councilmember Nithya Raman photographed in her home.

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“She was able to identify the problem, diagnose it, articulate a vision for how she would solve it, and point to specifics she’s done in her legislative career,” Suresh said.

Annika Wines said she appreciated the values Huang shared, but concluded that she’s “running on buzzwords.”

“I felt Nithya was running on a campaign platform with actual realized goals … and an actual plan about how she was going to attain more affordable housing, more housing in general, safer streets, more access to transportation,” Wines said.

Watch the full debate

Top issues covered

Measure ULA

A majority of city voters in 2022 approved Measure ULA, which taxes high-value real estate sales. The goal of the tax, commonly referred to as the “mansion tax,” is to raise funds for renters’ aid and development of affordable housing, though studies from academics and researchers have shown it has reduced multi-family housing production in the city.

The tax has been a high-profile subject in L.A. City Council, which earlier this month voted to form an ad hoc committee to explore reforms to Measure ULA.

When asked about their positions on the initiative, Raman invoked the reforms she tried, but failed, to get on the June ballot. She argued those reforms, including an exemption from the tax on apartment buildings built in the last 15 years, would still retain most of the revenue funding for eviction defense and affordable housing production.

“This is where Nithya and I disagree greatly,” Huang said, alleging that Raman, in concert with Bass, is “dangling the idea that developers will get a tax break” and supported revisions to the law without community input.

Raman pushed back on Huang, saying she worked with the tax’s proponents, labor groups and developers to come up with reforms.

Rae Huang is among those running for mayor of Los Angeles

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Miller said the law needs to be “greatly reformed” and has caused developers to shy away from investing in the city.

LAX management

The candidates also differed on management of Los Angeles World Airports, the city agency responsible for LAX. The agency has been criticized for pursuing a major roadways project with one of the developers working on the embattled Automated People Mover, which has suffered years of delays and nearly a billion dollars in budget overruns.

Raman faulted “disinterest from the leadership in City Hall” for the issues facing Los Angeles World Airports and said she’d use her position as mayor to make changes to airport leadership when projects aren’t done on time.

Immediately, Huang asked why Raman hasn’t pushed for changes in her time on council.

Raman retorted with a list of initiatives she pushed “over the areas that [she has] real control over.” Raman, who heads the city council’s Housing and Homelessness Committee, specifically spoke about lowering annual rent increases.

Traffic fatalities

In 2025, 6% fewer Angelenos died in traffic fatalities than the year prior. Still, with 290 traffic deaths in the city last year, according to police data, L.A. is far from the goal it set a decade ago to reach zero such deaths.

When asked about their support for cameras that automatically issue tickets to drivers who run red lights, Huang was at first stumped but eventually said she doesn’t support technology that surveils the community.

Raman and Miller disagreed with Huang, saying L.A. should reinstate a red light camera program, which local leaders canceled back in 2011.

Tech entrepreneur Adam Miller is among those running for mayor of Los Angeles

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“Speeding kills, and automated enforcement is one tool in our toolkit to be able to address this,” Raman said. “ I would make sure that any automated enforcement tool that we're using will not share data, will not add to surveillance, but merely increase safety, and that's totally possible to do.”

Housing crisis

All three of the candidates largely fell on the same page about:

• The need to increase housing production
• Shortcomings of Bass’ signature homelessness program, Inside Safe,
• The need to boost the budget for street and sidewalk-focused city departments.

Huang and Raman emphasized how they’d both use the city’s four Metro Board seats to shepherd through timely regional transit projects. Huang committed to appointing transit riders rather than politicians as decision makers for the countywide transportation agency.

“ We need to ensure that our Metro Board is going to be actually driven by people who ride it,” Huang said.

Huang and Raman both also emphasized the need for multi-year budget plans to ensure infrastructure projects have dedicated funding to get done.

Other topics covered include congestion pricing, Executive Directive One and LADWP-related housing delays. You can watch the entire debate here.

Where was Mayor Bass?

A Bass campaign spokesperson said last week that the mayor “can’t participate in every debate invitation” but is “eager to discuss her record of changing L.A. and her vision for the future of Los Angeles."

The spokesperson did not answer follow-up questions about the reason for Bass’ absence. A regular Friday email from Bass’ communications office that details the mayor’s public events said she would be traveling out of state Monday and returning Tuesday morning.

For debate attendee Mikey Reid, the mayor’s absence could be seen as a positive.

“ We want to have multiple candidates taking her to task for certain shortcomings, but I felt it ultimately worked in the candidates’ favor in a way that they were able to just articulate their vision without necessarily only centering it on negatives,” Reid said.

A new trail across the beloved natural area of Elephant Hill in Northeast Los Angeles is officially opening this weekend.

The route is years in the making, and it's a big milestone in the decades-long conservation efforts to preserve this local jewel in the community of El Sereno.

The hiking trail connects one side of Elephant Hill to the other — from the corner of Pullman Street and Harriman Avenue all the way across to Lathrop Street.

It's 0.75 miles in total, but packs a punch.

"It's a pretty straight shot, but because of the terrain — the trail is kind of twisty and curvy. There's switchbacks — and great views," Elva Yañez, board president of the nonprofit Save Elephant Hill, said.

People have always been able to access the 110-acre green space, but Yañez said the new trail provides a safe and easy way to navigate the steep hillsides.

The El Sereno nonprofit has been working for two decades to preserve the land. Illegal dumping and off-roading have damaged the open space over the years. And the majority of the 110 acres are privately owned by an estimated 200 individual owners.

Mountains Recreation and Conservation Authority (MRCA) joined the efforts in 2018, spurred by a $700,000 grant from Los Angeles County Regional Park and Open Space District, in part, to build the trail. The local agency received some $2 million in grants from the Santa Monica Mountains Conservancy to add to the 10 acres of Elephant Hill it manages and conserves. This year, MCRA acquired an additional 12 parcels — or about 2.4 acres.

And the spiffy new footpath — with trail signage, information kiosks and landscape boulders — is not just a long-sought-for victory but a beginning in a sense.

"We know that it means a lot to the community," Sarah Kevorkian, who oversees the trail project for MRCA, said. "We're wrapping up the trail, but it really feels like the beginning of all that is to come."

A hint of that vision already exists — for hikers traversing the new route, courtesy of Test Plot, the L.A.-based nonprofit that works to revitalize depleted lands.

"They're able to see at the end of the trail, at the 'test plot' — exactly what a restored Elephant Hill would look like," Yañez said.

Here's a preview:

The Venice Boardwalk after sunset has generally been a no-go zone for tourists and locals alike, as the beachside bars and restaurants close on the early side and safety is often an issue. Now, a group of artists is out to bring some vibrancy to the creative neighborhood with a series of new installations that will include live evening performances – and even a “Venice Opera House.”

“Let's play with light and let's play with sound and give people a reason to come to the Boardwalk after sundown,” said artist and entrepreneur Stefan Ashkenazy, who is curating the project and owns the buildings housing them. “I mean, let's just be open 24 hours a day.”

The concept doesn’t have an official name yet, but he’s been calling it “See World.”

Artist James Ostrer's space looks out from a bed through the fence to the ocean at Venice Beach.

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William Attaway, a longtime Venice artist, created a gallery space filled with various paintings and sculptures.

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The pair of modern buildings on the Venice Boardwalk at Thornton Ave. – with their big balconies, floor-to-ceiling glass windows, and seven open garage-style retail spaces – have sat mostly empty since Snapchat vacated their beachside offices in 2019. Ashkenazy recently bought the building and recruited artists to fill those front-facing spaces with creative work until a full-time tenant comes in.

Over the past several weeks the installations have been created in real-time, in public.

All of the projects are loosely along the theme of “home,” with each artist claiming a “room” in the two buildings that stretch across a full block on the Boardwalk. Several local Venice artists are featured, including William Attaway, whose intricate mosaic work is recognizable on the Venice public restrooms along the beach. Attaway’s space features a floating larger-than-life-sized statue and various works in a mini-gallery. In the next room is Robin Murez’s pieces, featuring carved wooden seats from her beloved neighborhood Venice Flying Carousel.

Ashkenazy is no stranger to wild (and wildly successful) art ideas. He’s the owner of the Petit Ermitage hotel in West Hollywood, a longtime haven for visiting artists, and the founder of the decade-old Bombay Beach Biennale, where artists install all kinds of work in an annual event near the Salton Sea. Many of the artists from that community are featured at the Venice project.

A "Venice Opera House" will host pop-up music events throughout the summer.

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New York-based artist Greg Haberny's paintings on the wall of his Venice space.

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New York-based artist Greg Haberny and London-based artist James Ostrer have brought some of their work in the Bombay Beach Biennale to the Venice project. Their windows on the Boardwalk both speak to a child-like sense of wonder and creativity.

“I think it's just kind of exploring and playing a little bit, to have the freedom to be able to do that,” Haberny says of his imagined child’s bedroom space, which includes a fort made out of puffy cheese balls. “It's a big space, too.
It's beautiful.”

Ostrer is experimenting with a performance art idea where he sits in bed amongst a room full of his own artwork, which he describes as “happy art with an edge.” Looking out at the ocean from the bed, he’s invited passersby to sit and have chats with him about his work or anything else they want to talk about.

“It’s a very intimate space, so you have a different kind of conversation,” he said. “I use art to channel human creativity, and [talk about] dark things.”

While there are open fences that block off the spaces, they aren’t sealed up at night. Both Ashkenazy and the team of artists seemed open to the idea that anything could happen and that the installations are a conversation with the public – and with that comes some risk.

Greg Haberny (right) works with his assistants on an installation featuring kid-inspired graffiti art and a "cheesy puff" fort.

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“I don't really know if I [would] say worried, but I guess it's just the cost of doing business,” Haberny said. “I don't really make things to get damaged or broken, sure. But I have done [things like] burned all my paintings and then made paint out of ash.”

While he’s felt safe – and even slept overnight in the installation – Ostrer has been collaborating with a local female artist who performs in a pig mask in front of his installation some nights. Watching her perform, he said, has taught him about the vulnerability of women in public spaces like the Boardwalk. “I've started to, on a very fractional level, have seen how scary that is. Because I've sat in the bed behind her performing at the front here… the way in which men are approaching her and shrieking at her … it's shocking.”

Ashkenazy says he will keep the artists in the space, potentially rotating new ones in, until a fulltime tenant takes over.

“This is an experiment … and after acquiring the building, the intention wasn't, ‘let's open a bunch of public art spaces,’ he said. “It is kind of …what the building wanted and listening to what the Boardwalk needed. Let's play, let's have the artists that we love and appreciate have a space to play and engage and give the locals and the visitors to the Boardwalk something to experience.”

A coalition of residents from across the San Gabriel Valley are mobilizing over a battery storage project and possibly more industrial development in the City of Industry they say could pollute communities next door.

A protest is scheduled today in neighboring Rowland Heights, targeting a 400-megawatt battery energy storage facility sited on about 9 acres that was approved by the City of Industry leaders in January.

Such Battery Energy Storage Systems, or BESS, are used to keep the power grid stable, especially as output from renewable energy sources like solar and wind fluctuate. But fires involving lithium batteries at some sites have heightened environmental and public health fears.

Because of the City of Industry’s unusual, sprawling shape stretching along the 60 Freeway, it borders on more than a dozen communities, meaning what happens there can have far-reaching impact.

“Pollution does not end right at the border,” said Andrew Yip, an organizer with No Data Centers SGV Coalition. “Pollution travels.”

Some local activists with the Puente Hills Community Preservation Association have challenged the approval of the battery facility under the California Environmental Quality Act.

Beyond environmental concerns, locals have also been frustrated with how decisions are made by officials in the City of Industry, a municipality that’s almost entirely zoned for industrial use and has less than 300 residents.

Organizers say they’ve struggled to get direct responses from city officials whom they say have replaced regular meetings with special meetings, which under state law require less advance notice.

A city spokesperson has not responded to requests for comment.

The so-called Marici Energy Storage System Facility would be run by Aypa Power. The fact that the battery storage developer is owned by the private equity giant Blackstone, a major investor in AI and data centers, has only fueled concerns that a battery storage facility would lay the groundwork for data center development.

A request for comment from Aypa was not returned.

Today’s protest is taking place at Peter F. Schabarum Regional Park in Rowland Heights across the street from the Puente Hills Mall, a largely vacant “dead” mall, which activists fear could be redeveloped into a data center and bring higher utility costs and greater air and noise pollution.

Yip pointed out that industrial developments make a lot of money for the City of Industry.

“But none of these surrounding communities receive any of those benefits,” Yip said. “Yet we have to put up with all the harmful effects and impacts from this city that does all this development without really reaching out.”

It’s about the size of a park bench and made of steel and wood. The bench’s arm rests are formed by the letters “L” and “A” in a design that’s unmistakable to any sports fan. But the welder-artist who created it says it’s not a Dodgers bench.

“This is about civic pride, L.A. pride. I made a design statement saying that it has nothing affiliated with the Dodgers,” said Steve Campos.

Campos grew up near Dodger Stadium, raised by parents who were die-hard Dodgers fans. So much, that they named him after Steve Garvey but that legacy doesn’t keep him from confronting how the Dodgers benefitted from the mass displacement of working-class people from Chavez Ravine after World War Two. That’s why he calls it an L.A. Bench, and not a Dodgers Bench.

The logo may be synonymous with the city's beloved baseball team, but the design of the interlocking letters was used by the L.A. Angels minor league baseball team before the Dodgers moved to L.A. in 1958.

“The monogram was here before the Dodgers,” Campos said.

A second-generation welder

Welding is the Campos family business. His father created gates and security bars for windows and doors for L.A. clients. That was the foundation for the work Campos has done for two decades since graduating from Lincoln High School, L.A. Trade Tech College, and enrolling in a summer program at Art Center in Pasadena.

The inspiration for the L.A. Bench came last year while he was playing around in his shop creating versions of the L.A. logo. A friend he hangs with at Echo Park Lake asked Campos to make him a piece of furniture.

“I was trying to figure out what my friend Curly wanted. He liked Dodgers and drinking and getting into fights, so I was like, 'Let me make something with the LA monogram,'” he said.

Welder-artist Steve Campos created whimsical steel sculptures with the LA logo.

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It didn’t design itself. He said he had to lengthen the legs on the “A” and lean the back of the “L” in order to make the bench functional. In the process, he’s made a piece of furniture with a ubiquitous logo that he’s embedded with his own L.A. pride, as well as city history past and present.

LA civic pride travels to Japan

Campos vacationed in Japan the last week of April and took advantage of the trip to reach out to people who may be interested in the L.A. Bench. He was caught off guard by people’s reaction when he showed them pictures of it.

“They look at it and they go, 'Oh, Ohtani bench,'” he said.

For them, it’s still a bench embedded with pride, he said, but centered around Dodgers star Shohei Ohtani, an icon in his native Japan.

Campos has made four L.A. benches and is selling them fully assembled, he said, for $2,500 each — taking into account his labor and how costly the raw materials have become. For now, he’s offering the metal parts as a package for $500, which requires the buyer to purchase the wood for the seat and the back — an easy process, he said.

While he has no plans to mass produce the L.A. Bench, he does have one goal in mind that shows how hard it is for him to separate L.A. civic pride and the Dodgers.

“I would love to get a couple of them installed at Dodger Stadium,” he said.