State Senators meet during a Suspense File hearing at the Capitol Annex Swing Space on O Street in Sacramento, on Aug. 15, 2024.
(
Fred Greaves
/
CalMatters
)
Topline:
More than 100 California bills moved to the “suspense file” last week, the start of a process where consequential decisions are made out of public view.
Why now: In just 24 minutes and without any debate, the most powerful committee in the state Senate last week moved 33 bills from public view into a secretive process that will decide whether the measures live or die. Two days later, its sister committee in the Assembly moved 82 of its bills in under two minutes to the same secretive, uncertain future. If history is any guide, between a quarter to a third of those bills will be killed next month.
What happens? So it goes with the Senate and Assembly’s appropriations committees, the gatekeepers for bills proposing to spend taxpayer money. The committees’ “suspense files” are where hundreds of bills die quietly each year. The fates of the bills that were moved to the file last week – along with dozens of others that will be added later – will be announced in a single hearing on what’s known as “suspense day” scheduled for May.
Why it matters: As CalMatters has reported, members of the Legislature almost never vote in public hearings to kill bills by attaching their names to a formal “no” vote. For instance, of 2,403 bills that died in the two-year session that concluded last fall, only 25 were killed by a majority of lawmakers voting “no.” Instead, bills tend to die behind the scenes. It can be incredibly difficult for members of the public to learn who killed a measure and why.
Read on... for more details about the process and issues that come up.
In just 24 minutes and without any debate, the most powerful committee in the state Senate last week moved 33 bills from public view into a secretive process that will decide whether the measures live or die.
If history is any guide, between a quarter to a third of those bills will be killed next month. For most of the bills, no one but lobbyists, a handful of capital staffers, lawmakers and Gov. Gavin Newsom’s policy team will know exactly why.
So it goes with the Senate and Assembly’s appropriations committees, the gatekeepers for bills proposing to spend taxpayer money. The committees’ “suspense files” are where hundreds of bills die quietly each year. The fates of the bills that were moved to the file last week – along with dozens of others that will be added later – will be announced in a single hearing on what’s known as “suspense day” scheduled for May.
As CalMatters has reported, members of the Legislature almost never vote in public hearings to kill bills by attaching their names to a formal “no” vote. For instance, of 2,403 bills that died in the two-year session that concluded last fall, only 25 were killed by a majority of lawmakers voting “no.” Instead, bills tend to die behind the scenes. It can be incredibly difficult for members of the public to learn who killed a measure and why.
The appropriations committees’ suspense files are the most notorious example.
The opaque process frustrates some lawmakers, including Assemblymember Corey Jackson, a Democrat representing Moreno Valley. He has criticized Democratic leadership for not doing more to address homelessness, inequality and people moving out of state.
“The way we treat the appropriations process is a non-democratic process; I believe that it’s a corrupt process,” Jackson said.
Per decades-old policy, any bill that’s estimated to cost taxpayers at least $50,000 gets placed on the suspense file. Twice a year – once in May and again in August – the committees announce which bills move bills off of “suspense” and can advance through the Legislature.
Last summer, the committees culled about a third of the 830 bills that had been placed on suspense. Some of them were controversial.
Republicans were outraged that the committee didn’t vote on their bill seeking to add new requirements before state officials could place “sexually violent predators” in communities.
The Senate’s top Republican, Sen. Brian Jones of San Diego, accused Democratic leaders of protecting “predators over families.”
But some Democrats, including Jackson, also were frustrated. Jackson had a child tax credit bill die in the suspense file. Asked last week if he knew who was responsible for killing the bill, Jackson said, “That’s part of the process. You don’t know in many cases.”
When cost estimates kill California bills
Other Democrats last summer also accused the Newsom administration of inflating cost estimates to kill health care legislation the governor’s team didn’t like through the suspense process. The Newsom administration insisted its estimates were accurate.
“The administration looks forward to tackling some of the most pressing policy challenges with the Legislature, but doing so within the confines of our budgetary constraints,” Christian Beltran, legislative director for Newsom’s Department of Finance, told the Senate Appropriations Committee last week.
Now the behind-the-scenes work begins for lobbyists such as Chris Micheli, who is advocating for a bill that was moved last week to suspense.
“You’re going to have conversations with the staff of the committee and the members of the committee, particularly the chair, who is most influential in terms of what bills, you know, stay or go,” Micheli said.
Appropriations chairs make hard calls
Former chairs of the appropriations committees – called “approps” in Capitol shorthand – told CalMatters it can be a difficult position to be in. The chairs often have to make tough decisions to kill particularly controversial, poorly thought out or expensive bills that the leaders of the other legislative committees didn’t want to make.
Assemblymembers meet during a Suspense File hearing at the Capitol Annex Swing Space in Sacramento, on Aug. 15, 2024.
(
Fred Greaves
/
CalMatters
)
“I would get angry with people,” said Lorena Gonzalez, a former Democratic assemblymember from San Diego who is now president of the California Labor Federation. “I’d have policy (committee) chairs come to me and they’re like, ‘Oh, I couldn’t kill these. But here are the bills I think you should kill.’ I'm like, you know, ‘Grow some balls.’ ”
Plus, chairs also have to deal with colleagues who take it personally when their favorite bills are killed.
Mike Gatto, a former Democratic Assembly appropriations chair from Los Angeles, said he faced intense blowback from some colleagues. He said one fellow Democrat targeted him during a reelection campaign after Gatto killed his bill in suspense. Another retaliated by killing one of Gatto’s bills in a different committee.
“My mandate was to engage in a cost-benefit analysis for the good of the state, to make sure that we did not spend any more than we had,” Gatto said. “Maybe I took the mandate too seriously, or maybe I was not that great with managing human relationships, but I ended up having a number of very upset colleagues.”
Gonzalez said she didn’t think it was fair to call the suspense file process secretive. She said anyone can review the committee’s fiscal estimates and its analyses and weigh in.
But in the end, it’s the chairperson who usually has to take the heat.
“‘I think everybody leaves being approps chair with a lot of people upset with them,” she said.
Digital Democracy transcription manager Hans Poschman contributed to this story.
Members of Compás Discoteca (L to R): Adrian Silva, Albert Piña, Ricardo Carlos, and Elias Ruiz.
(
Dañiel Martinez
/
LAist
)
Topline:
Compás Discoteca, a four-person DJ collective, fosters community and connections with eclectic live vinyl mixing at restaurants in and near the Inland Empire.
The backstory: Ricardo Carlos, Elias Ruiz, Albert Piña and Adrian Silva have been friends for about two decades. They all DJ as a hobby and often share music. The crew decided to form the collective after seeing what they thought of as a "sign" in 2024.
On a Sunday night at the Mexican restaurant La Popular in Claremont, diners are eating to a soundtrack that starts with cumbia and jumps to J Balvin and Bad Bunny before landing on Luther Vandross.
That’s the aim of DJ collective Compás Discoteca — to bring connection and community through live vinyl mixing at La Popular and El Balcon in Ontario.
How Compás Discoteca was born
Ricardo Carlos, Elias Ruiz, Albert Piña and Adrian Silva have been friends for about two decades. They all DJ as a hobby and often share music. On a night out in 2024, they saw a sign: a parking space for a “compact car,” minus two letters.
“The C and T are missing — compá. Like, ‘We're compás,’” Carlos said, recounting that night.
A "Compás Discoteca" turntable mat.
(
Dañiel Martinez
/
LAist
)
Their DJ collective, Compás Discoteca, was born. “Compás” means “buddies” in Spanish and “Discoteca” means “nightclub."
Seasoning the scene
When Compás Discoteca first formed, the members said Southern California’s vinyl-listening scene was more focused on track selection, letting songs play out in full. The collective wanted to bring more life to the experience by mixing music live.
“It just seemed a little stale,” Silva said. “I feel like we helped to bring some seasoning to that.”
They also wanted to play genres people wouldn’t normally hear together.
“You might hear us jump from funk to cumbia to hip-hop to disco, soul to house. We're just trying to take people on a journey with us,” Silva said.
Each compá takes their turn at the turntables for two 30-minute sets. And each brings their own sound.
Three of the "compás" pose for a picture in between their sets.
(
Dañiel Martinez
/
LAist
)
Silva is the “party-starter.” He gets people dancing.
Carlos has a Latin bent, taking influence from his Puerto Rican, Salvadoran and Creole roots.
Ruiz lives for “jaw-drop moments” and brings records he thinks will surprise his fellow DJs.
Piña spins rare world grooves in the funk and boogie vein.
“He probably gets the most Shazams from us and from the audience,” Ruiz said of Piña. “But most importantly, you feel like you're hanging out and with some good music.”
Albert Piña prepares looks through a box of vinyl records during his DJ set at "La Popular" in Claremont.
(
Dañiel Martinez
/
LAist
)
Feeding off the energy
Compás Discoteca DJs at El Balcon in Ontario on the first Friday of each month and at La Popular in Claremont on the third Sunday.
The vibes for Sundays are chill, they said, and Fridays are for letting it all loose.
“There's like an energy there, like, ‘Oh, man, we made it through the week.’ We try to feed off of that,” Piña said.
Compás Discoteca vinyl nights
Compás Discoteca DJs at El Balcon (200 N. Euclid Ave., Unit C, Ontario) on the first Friday of each month and at La Popular (235 N. Yale Ave., Claremont) on the third Sunday.
When: Fridays, 7 p.m. to 12 a.m.; Sundays, 5 to 9 p.m.
Cost: free to diners
Next shows: Friday, Oct. 2, at El Balcon; Sunday, Oct. 18, at La Popular
Fiona Ng
is LAist's deputy managing editor and leads a team of reporters who explore food, culture, history, events and more.
Published September 27, 2026 5:00 AM
The Bagel Portal, the bagel delivery system of 29 Loaves, in Joshua Tree.
(
Courtesy 29 Loaves
)
Topline:
Joshua Tree has quirk, character and plenty of nature. Since 2024, it also has real New York-style bagels.
How? These bagels are courtesy of 29 Loaves, a home bakery operated by DIY baker and through-and-through New Yorker Richard Lee.
Read on… to find out what distinguishes a New York-style bagel from lesser ones, according to Lee, and how he learned to make his.
Along Highway 62 in Joshua Tree, a stack of high school lockers holds something the High Desert was missing: a real New York-style bagel.
For that, you have DIY baker Richard Lee to thank.
“I want a bagel. What do I do?” Lee remembered thinking after moving to Twentynine Palms in 2023 from Los Angeles, where he had lived for more than a decade.
The Bagel Portal off Highway 62 in Joshua Tree.
(
Richard Lee
/
Courtesy 29 Loaves
)
It wasn’t just any bagel the born-and-raised New Yorker was craving, but the kind from back home that gives “a little crunch” when you bite into its crust — with a “chewy, softer” inside and a taste Lee calls “ineffable.”
“Like maybe a sourdough or an Italian bread,” he said.
Taught by YouTube, tested by family in New York
Richard Lee converted his garage in 29 Palms to make bagels.
(
Courtesy 29 Loaves
)
A tinkerer by nature, Lee launched 29 Loaves in early 2024, bringing bagels he handcrafts in his licensed home operation to Twentynine Palms, Joshua Tree and surrounding communities.
“I went to the culinary school of YouTube,” he said, having watched more than 100 videos on how to make a bagel. At first, he relied on his own taste buds as a guide, before sending his creations to his family in New York to taste.
After months of overnight shipping, Lee said, “Even a UPS store is asking me, ‘Why are you doing that?’”
“I know it makes no sense,” he told them. “That's how I operate.”
29 Loaves serves up New York-style bagels to Joshua Tree and other desert communities.
(
Courtesy 29 Loaves
)
Eventually, his sister gave the thumbs-up. To be extra, extra, extra sure, Lee went to folks living in the desert with New York ties to get their blessing.
“Attention is an ingredient,” Lee said of his bagels. It’s a philosophy he’s honed while running his other business providing IT services, which he now operates remotely.
“Garbage in, garbage out,” he said. “If you make a mistake or something falls on the bagel and marks it, it’ll end up that way as a finished product.”
Why bagels mean so much to him
Lee, whose father is Korean and mother is Brazilian, said his bakery is ultimately about food memories — and draws inspiration from what he ate growing up. The only other baked good 29 Loaves sells is pão de queijo, a gluten-free Brazilian cheese puff he makes.
Richard Lee handmakes New York-style bagels at his home operation.
(
Courtesy 29 Loaves
)
But nothing rivals bagels. Sundays were often bagel days in his childhood home in the Long Island suburbs. As a teenager working for his father, Lee remembered they would make detours off the Long Island Expressway to grab fresh bagels.
“They were nice and plump, and they were so hot,” he said.
Father and son would eat them straight out of the bag — no cream cheese, no nothing.
“Those were the types of memories that I wanna bring here,” Lee said.
Get your bagel
You can find 29 Loaves bagels in select cafes and markets in desert communities, including Indian Wells, Palm Desert and Pioneertown. Lee himself delivers orders within Twentynine Palms and Joshua Tree.
For a 24/7 hankering, there’s The Bagel Portal, at 61877 29 Palms Highway, Joshua Tree — look for a stack of lockers under a wooden A-frame in the parking lot facing the highway. You’ll get a combination code after making a purchase.
If you're enjoying this article, you'll love our daily newsletter, The LA Report. Each weekday, catch up on the 5 most pressing stories to start your morning in 3 minutes or less.
The widespread coastal damage from Hurricane Marie, which was hundreds of miles off the coast, is a preview of what El Nino could bring later this year.
(
Mario Tama
/
Getty Images
)
Topline:
Big surf from distant hurricanes in the Pacific could bring coastal flooding to Southern California starting this weekend.
Why it matters: Hurricanes Polo and Odalys are expected to cause coastal erosion, flooding and high surf along Southern California's already battered coastline.
Read on ... for the forecast.
Big surf from distant hurricanes in the Pacific could bring coastal flooding to Southern California starting this weekend.
Hurricanes Polo and Odalys are expected to cause coastal erosion, flooding and high surf along Southern California's already battered coastline. Swells from Polo are expect to arrive as early as late Sunday and peak Monday and Tuesday.
Bryan Lewis, National Weather Service meteorologist, told LAist that high tides could reach 7 feet. He said Long Beach and Avalon are among the more vulnerable areas for potential flooding and erosion.
Long Beach and Los Angeles warned residents to prepare for potential flooding and other effects through at least Wednesday.
In early September, Hurricane Marie brought coastal erosion and flooding that led homes being red- and yellow-tagged in L.A. and Orange counties.
Friends & Family Flea, a new market from the team behind Maum Market, will make its debut Saturday in Koreatown.
(
Courtesy Friends & Family Flea
)
Topline:
Friends & Family Flea, a new market from the team behind Maum Market, will make its debut Saturday in Koreatown.
Why it matters: Most of the 24 vendors participating in the first Friends & Family Flea have some connection to Koreatown. Some grew up in the neighborhood, some still live there and others have moved away but retain ties to the area. The vendor list includes apparel brands, artists, jewelry makers, beauty and wellness businesses and food vendors.
The backstory: Nearly five years ago, co-founders Arnold Byun and Kioh Park were living in Koreatown and spending months at Document Coffee Bar. They dreamt up what would eventually become Maum Market, launched in January 2022. They're taking a similar approach to Friends & Family Flea.
Friends & Family Flea, a new market from the team behind Maum Market, will make its debut Saturday in Koreatown.
For organizer Arnold Byun, the launch is something of a homecoming.
Nearly five years ago, Byun and his co-founder, Kioh Park, were living in Koreatown and spending months at Document Coffee Bar dreaming up what would eventually become Maum Market, the Asian makers market they launched in January 2022. The market now has a regular presence at ROW DTLA, where it hosts pop-up markets on Dock Street several times a year.
“The genesis of Maum Market is actually really embedded in Koreatown,” Byun, 31, told The LA Local. “And we have a lot of affection and personal history with Koreatown, so it’s a very personal thing for us just to return to our roots.”
Most of the 24 vendors participating in the first Friends & Family Flea have some connection to Koreatown, Byun said. Some grew up in the neighborhood, some still live there and others have moved away but retain ties to the area. The vendor list includes apparel brands, artists, jewelry makers, beauty and wellness businesses and food vendors.
“We’ve been trying to be pretty intentional about curating from the community as much as possible,” Byun said.
There will be plenty of food and shopping, including “sogeum-bbang,” or salt bread, tea, handmade candles, soaps and vintage clothing, as well as flash tattoos and burgers and fries from Love Hour. The LA Hwatu-Hanafuda Club will teach visitors about hwatu, the Korean deck of playing cards with roots in Japan. The club will also offer $5 tarot card readings.
Friends & Family Flea, a new market from the team behind Maum Market, will make its debut Saturday in Koreatown.
(
Courtesy Eena Cho
)
Eena Cho, founder of the LA Hwatu-Hanafuda Club, was born and raised in Koreatown. She remembers living with her mother in an apartment on Wilshire Boulevard and Vermont Avenue and volunteering at the senior center near Seoul International Park, where she spent time with older Korean residents.
She also grew up playing go-stop with her grandparents during Korean holidays, like Chuseok and Seollal.
“That was a big part of my childhood,” said Cho, 24. “Another part is that living in LA where there’s so many different groups of people together, I remember my best friend Maria growing up, she was Mexican, and we would be playmates because both of our parents were working overtime.”
For Cho, joining Friends & Family Flea felt like a natural fit.
“Koreatown is a beautiful diaspora of many different cultures,” Cho said. “And I think that makes Koreatown, Koreatown.”
Friends & Family Flea, a new market from the team behind Maum Market, will make its debut Saturday in Koreatown.
(
Courtesy Eena Cho
)
The local focus is a big part of what Byun hopes will distinguish Friends & Family from other flea markets and fairs. He said organizers wanted to create something that “intentionally celebrates a specific neighborhood,” in this case, Koreatown.
For the Koreatown market, that also means highlighting small businesses beyond the restaurants that often get the most attention.
“It’s more about, you know, where do we get our dry cleaning, where do we get our shoes done, or these kinds of services that I think don’t get highlighted as often as maybe restaurants do, but are really core and essential parts of a community business,” Byun said.
Byun’s own history with Koreatown also makes the neighborhood an especially fitting place to start.
His family immigrated to the South Bay from Korea in 2002, when he was 6. He remembers coming to Koreatown with his parents on the weekends for Korean meals and grocery trips.
Byun still thinks of the neighborhood as a second home for Korean immigrants, while appreciating how its community has grown more diverse.
“I’m just really happy to see it become a really beloved neighborhood,” he said.
The market is also giving back locally. Hats sold at the event will benefit the Koreatown Youth and Community Center, Byun said.
Friends & Family Flea Where: Un-Other Space, 524 S. Western Ave., Los Angeles When: Saturday, Sept. 26, 11 a.m. to 4 p.m. Admission is free. Organizers are asking attendees to RSVP.
And this may not be a one-time run. If Saturday goes well, organizers hope to bring Friends & Family Flea back to Koreatown on a monthly basis. They also plan to offer discounted vendor fees to Koreatown residents.
“I feel like there was so much opportunity for us to really hone in and create something more hyperlocal and also really embed ourselves in the community as well,” Byun said.