The Brief

Katie Porter is taking her L’s in stride.

The Democratic former congressmember from Orange County released an ad this week addressing her lowest moment so far in her race for governor: a video showing her yelling at a staffer who came into the frame of her Zoom interview, telling her to “get out of my f–king shot.”

The video came out in October on the heels of another viral video in which Porter argued with a reporter and threatened to walk out of an interview.

Porter was widely panned as being unable to control her temper. She took a hit in the polls and hasn’t climbed back since.

In the new ad, she references it: “Now, could you guys please get out of my shot?” she says lightheartedly with a crowd of laughing, whiteboard-wielding supporters behind her.

It’s a risk for her campaign, designed to show Porter can make fun of herself and isn’t avoiding talking about her perceived weaknesses. If the yelling incident was the worst thing about her, the ad suggests, there’s not much to be afraid of.

But it’s also a reminder that she doesn’t have much to lose in the final weeks of a race that has largely passed her by.

Last fall, Porter, a UC Irvine law professor, was one of the more recognizable names in the field, with national liberal accolades for refusing corporate donations, flipping a Republican congressional seat in the 2018 blue wave and for grilling CEOs in Congressional hearings.

But the progressive, who supports single-payer health care, free child care and college tuition and higher taxes on large corporations, has struggled to sustain a liberal base. Many coveted factions of the state’s Democratic establishment, including major labor unions, have coalesced around former U.S. Health Secretary Xavier Becerra, billionaire Tom Steyer, or at one point, now-disgraced former Rep. Eric Swalwell.

Addisu Demissie, a Democratic strategist who ran Gov. Gavin Newsom’s 2018 campaign and his successful campaign against a recall in 2021, said he’s surprised Porter hasn’t won more Democratic support after Swalwell’s exit a month ago. In polls, voters have instead flocked to Becerra while Sacramento power players like Planned Parenthood of California, SEIU, the California Medical Association and the California Teachers Association have split between him and Steyer.

The videos “arrested any momentum she may have had,” Demissie said. “That matters in a race like this, where fundraising matters and elite opinion certainly matters. I think that has hamstrung her.”

Now, Porter is the only woman left in a crowded field of eight, apparently losing the race based on personality. Her fundraising over the past four months has been lukewarm, with campaign donors giving her just under $3 million — less than she raised in the second half of last year.

To experts, it shows voters and political insiders continue to hold female candidates to higher standards than men.

“One thing that has hurt her is evidence of her anger coming out,” said Sacramento State University professor Kimberly Nalder, who researches gender and politics. “There’s this perception that women should not exhibit anger, but it’s perceived as strong when men do it.”

Porter tries calculated restraint

The videos were particularly damaging for Porter because they appeared to confirm longtime speculation that she’s a harsh boss and a “scold.”

She’s repeatedly asked about them during forums and debates. One political strategist told CalMatters Porter could secure the “angry woman vote” but not much else.

Porter has said the incidents captured on video were mistakes, that she apologized to the staff member she yelled at and that they continued to work together. She told the San Francisco Chronicle that the staffer recently sent her a text expressing support. Last month, the Washington Post reported, 30 former staffers signed an open letter calling the videos “a caricature built from a few clips on a bad day.” The letter’s organizer, Maine congressional candidate Jordan Wood, did not respond to an interview request made to his campaign.

In recent weeks she’s sought to more directly counter the temperament questions. During two televised debates in the past two weeks, she made calculated displays of restraint, holding back several times as the other candidates — all men — squabbled around her, and, at times, interrupted her.

“I can’t believe that on a stage with 30 minutes of interrupting and bickering and name-calling and shouting and disrespect for everyone up here who’s stepping into public service, that anyone wants to talk about my temperament,” she said during a debate Tuesday night on CNN.

“You are actually interrupting them, too,” Republican candidate Chad Bianco retorted, though Porter had waited for the moderators to call on her.

In an interview last month, Porter would not say whether she thinks sexism has stalled her, but said as the only woman in the race, and a single mother of three, she relates to voters.

“I can’t really comment on how every voter thinks about everything,” she said. “Women understand better what it’s like to push the shopping cart, what it’s like to have to write that check for that permission slip. Those are decisions that I’ve made. I think I have an ability to relate to Californians precisely because I’m a mom.”

Progressives have questions

She’s also struggled to attract solid liberal support as she appeared to vacillate on key progressive issues.

In Congress, Porter was a vocal supporter of “Medicare for All,” but last year she told Politico single-payer health care was unrealistic for California.

The proposal is estimated to cost the state nearly $400 billion and would need federal approval — a non-starter with President Donald Trump. Yet supporting single-payer remains a progressive rallying cry, and a litmus test for the left.

During the state Democratic Party convention this spring, Porter reversed herself again and resumed her support for single-payer.

Democratic gubernatorial candidate Katie Porter speaks during The Western Growers California Gubernatorial Candidate Forum in Fresno on April 1, 2026.

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Larry Valenzuela

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CalMatters

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She also raised eyebrows by courting the support of billionaire crypto executive Chris Larsen, who is spending his money this year fighting proposals to raise taxes on the wealthy. He donated to Porter’s campaign last year before revoking his support in March when she endorsed a San Francisco ballot measure to raise taxes on corporations with highly paid CEOs. Larsen, who supports Republican Steve Hilton, declined to comment through a spokesperson.

And she shocked labor leaders last month when she criticized the state’s agricultural overtime law. In a room full of farmers in Fresno, she got applause for saying regulations like the law that grants farmworkers overtime after 8 hours each day “don’t make sense.” Growers have tried for years to overturn or limit that law; early studies have found many have responded by cutting workers’ hours and hiring other contractors.

Lorena Gonzalez, president of the California Labor Federation, which has jointly endorsed Porter, Steyer and former Los Angeles Mayor Antonio Villaraigosa, saidPorter had previously given the federation a different answer about farmworker rights.

The comments prompted a flurry of weekend phone calls with union leaders before Porter clarified on social media that she supports the eight-hour workday.

“It was an educational experience for her,” said Gonzalez, who said she agrees Porter has been judged too harshly on temperament as a female candidate. “You can’t just be told something by business and just change your position on something, especially without coming and talking to us.”

Labor groups were also perplexed earlier this year when an independent political spending group supporting Porter’s candidacy received a $150,000 donation from Uber, which also gave to Hilton and a group supporting Swalwell. In response, the California Teamsters, which has endorsed Porter but opposes autonomous driving that Uber supports, withdrew its own $100,000 contribution. The union spent that money on its own ads supporting Porter.

A spokesperson for the political action committee, Danny Kazin, would not answer questions about who was directing the PAC’s activities. Uber spokesperson Zahid Arab did not respond to questions about the PAC or explain why the company supported Porter.

Porter denied that soliciting support from business has hurt her standing with progressives.

“I will talk to every Californian, every union, every business, every nonprofit, every entity, every local leader,” she said. “The job of the governor is to listen and to learn and then to make good decisions. I think it’s important that I’ve been talking to entities, including some that I haven’t had the chance to work with before.”

In the meantime, many progressives — even those who previously backed Porter — have flocked to Steyer. Assemblymember Alex Lee, a Cupertino Democrat, was one of Steyer’s earliest progressive backers in the race. Two years ago, he supported Porter in her quest for a U.S. Senate seat but said Steyer won him over this year campaigning against “the corporate status quo.”

“I have no regrets endorsing Katie Porter for the U.S. Senate where I think she would’ve been a great senator,” Lee said in a text message.

Steyer previously opposed single-payer but in December became a vocal proponent, earning him the endorsement of the Nurses Association. The state’s two major teachers unions also back him and SEIU jointly endorsed him and Becerra.

“It’s disappointing to me that some organizations and people that I really respect are not supporting Katie and are supporting Steyer,” said Sal Rosselli, president-emeritus of the National Union of Healthcare Workers, a longtime Porter backer.

Rosselli said he anticipated some of Porter’s perceived weaknesses and said it’s good that “she’s not so tight in Sacramento.” He said he hopes Porter’s new ad addressing the video would help turn things around.

“If a guy did that, this would not be happening, in terms of that reaction,” he said.

This article was originally published on CalMatters and was republished under the Creative Commons Attribution-NonCommercial-NoDerivatives license.

A pair of nesting bald eagles was spotted in Los Angeles County this past week, according to a social media post from the Department of Parks and Recreation. (You can check out the full post and video on Instagram.)

The Department of Parks and Recreation did not disclose the exact location of the birds.

Nesting bald eagles are a fairly rare sight in Southern California, since they're more commonly found close to the California-Oregon border.

A look at where bald eagles typically nest.

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Courtesy California Department of Fish and Wildlife

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Of course, there are notable exceptions, including Southern California's most famous bald eagles: Big Bear's Jackie and Shadow, whose yearly attempts at parenthood have become big national news on occasion.

Typically, bald eagles' mating season is from January through July or August, according to the California Department of Fish and Wildlife.

What to do if you're lucky enough to see them IRL

Park officials are reminding everyone that bald eagles are a federally protected species and disturbing their nests could “disrupt breeding and impact their success.”

The history

Bald eagles were once close to extinction in the lower 48 U.S. states. By the early 1970s, there were fewer than 30 pairs in California, all in the northern part of the state. The species has rebounded since being protected under federal and state laws.

What's next

It takes about 35 days for bald eagle eggs to incubate. If the L.A.'s new eagle residents lay eggs, Los Angeles could have our very own eaglets as early as next month.

Held by the Los Angeles Review of Books since 2019, LITLIT, or The Little Literary Fair, started out as a way to introduce students from workshops to the publishing industry.

It has since grown into a gathering of independent West Coast publishers from Seattle to Santa Monica. This year’s iteration on June 6 and 7 is the biggest yet, with more than 50 publishers participating in the event at Sci-Arc in Downtown L.A.

People look through a small library of used books from "A Good Used Book," a Los Angeles based book pop-up, during LITLIT 2024.

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Los Angeles Review of Books

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It’s ‘small’ lit

The fair aims to get the public in front of books that don’t originate from the so-called “Big Five” publishers — behemoths like Penguin Random House and HarperCollins.

“They really get to control what people get to see, and so we hope LITLIT lets people see more of what is out there and what they can support directly,” said Emily VanKoughnett, public programs and engagement director for LARB.

One of VanKoughnett’s favorite independent publishers will be there. Two Lines Press, the publishing arm of San Francisco’s Center for the Art of Translation, deals specifically in translated works.

Two Lines Press, which specializes in translated works, show off their books to attendees of LITLIT.

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Los Angeles Review of Books

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They’ve published authors from across the world, translating books from more than 100 different languages into English.

“ We do our work in quiet rooms, so it's really nice to be able to meet readers and talk to them about what's interesting them. These festivals are really valuable to us in that way,” said CJ Evans, publisher and editor-in-chief of Two Lines.

Pressed locally

Local favorite Angel City Press, which operates under the auspices of L.A. Public Library, will also be there with one of their newly published titles, Los Angeles Central Library POPS, that celebrates 100 years of the Central Library.

People at LITLIT 2024 look through different small presses.

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Los Angeles Review of Books

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You’ll also find LA-based Errant Press, which specializes in books that break the traditional form — like a poem printed on measuring tape or a matchbox sized poetry collection.

“It’s really cool to see the kinds of risks that people are able to take, the kinds of communities they’re able to serve and really highlight here on the West Coast,” said Irene Yoon, executive director of LARB.

Panels, printing presses, and workshops

The two-day fair also hosts various panels and workshops, including one on the art of comedic writing and another on how to tell the stories of Los Angeles through archival materials.

“This is, I think, the most panels we've ever done,” VanKoughnett said.

People sit down for a panel discussion at LITLIT 2024.

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Los Angeles Review of Books

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Workshops on how to navigate the literary world with a completed manuscript and making your own comics and zines are also on the itinerary.

And Carson’s International Printing Museum will demonstrate how to screen print your own bookmark.

“It's not until we're all in the same room with all our best books literally out on the table that you get to see kind of what a phenomenal publishing culture Los Angeles truly has,” said Terri Accomazzo, editorial director of Angel City Press.

Running a small business is tough under normal circumstances. Running one in a wildfire burn scar can feel nearly impossible.

That's the reality many Altadena business owners are still navigating nearly a year and a half after the Eaton Fire destroyed the community and the local economy. Businesses are grappling with how do you stay open when so many of your customers are gone?

At Wet Paws, a pet grooming business along Lake Avenue, that question recently came to a head.

The shop reopened in January but business remained slow. Wet Paws co-owner Stephanie Trujillo estimates the fire had displaced up to 90% of their customers.

Marley, a Cane Corso from Pasadena, went for her first grooming session at Wet Paws in more than a year.

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Josie Huang

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LAist

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Then came a conversation with their landlord several months ago that forced a decision.

"He reached out and said, 'Are you going to re-sign your lease?'" Trujillo recalled.

The answer wasn't obvious.

"I said, unfortunately, we're not even making it. We're paying out of our own pocket," she said. "So he said, 'I'll give you until June 1.'"

The deadline meant Trujillo and her mother, Linda Alashti, who have owned the business together since 2023, had only a few months to figure out whether Wet Paws had a future in Altadena.

Wet Paws is hardly alone. As businesses struggle, Los Angeles County recently launched a program offering free marketing assistance and storefront improvements to fire-affected businesses. The deadline to apply is June 8.

A flag banner and sandwich board on the sidewalk outside Wet Paws advertises its services.

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Josie Huang

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LAist

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The county also operates a gift card program to encourage residents to spend money at fire-impacted businesses.

But relief has not arrived quickly enough for many businesses.

One particularly slow April Sunday at Wet Paws drove home how dire the situation had become, when they had only one customer.

As she drove home to Fontana, Trujillo began composing a social media post.

"So this isn't easy for us to share," the post began, "but I wanted to reach out with an open heart and hope."

In the message, Trujillo asked the community to book appointments and spread the word to help their business survive.

Before posting it, Trujillo showed it to her mother.

Wet Paws groomer Elizabeth Ranes takes care of a basset hound client.

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Josie Huang

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LAist

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"We're very prideful, and it's very hard to ask people for help," she said. "I felt embarrassed that we had to ask the community for help."

Her mother's advice was simple. "Just post it," she told her. "The worst that's going to happen is nobody sees it or nobody cares."

Instead, the opposite happened. By the next day, the post had been viewed and shared hundreds of times across Instagram and Facebook.

The phone started ringing, said Wet Paws groomer Elizabeth Ranes.

"I got well over 50 calls," Ranes said. "We booked out for the last three weeks of the month when we made that post.”

Customers told Alashti that they “didn't know you were back, because they don't come this way anymore.”

Decor inside Wet Paws embraces a playful canine motif.

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Josie Huang

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LAist

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Among those who returned was Penny Dahlstrom, a Pasadena resident whose 113-pound Cane Corso Marley had been a Wet Paws regular before the fire.

Dahlstrom had tried taking Marley to a large pet store chain while Wet Paws was closed.

"My husband went in to pick her up, and he hears crying, and it was her," Dahlstrom said. "That's not just her nature."

The social media appeal didn't just bring back former customers. It also introduced the business to new ones, Trujillo said.

But recovery remains uneven.

Some days are still slow. And the shop continues to deal with lingering fire-related electrical damage in the back of the building.

Wet Paws is operating on a temporary electrical system, limiting how much power it can use at any given time.

"If we run our AC, and the neighbors run their AC, we lose power," Trujillo said.

As the June 1 lease deadline approached, Trujillo and her mother weighed their options. They could walk away and cut their losses. Or they could commit to rebuilding alongside a community they had come to love.

Ultimately, they thought about the response to their post and the customers who had shown up when the business needed them most. And they had faith that Altadena would rebuild to its full strength.

They chose to renew the lease for another three years.

"I can't imagine what the community is going through, losing their homes and losing everything that they had," Trujillo said. "Yet they're still coming back."

And as long as they do, she said Wet Paws will be there for them and their fur babies.

On a recent Monday, students at Breed Street Elementary in Boyle Heights started their day like no other — with a tour of the murals hand-painted over the weekend across the playground.

It’s the latest of seven elementary schools in and around L.A. to get the treatment. Over 70 murals in the last 13 years, brought by a collective of artists to students in under-resourced neighborhoods with little access to art education.

“The kids were so excited,” said Stefanie Barbee, a math teacher at Breed. “Just pure joy.”

The students snaked through the paintings on handball courts and school walls: cartoon animals, bright orange flowers, a circle of meticulously painted lines. The works span genres and sensibilities.

Mural by artist hi-dutch.

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Operation Creative Freedom

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Operation Creative Freedom

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“It's grassroots. We're not getting money from anyone,” said Erik Caruso, the fifth grade teacher in Paramount who's the group glue. To them, they are just an assembly of like-minded friends — and friends of friends — who spend one weekend out of the year hanging out and painting murals for school kids.

But the collective is anything but typical. It includes artists like the late Rich Jacobs, who died from leukemia this year; Tim Kerr; pro skater Ray Barbee; and Japanese artists Yusuke Hanai and hi-dutch. The vibe's always low-key, and somehow they've managed to stay under the radar.

Mural by artist Yusuke Hanai.

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Operation Creative Freedom

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Operation Creative Freedom

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Mural by artist Yusuke Hanai.

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Sandy Yang / James Hamblin

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“The kids have no idea that they show in huge galleries or have pieces hanging in museums,” said writer Martin Wong, co-founder of the pioneering Asian pop culture magazine Giant Robot. "Or they're famous in the skateboarding scene or surf or music."

Their reward is the Monday morning after, seeing the happiness on the kids’ faces.

“The artists are waiting all weekend — it’s that moment,” Caruso said.

Mural by artists Sandy Yang and James Hamblin.

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Operation Creative Freedom

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Operation Creative Freedom

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James Hamblin was at Breed for the meet-and-greet earlier this month. He painted a mural designed by his partner Sandy Yang on one of the handball walls.

“Sandy's design is pretty abstract, so it was interesting because the kids were [asking], you know, ‘ What is it?’” Hamblin said. “It was great because I could tell them I had no idea and like, ‘What do you guys think it is?’"

Bring the art museum to the school

Erik Caruso.

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Operation Creative Freedom

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Operation Creative Freedom

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The idea came to Caruso in 2011, after he took about two dozen students from his Paramount school to MOCA and discovered that only four had ever been to an art museum.

“I wonder if there's a way we can bring the art museum to the school,” he said.

Caruso, a 24-year veteran, was no stranger to bringing art — and artists — directly to his students. In 2009, he launched a monthly art project for fifth graders that culminated in a year-end show where they met and shared work with living contemporary artists.

Caruso's 5th grade art project, featuring works by artist Tim Kerr.

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Operation Creative Freedom

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Operation Creative Freedom

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The murals were next.

They painted their first ones at his school in 2012. Soon, the project expanded to the rest of Los Angeles.

Crew at work

Mural by artist Chris Johanson.

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Operation Creative Freedom

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Operation Creative Freedom

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Mural by artist Chris Johanson.

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Operation Creative Freedom

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Operation Creative Freedom

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The painting takes place between Friday and Sunday, but planning takes months.

At Breed, the connection was made through math teacher Barbee — wife of Ray — who is on a two-year stint at the Boyle Heights school to help students catch up on the subject.

“I had sort of planted that seed that at some point I would love for a school I was working at to be the recipient of the beautiful work,” she said.

Breed Street Elementary in Boyle Heights.

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Sandy Yang / James Hamblin

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She brought Caruso out for a site visit last September.

“He has a really amazing kind of vision about where to place the artists … based on just their artwork and where it is in relation to the street view,” Barbee said.

Next came an introduction to the principal and the approval process.

“One of the biggest challenges with what we are doing is, you know, they want flipping dolphins and stuff like that,” Caruso said. “But we want to cross over into fine art pieces.”

Mural by artists Lookout & Wonderland.

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Operation Creative Freedom

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Operation Creative Freedom

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Mural by artists Lookout & Wonderland.

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Operation Creative Freedom

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Operation Creative Freedom

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Paying it forward

Caruso estimated that as many as 40 artists and musicians have joined the effort.

The core group now, he said, is about 11 people, and friends and families often tag along to help out, given they have just 16 hours over three days to finish the job.

Mural by artist Oitama.

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Sandy Yang / James Hamblin

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Mural by artist Lori Damiano.

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Operation Creative Freedom

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Operation Creative Freedom

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Among the regulars: Wong and his wife, Wendy Lau, who once organized DIY punk shows to fund music education at their daughter's Chinatown school. In Caruso, they saw a kindred spirit.

Caruso later brought the collective to paint at that school and eventually invited their daughter, Linda Lindas bassist Eloise Wong, to join his fifth grade art and music project.

“All of these kids on the blacktop were all just screaming their hearts out,” Eloise said. “It's cool how Erik — Mr. Caruso to them — shows them, like, raw ways to express themselves through cool art.”