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The Brief

The most important stories for you to know today
  • Moore defends record; critics say good riddance
    LAPD Chief Michel Moore, in uniform.
    LAPD Chief Michel Moore.

    Topline

    Los Angeles Police Chief Michel Moore said Wednesday he was proud of his six-year tenure as leader of the nation’s second-largest police department, even as critics faulted him for failing to advance much-needed reforms. Moore has announced his retirement, effective at the end of February. He spoke on LAist's AirTalk.

    Interview quotes: “I have a department that I am quite proud of,” Moore said. “I’ll miss the ability to brag about the great work that our men and women go out and do everyday.”

    He also acknowledged the troubled history of the department, where he spent more than 42 years of his policing career.

    “We represent the very best in policing and unfortunately we have also had some of the darkest moments in this profession … and the lasting impact that still has on communities is something a chief needs to be mindful of.”

    Response to helicopter report: Moore also sharply criticized a report by City Controller Kenneth Mejia that found most of the helicopter flight time from fiscal years 2018 through 2022 wasn’t connected to high priority crimes. He said he believed Mejia’s report was colored by a “bias” against the LAPD. Mejia has defended his report and said “some transportation and ceremonial flights were an inefficient, inappropriate use of city funds.”

    Moore's critics: “I have not seen meaningful reform under Moore,” said Tim Williams, a former detective with the LAPD’s elite Robbery Homicide Division who is now a police use-of-force expert. Williams said he hopes the new chief will eliminate a lingering “us-versus-them mentality” within the department toward the community.

    Los Angeles Police Chief Michel Moore said Wednesday he was proud of his six-year tenure as leader of the nation’s second-largest police department, even as critics faulted him for failing to advance much-needed reforms.

    Moore has announced his retirement, effective at the end of February.

    In an appearance on LAist’s AirTalk program, Moore said he thought it was the “right time” to retire — just a year after his appointment by Mayor Karen Bass to a second five-year term. He said he wanted to spend more time with his family and that he was moving to Tennessee where his daughter lives.

    “I have a department that I am quite proud of,” Moore said. “I’ll miss the ability to brag about the great work that our men and women go out and do every day.”

    Moore, 63, acknowledged the troubled history of the department, where he spent more than 42 years of his policing career.

    “We represent the very best in policing and unfortunately we have also had some of the darkest moments in this profession … and the lasting impact that still has on communities is something a chief needs to be mindful of.”

    Asked about allegations by one of his own detectives that he may have ordered an investigation into Mayor Karen Bass regarding a scholarship she received from USC, Moore responded bluntly: “It's a lie.”

    Moore also sharply criticized a report by City Controller Kenneth Mejia that found most of the helicopter flight time from fiscal years 2018 through 2022 wasn’t connected to high-priority crimes. He said he believed Mejia’s report was colored by a “bias” against the LAPD.

    Mejia has defended his report and said “some transportation and ceremonial flights were an inefficient, inappropriate use of city funds.”

    Moore touts accomplishments

    During the Wednesday morning interview, Moore hailed what he saw as some of his biggest accomplishments. “We just closed the year — the second year in a row — with a reduction in violent crime.”

    According to department data, violent crime — including homicide, rape and robbery — is down 1.2% from two years ago.

    When he announced his retirement at a Friday news conference, Moore said he’d had success “across a broad spectrum of topics unmatched by any other law enforcement agency in the county.” Among his accomplishments, he has touted limits on officers’ use of pretextual traffic and pedestrian stops, efforts to diversify the department and the creation of a new Community Safety Partnership Bureau.

    Moore has called the bureau “the evolution of community-driven policing.” Under the community safety partnership model, officers are assigned to housing projects for several years to focus on community safety through problem-solving rather than arrests.

    Rice not a fan of Moore

    But the woman who was one of the driving forces behind the model gave Moore low marks, despite the creation of the bureau.

    “I think Michel Moore is a great example of a spectacular enforcement chief who didn’t really like a lot of the progress that had been made under community policing,” civil rights attorney Connie Rice told LAist.

    She said Moore “took the department back to those days” when the focus was on arrests.

    At the same time, Rice said, Moore was chief “at a very difficult time.”

    “I think it was hard to be a chief anywhere because of the pandemic and because of the George Floyd protests,” she said.

    Thousands of protesters took to the streets in L.A. and around the country in the summer of 2020 as a reaction not only to Floyd’s murder in Minneapolis on May of that year, but to speak out against the killings of Black and brown people by law enforcement and call for significant police reform.

    Moore took a knee

    The demonstrations produced a moment that left many of Moore’s own officers with a bad taste in their mouth. To this day, many remain offended that he took a knee with protesters.

    The protests also produced what many see as one of the LAPD’s biggest failures under Moore. An independent report found the department was ill-prepared and in disarray during the early intense days of summer protests, leading to improper use of force against peaceful protesters and unlawful detentions of thousands of demonstrators.

    Advocates of police reform expressed an array of concerns about Moore’s tenure, including three killings by officers involving people in apparent mental health crises during the first three weeks of 2023. One was the killing of Keenan Anderson, a mentally ill man who went into cardiac arrest after officers repeatedly tased him in a Venice intersection.

    “I have not seen meaningful reform under Moore,” said Tim Williams, a former detective with the LAPD’s elite Robbery Homicide Division who is now a police use-of-force expert. Williams said he hopes the new chief will eliminate a lingering “us-versus-them mentality” within the department toward the community.

    Moore won praise from a range of police leaders after he announced his retirement, including former Chief Charlie Beck, who told the Los Angeles Times Moore “did a very difficult job very well.”

    What’s next 

    Because of its prominence, the position of LAPD chief is one of the most coveted in law enforcement.

    “The LAPD chief is a person that agencies nationwide and really worldwide look to,” said Emily Owens, professor of criminology at UC Irvine. She hopes the new chief of the department will take seriously identifying strategies that both reduce crime and end racial and other disparities in policing.

    “That could be revolutionary,” Owens said.

    Under the charter, people who want to be chief submit their applications to the city personnel department, which then forwards the names of at least six qualified candidates to the civilian police commission. That panel then provides the mayor with three candidates ranked in order of preference. The mayor can pick from those three or ask for more names.

    Because the mayor appoints the police commission, she essentially picks the next chief.

    Rice said candidates from around the country are already contacting her for information about the process and the department.

    “The campaigns are on,” she said.

    Moore told LAist he’s looking forward to moving on.

    “I want to value the next 10, 20, 30 years — whatever God gives me — in my life and spend it with the people who have given me so much and supported me,” he said, referring to his wife and daughter.

  • Super (and Puppy) Bowl parties, Matisse and more
    A woman and two men, all with light skin tones, wear Seattle Seahawks jerseys and glowstick necklaces as they face the camera and smile.
    Seattle Seahawks fans have another shot to see a Super Bowl win.

    In this edition:

    This weekend, check out Super Bowl (and Puppy Bowl!) watch parties, a Matisse talk, Joe Wong (in Mandarin and English) at the Improv and more of the best things to do.

    Highlights:

    • Comedian Joe Wong is bringing his show, Twin Lunarcies, to the Improv in both Mandarin and English. Catch him before his Netflix is a Joke show in May.
    • The dream of the ‘90s is alive and well at the Lodge Room as a supergroup with members of R.E.M., Screaming Trees and Them Crooked Vultures join forces as a new band, Drink the Sea. 
    • Watch the Puppy Bowl while surrounded by actual puppies at Annenberg Pet Space?! I think this one speaks for itself. Ruff! 
    • The Broad’s current exhibit, Robert Therrien’s This is a Story, plays with the idea that everyday objects and materials can become art and move between worlds. The Grammy-nominated orchestral collective Wild Up takes a similar approach to their music and will work with a group of 30 non-musicians when they take the stage at the Broad to perform The Great Learning, Paragraphs 2 and 7, written in the late 1960s by Cornelius Cardew. 
    • Aha! I found excellent art nerd Super Bowl alternative programming. Head to the Hammer and listen to independent art historian and former Getty Museum director John Walsh discuss Matisse’s painting of the female form between the wars.

    Look, we don’t need the New York Times to tell us that L.A. has more to offer art-wise than any other city in the country right now, but you know we love to see it.

    I think there’s a football game on Sunday — before and after the Bad Bunny concert. Don’t worry, there are some watch party options (and Super Bowl alternatives!) in today’s newsletter. If football isn’t your thing, there are plenty of other sports options available in the form of the Winter Olympics, which begin this weekend.

    We’re all getting a free concert on Sunday, but Licorice Pizza has the rest of your music picks for the week, including hometown faves the Silversun Pickups album release party at the Masonic Lodge at Hollywood Forever, Clap Your Hands Say Yeah at Barnsdall Gallery Theater, Aimee Mann at Pacific Electric and Mandy Patinkin singing Sondheim and more at the Carpenter Center on Saturday.

    Elsewhere on LAist, you can learn about Death Valley’s stargazing festival, the Bob Baker marionettes stage their first new show in 40 years and we visit Mel’s Diner at the end of Route 66.

    Events

    Twin Lunarcies ft. Joe Wong

    Sunday, February 8, 7 p.m. (Mandarin) and 9:15 p.m. (English)
    Hollywood Improv
    8162 Melrose Ave., Hollywood 
    COST: $44.79; MORE INFO

    A man with medium skin tone and glasses holds a microphone on stage.
    (
    Michael S. Schwartz
    /
    Getty Images
    )

    Comedian Joe Wong has done what few comics can — build an audience in two languages — and he’s bringing his show, Twin Lunarcies, to the Improv in both Mandarin and English. Wong hosted a TV show in his native China for a decade before exploring and finding success in the U.S., where he’s roasted Joe Biden at the Radio & TV Correspondents Dinner and appeared on many late-night talk shows. Catch him before his Netflix is a Joke show in May.


    Drink the Sea (members of REM, Screaming Trees, Them Crooked Vultures)

    Saturday, February 7, 8 p.m. 
    Lodge Room
    104 N. Ave. 56, 2nd floor, Highland Park 
    COST: $45.50; MORE INFO

    A black and white poster featuring five musicians, reading "Drink the Sea."
    (
    Courtesy Lodge Room
    )

    The dream of the ‘90s is alive and well at the Lodge Room as a supergroup with members of R.E.M., Screaming Trees (remember when all the bands had gerunds in their names?) and Them Crooked Vultures join forces for a new band, Drink the Sea.


    Fuego Burlesque: A Bad Bunny Tribute

    Saturday, February 7, 10 p.m. 
    Harvelle's Long Beach
    201 E. Broadway, Long Beach 
    COST: $22; MORE INFO

    Four burlesque dancers on a purple background with a neon bunny and text that reads "Fuego: A Bad Bunny Tribute."
    (
    Courtesy Harvelle's Long Beach
    )

    We’re getting a little racy at Best Things To Do this week, but this one is too good not to include, because just 15 minutes of Bad Bunny at the Super Bowl is not sufficient. Get the party started early with this burlesque tribute to the Puerto Rican superstar from Dirty Little Secrets Burlesque. Obviously, this event is 21+.


    Super Bowl Watch Parties

    Sunday, February 8, kickoff at 3:30 p.m.
    Various locations 
    COST: VARIES

    A group of people wearing Patriots gear celebrate during a Super Bowl watch party.
    Atmosphere during CMT After Midnight After Party and Super Bowl Sunday
    (
    Rick Diamond
    /
    Getty Images
    )

    Speaking of the Super Bowl, there is no shortage of places to catch the big game around town, no matter who you’re rooting for. Here are a few suggestions: Precinct DTLA is hosting a watching party with no cover and $4 beers; Copper Door in Santa Ana has $1 beer and $3 margarita specials; Volo Sports is teaming up with Benny Boy Brewing for a party that includes local food, drink specials and a cornhole competition. Angel City Brewery in the Arts District, 1212 in Santa Monica and Harriet’s Rooftop in West Hollywood are also all good choices. For something on the fancy side, Casaléna will have chef-driven food stations and an open bar with game-day cocktails at $120 per person.


    Puppy Bowl Watch Party

    Sunday, February 8, 11 a.m. to 2 p.m. 
    Wallis Annenberg PetSpace
    12005 Bluff Creek Drive, Playa Vista 
    COST: FREE; MORE INFO

    Three white and brown puppies bite on a stick, fighting over it.
    (
    Laura Roberts
    /
    Unsplash
    )

    Watch the Puppy Bowl while surrounded by actual puppies?! I think this one speaks for itself. Ruff!


    Israel Film Festival

    Through Thursday, February 19 
    Saban, Fine Arts and Regal North Hollywood 
    COST: VARIES; MORE INFO 

    A poster with yellow flowers made of film reels reading Israel Film Festival.
    (
    Courtesy Israel Film Festival
    )

    The 37th annual Israel Film Festival kicks off this week and will host four U.S. premieres, plus a 40th anniversary screening of Rico­chets, the 1986 film about the First Lebanon War starring Alon Aboutboul. Many new Israeli films will screen at three area venues — the Saban and the Fine Arts theaters in Beverly Hills, and the Regal in North Hollywood. The festival has a wide range of films, from comedies to features to docs, and many of the screenings include Q&As with talent afterward.


    Home and Away: Matisse Makes Another Heaven

    Sunday, February 8, 3 p.m.
    Hammer Museum 
    10899 Wilshire Blvd., Westwood 
    COST: FREE; MORE INFO 

    A Matisse painting of a woman sitting on a balcony, called "Interior at Nice."
    (
    Courtesy Hammer Museum
    )

    Aha! I found excellent art nerd Super Bowl alternative programming. Head to the Hammer and listen to independent art historian and former Getty Museum director John Walsh discuss Matisse’s painting of the female form between the wars. Walsh will explore the influence of Matisse’s time in Nice and emerging art eras like Cubism on his work. This is the third of four in a lecture series about Matisse with Walsh at the Hammer; the last one follows on Sunday, Feb. 22.


    Wild Up: The Great Learning 

    Saturday, February 7, 8 p.m. and 10 p.m. 
    The Broad 
    221 S. Grand Ave., Downtown L.A.
    COST: $25; MORE INFO

    A poster with musical notes in the background, with a black-and-white picture of a light-skinned man drumming.
    (
    Courtesy The Broad
    )

    The Broad’s current exhibit, Robert Therrien’s This is a Story, plays with the idea that everyday objects and materials can become art and move between worlds. The Grammy-nominated orchestral collective Wild Up takes a similar approach to their music and will work with a group of 30 non-musicians when they take the stage at the Broad to perform The Great Learning, Paragraphs 2 and 7, written in the late 1960s by Cornelius Cardew. The public ensemble will learn the work “through repetitions and echoes, culminating in a performance where music becomes a shared space to embody collective creativity.”

  • Sponsored message
  • Campus has decided not to nix six programs
    A landscape photo of a large red and yellow block letter sign that reads "CSUDH" below the block letters a white block with black letters reads "California State University, Dominguez Hills." Bushes surround the sign at the base and behind the sign, towards the right of frame there are two palm trees.
    Like campuses across the CSU system, Cal State Dominguez Hills was pushed to make tough financial choices last year.

    Topline:

    After concerted pushback from faculty, students and alumni, Cal State Dominguez Hills has decided not to eliminate six academic programs that were on the chopping block for months.

    The programs: Art history, earth sciences, geography and philosophy, along with labor studies and “Negotiation, Conflict Resolution and Peacebuilding,” which are rare at most campuses.

    Why it matters: Critics said that cutting classic majors like art history and philosophy would be unthinkable at elite universities. They also held that Cal State Dominguez Hills, where Black and Latino students make up the majority and where more than 60% are eligible for federal Pell Grants, should have continued access to robust course offerings.

    The backstory: Faced with ​a potential $375-million cut in state funding last winter, campus leaders across the CSU system moved to lay off faculty, shutter athletics programs and end majors.

    What's next: In an email, campus spokesperson Lilly McKibbin said “No programs are currently being considered for potential discontinuation.” She also said that, as the campus continues “the process of reviewing our academic offerings, faculty and university leaders will consider many options, which could include expanding or consolidating existing programs, launching new ones, developing more interdisciplinary programs, discontinuing some offerings, or a combination of these possibilities.”

    Go deeper: Cal State Dominguez Hills students, faculty rally to save 6 'essential' programs from chopping block

    After concerted pushback from faculty, students and alumni, Cal State Dominguez Hills has decided not to eliminate six academic programs that were on the chopping block for months.

    Faced with ​a potential $375 million cut in state funding last winter, campus leaders across the CSU system had moved to lay off faculty, shutter athletics programs and end majors.

    At Cal State Dominguez Hills, campus leaders considered eliminating art history, earth sciences, geography and philosophy, along with labor studies and “Negotiation, Conflict Resolution and Peacebuilding,” which are rare at most campuses.

    This week, interim provost Kim Costino informed LAist that the programs will not be eliminated.

    “Instead,” Costino added via email: “over the next year, [Cal State Dominguez Hills] will engage in a broad, holistic redesign process that will result in a leaner academic program portfolio that aligns the university’s academic offerings with our strategic plan, the CSU strategic plan, our university mission, the needs of our students and the job market demands of the region.”

    In a followup email, campus spokesperson Lilly McKibbin said, “No programs are currently being considered for potential discontinuation.”

    “Throughout the process of reviewing our academic offerings,” she added, “faculty and university leaders will consider many options, which could include expanding or consolidating existing programs, launching new ones, developing more interdisciplinary programs, discontinuing some offerings or a combination of these possibilities.”

    A community effort

    For educators like labor studies professor Stephen McFarland, Cal State Dominguez Hills’ decision to change course for now comes as “a big relief.”

    In December, the California Faculty Association rallied against the proposed cuts. If implemented, members said, they wouldn’t just be detrimental to their colleagues but also to students.

    In an email, McKibbin had told LAist: “Like all universities, [ours] must continually assess academic programs and invest in those which meet student needs, fulfill job market demands, and advance our mission. The university’s current financial constraints limit our ability to invest in new or expanded programs that could meet those needs.”

    Students and alumni also spoke out against the proposed cuts. Noting that more than 60% of students are eligible for federal Pell Grants and that most financial aid awards go to families with incomes below $20,000, critics expressed concern that students from working-class backgrounds would have less access to humanities and social sciences.

    Cutting classic majors like art history and philosophy, they told LAist, would be unthinkable at elite universities.

    For months, non-tenured faculty in the designated programs navigated the anxiety of losing their employment. (McKibbin said the campus did “not anticipate layoffs of tenured or tenure-track faculty as a result of program discontinuation.") Meanwhile, the campus promised that if the cuts were made, students enrolled in those programs would still be able to finish their degrees at Cal State Dominguez Hills.

    Labor studies professor McFarland, a CFA executive board member, credits the administration’s about-face to the “quick and rapid action” of faculty, students, alumni and other community supporters. They “really banded together” to make phone calls, send emails, show up to rallies and speak up at meetings, he said, all to convey the message that the programs are “core to any university that claims to be comprehensive.”

    “We feel vindicated,” McFarland added. “And we're proud of the community effort that came together to protect these programs.”

    A burgundy sign titled "Labor Studies" is affixed to a gate on a college campus. It features photos of students in black caps and gowns, along with a description of the types of careers and internships available to students who pursue this field.
    To boost enrollment in the labor studies program, McFarland and his colleagues continue to advertise, in person and online.
    (
    Julia Barajas
    /
    LAist
    )

    The professor also believes the campus’ new leadership was central to the decision. Interim provost Costino and interim president Mary Ann Villareal “recognize the value of the humanities,” McFarland said because they come from humanities backgrounds.

    But how the relationship between faculty in these departments and the administration pans out remains to be seen.

    When it comes to his students, McFarland said, there is a belief that because most of them are the first in their families to go to college, they “ought to be steered into hard science: engineering, computer science, you know, [programs] with a clear career payoff.”

    McFarland says he and his colleagues view the university “much differently.”

    “We see it as a forum for students to study any subject they want,” he said, “to explore the worlds of creativity and human inquiry — and then decide which career path [to pursue].”

  • A historic Best Picture nomination
    Three people posing on a red carpet with serious looks on their faces. At left is a Black man wearing a blue velvet suit, with glasses and a moustache. In center is a Black woman with long brown hair wearing a sparkled black dress. On the right is a white man with a moustach and beard wearing a gray tweed suit.
    "Sinners" writer/director/producer Ryan Coogler, producer Zinzi Coogler and producer Sev Ohanian attend the European premiere of "Sinners" at Cineworld Leicester Square on April 14, 2025, in London.

    Topline:

    'Sinners' producer Sev Ohanian is the first Armenian immigrant to the U.S. to be nominated for best picture.

    The context: Ohanian produced Sinners, along with writer/director/producer Ryan Coogler and Coogler’s wife and fellow producer Zinzi Coogler.

    The 2025 film made history in more way than one with its 16 total Oscar nominations, breaking the previous record of 14 set by All About Eve and later matched by Titanic and La La Land. It also marked the first time that an Armenian American immigrant was nominated for Best Picture.

    Ohanian was born to Armenian parents in Germany, immigrated to Glendale with his family when he was a baby. Hank Moonjean (Dangerous Liaisons) was the first Armenian American to be nominated for best picture in 1989.

    Read on ... for more from Ohanian about the making of Sinners.

    The vampire epic Sinners made history in more ways than one this year with its Oscar nominations.

    The film’s 16 total nominations broke the previous record of 14 set by All About Eve and later matched by Titanic and La La Land. It also marked the first time that an Armenian American immigrant — Sev Ohanian — was nominated for best picture.

    Ohanian produced Sinners, along with writer/director/producer Ryan Coogler and producer Zinzi Coogler.

    LAist News host Julia Paskin spoke with Ohanian about Sinners and how making funny YouTube videos about his Armenian parents helped kick off a creative partnership with his fellow USC film school classmate Ryan Coogler.

    Below are highlights from the conversation and an extended version of the interview is available here.

    On Sinners as ‘the final exam of filmmaking’

    Ohanian says he describes Sinners as like “the final exam of filmmaking,” with some more common challenges and others that were more unique.

    That included casting: “Ryan knew from the very beginning [that] he wanted to find almost like a young unknown talent who would be great at acting, great at singing, could play guitar, [...] someone who had a youthful face, but a voice that was far beyond his years, which, how do we even find that? Is that something that people put on their resumes?”

    With the help of casting director Francine Maisler (also nominated for an Oscar in the Academy’s first year bestowing a casting award), they found newcomer Miles Caton.

    Then there were challenges unique to shooting in the swamps of Louisiana. Ohanian says there were “I think 6,042 mosquitoes at any given day. There was that one time an alligator literally showed up on set. Thankfully, it was all taken care of. Everyone was safe.”

    How the Armenian American community in LA helped him launch his film career

    Growing up, Ohanian says he loved the idea of making a career in filmmaking but was daunted.

    “I had this idea that to be a filmmaker, you’ve gotta have connections and resources and knowledge, things that will be passed down. But as an Armenian American immigrant,” Ohanian says, “those are not things that were part of my community.”

    He put the idea of filmmaking as a career to the side, but after making some YouTube videos about his Armenian parents for fun, “they blew up. Armenians all around the world were sharing them. They were going viral. And I ended up writing a movie called My Big Fat Armenian Family,” inspired by My Big Fat Greek Wedding. 

    He screened the movie at Glendale High School, got the word out to the Armenian American community, and people showed up and paid to see it.

    "That experience, beyond the success of it on the financial level,” Ohanian says, “the fact that my community responded to something that I thought of, that I shot with my friends, it kind of made me realize that those things that I thought were necessary — connections and resources and knowledge — I had those this whole time in my community. That's what got me into USC where I started doing it for real.”

  • Thousands gather in downtown LA to protest Trump
    A teenage girl, surrounded by other teenagers, holds up a sign that says "We are skipping our lessons to teach u one."
    Thousands of students from schools across Los Angeles walked out Wednesday in peaceful protest of the Trump administration’s immigration policies.

    Topline:

    Thousands of students from schools across Los Angeles walked out Wednesday in peaceful protest of the Trump administration’s immigration policies. The Los Angeles Unified School District estimated 4,400 students from about two dozen schools participated.

    Hear it from a student: “The reason I came out is 'cause we're so young and I feel like people always think that like young people don't have a voice and in reality we have one of the strongest voices,” said Jazlyn Garcia, a senior at  Alliance Gertz-Ressler High School. “I want people to go out and vote for midterms, pre-register to vote.”

    Why now: Students say the Trump administration's immigration raids threaten their families, communities and education. Alexis, a senior at Brío College Prep, said administrators locked down his campus after agents detained a nearby fruit vendor. “He was a part of our community,” Alexis said. “He would always be out there selling fruits to us after school.”

    What's next: San Fernando Valley students at more than 40 schools plan to walk out Friday. “Los Angeles Unified supports the rights of our students to advocate for causes important to them,” a district spokesperson wrote in a statement to LAist. “However, we are concerned for student safety at off-campus demonstrations as schools are the safest place for students.” The district encouraged students to exercise their rights in on-campus discussions and demonstrations.

    Thousands of students from schools across Los Angeles walked out Wednesday in peaceful protest of the Trump administration’s immigration policies.

    The Los Angeles Unified School District estimated 4,400 students from about two dozen schools participated.

    “ I think it's really empowering that we aren't being discouraged to [protest], but it's also really discouraging to have to live through this,” said Roybal Learning Center senior Melisa. 

    “The reason I came out is 'cause we're so young and I feel like people always think that like young people don't have a voice and in reality we have one of the strongest voices,” said Jazlyn Garcia, a senior at  Alliance Gertz-Ressler High School. “I want people to go out and vote for midterms, pre-register to vote.”

    Leonna, a senior at Downtown Magnets High School and daughter of immigrants from Cambodia, said she was thinking of her neighbors.  “We need to protect the people that make sure that the economy is running and make sure that our lives are the way that they are every day.”

    Students said the Trump administration's immigration raids threaten their families, communities and education.

    Alexis, a senior at Brío College Prep, said administrators locked down his campus after agents detained a nearby fruit vendor. “He was a part of our community,” Alexis said. “He would always be out there selling fruits to us after school.”

    San Fernando Valley students at more than 40 schools plan to walk out Friday.

    “Los Angeles Unified supports the rights of our students to advocate for causes important to them,” a district spokesperson wrote in a statement to LAist. “However, we are concerned for student safety at off-campus demonstrations as schools are the safest place for students.”

    The district encouraged students to exercise their rights in on-campus discussions and demonstrations.