The Brief

It’s been six years since a judge ruled that Santa Monica’s election system discriminates against Latino voters. In that time, there have been at least three more elections — but the city hasn’t had to change the way it runs them.

That’s because the coastal Los Angeles County city appealed, and under current law, it’s not required to change the process until after all appeals are heard.

Assemblymember Anamarie Avila Farias thinks that needs to change.

“Even after the court determined an at-large election system is unlawful and radically discriminatory, the local body can hold even more elections utilizing their unlawful system by filing an appeal and paying attorneys to delay this process, during which time justice for communities of color is delayed and voters are disenfranchised,” the Democrat from Concord said at an Assembly Judiciary Committee hearing last week.

Under “at-large” election systems like Santa Monica’s, everyone who lives in a city votes on the same set of candidates. In a district-based election system, a city is divided into districts and voters choose from candidates vying to represent just their neighborhood.

Avila Farias’ proposal would mean courts would no longer automatically keep the current election process in place during the appeals process in cases related to the state’s voting rights act.

Sylvia Shaw, a lobbyist representing Santa Monica, said the proposal could force cities to repeatedly change their election systems as courts weigh the final outcome of a case.

That could include booting elected officials off the council, or forcing those who want to run to quickly raise money. Shaw said that could deprive voters of having anyone representing them for some period, and would be costly and confusing.

“It would result in an expensive and potentially temporary overhaul of a voting system that could leave minority voters in the city worse off than under the at-large system,” she told the committee.

Maria Loya, a former city council candidate who is a plaintiff in the 2016 case against Santa Monica, said the city continues to use taxpayer dollars to fight it.

“We're trying to ensure that there's a permanent representative from our neighborhood, and to ensure that candidates of color — in particular, Mexican Americans and Latinos — are able to not only run, but have an ability to win elected office,” Loya said.

Kevin Shenkman, an attorney who has fought dozens of cases to force more jurisdictions to switch from at-large to district-based voting, said the issue is not unique to Santa Monica, which is why a change in the law is necessary.

He’s trying a similar case against Huntington Beach in August that he expects will be resolved in favor of the plaintiffs, who argue that as in Santa Monica, the city’s at-large elections dilute Latino residents’ vote and prevent them from being able to elect a candidate of their choice. He thinks that the city will appeal as many times as it can.

“The Latino voters in Huntington Beach shouldn't have to wait for their voting rights while the city of Huntington Beach appeals and appeals and appeals to cling to their power,” he said.

That’s why the legislation is not just about Santa Monica’s 92,000 voters, he said, but about all 39 million California voters.

This article was originally published on CalMatters and was republished under the Creative Commons Attribution-NonCommercial-NoDerivatives license.

Anyone will tell you that these are tumultuous, borderline-apocalyptic times for the film industry. Box office is down. The threat of AI looms. Billionaires and tech giants are laying waste to what remains of the major Hollywood studios. I'm not entirely sure how to square all this bad news with my own good news, which is that I saw more terrific new movies this year than I have any year since before the pandemic. True, most of those movies weren't from here, but all of them played in U.S. theaters in 2025, and all of them are well worth seeking out in the weeks and months to come.

1. Sirāt

The best new movie I saw this year is a breakthrough work from a gifted Spanish filmmaker named Oliver Laxe. It's a nail-biting survival thriller, set in the desert of southern Morocco during what feels like the end-times. It's a little Mad Max, a little Wages of Fear, and all in all, the most exhilarating and devastating two hours I experienced in a theater this year. Sirāt also features the year's best original score, composed by the electronic musician Kangding Ray.

2. One Battle After Another

Paul Thomas Anderson's much-loved, much-debated reimagining of Thomas Pynchon's novel Vineland is an exuberant mash-up of action-thriller and political satire. One Battle After Another stars Leonardo DiCaprio in one of his best and funniest performances as an aging revolutionary drawn back into the field. He leads an ensemble that includes Teyana Taylor, Benicio del Toro, Sean Penn, Regina Hall and the terrific discovery, Chase Infiniti.

3. Caught by the Tides

Caught by the Tides is an unclassifiable hybrid of fiction and nonfiction from the Chinese director Jia Zhangke. Drawn from a mix of archival footage and newly shot material, it's a one-of-a-kind portrait of the myriad transformations that China has gone through over the past two decades.

4. Resurrection

Resurrection, another structurally bold Chinese title, is a bit like an Avatar movie for film buffs. Placing us in the head of a shapeshifting protagonist, the director, Bi Gan, takes us on a gorgeous, dreamlike odyssey through various cinema genres, from historical spy drama to vampire thriller.

5. My Undesirable Friends: Part I — Last Air in Moscow

My No. 5 movie is the year's best documentary: My Undesirable Friends: Part I — Last Air in Moscow, from the director Julia Loktev. It's a sprawling yet intimate portrait of several Russian independent journalists in the harrowing months leading up to President Vladimir Putin's invasion of Ukraine in 2022. As a portrait of anti-authoritarian resistance, it pairs nicely with my No. 6 movie.

6. The Secret Agent

The Secret Agent is an emotionally rich, sneakily funny and continually surprising drama from the director Kleber Mendonça Filho. Set in 1977, it lays bare the personal cost of dissidence during Brazil's military dictatorship.

7. Sound of Falling

Although not a horror film, exactly, this German drama qualifies as the best and spookiest haunted-house movie I've seen this year. Directed by Mascha Schilinski, Sound of Falling teases out the connections among four generations of girls and young women who have passed through the same remote farmhouse.

8. April

April, from the director Dea Kulumbegashvili, is a tough, bleak, but utterly hypnotic portrait of a skilled OB-GYN trying to provide health care for women in a conservative East Georgian village. It may be set far from the U.S., but the difficulties these women face would resonate in any setting.

9. On Becoming a Guinea Fowl

Directed by Rungano Nyoni, this Zambian film is a subtly mesmerizing drama about a death that takes place in a middle-class household, setting off a chain of dark revelations that threaten to tear a family apart.

10. It Was Just an Accident

It Was Just an Accident, which won the Palme d'Or at this year's Cannes Film Festival, is a shattering moral thriller from the Iranian director Jafar Panahi. It centers on a group of former political prisoners who are given a rare chance at retribution. In the past, Panahi has been a prisoner in Iran himself, and earlier this month, the government sentenced the director in absentia to a year in prison. I hope that Panahi never sees the inside of a jail cell again, and that his movie is seen as far and wide as possible.
Copyright 2025 NPR

In the wake of the Eaton Fire, Altadena and Pasadena’s music community have really shown up to support fire survivors, especially fellow musicians who lost instruments and record collections.

That effort continues this weekend with a special donation concert at a Pasadena record store, with the aim of getting vinyl records back in the hands of survivors who lost their collections.

“You know, our name is Healing Force of the Universe, and I think that gives me a pretty clear direction… especially after the fires,” said Austin Manuel, founder of Pasadena record store, where Sunday’s show will be held.

The record donation effort is the brainchild of musician Brandon Jay, who founded the nonprofit Altadena Musicians after losing his home and almost all of his family’s instruments in the Eaton Fire. Through Altadena Musicians’s donation and registry platform, Jay said he and his partners have helped some 1,200 fire survivors get their music instruments back.

Brandon Jay.

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Robert Garrova

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LAist

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Now, that effort has fanned out to restoring vinyl record collections.

“All of that stuff evaporated for thousands of people,” Jay said. “Look at your own record collection and be like, ‘Wow, what if that whole thing disappeared?’”

You might know Jay from several bands over the years, including Lutefisk, a 1990s alt-rock band based in Los Angeles. He and his wife, Gwendolyn Sanford, composed music for TV shows, including Orange is the New Black and Weeds.

Jay plans to play some holiday tunes at Sunday's record donation show (which LAist is the media sponsor), along with fellow musician Daniel Brummel of Sanglorians. Brummel, who was also a founding member of Pasadena’s indie-rock sensation Ozma, said he was grateful to Jay for his fire recovery work and to Manuel for making Healing Force available for shows like this.

Brummel, who came close to losing his own home in the Eaton Fire, recalled a show he played at Healing Force back in March.

Ryen Slegr (left) and Daniel Brummel perform with their band, Ozma, on the 2014 Weezer Cruise.

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Even Keel Imagery

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“The trauma of the fires was still really fresh,” Brummel said. After playing a cover of Rufus Wainwright’s “Going to a Town,” that night — which includes the lyrics “I’m going to a town that has already been burnt down” — Brummel said his neighbors in the audience told him the rendition hit them hard. “It felt really powerful. And without that space, it just wouldn’t have occurred.”

Details

Healing Force of the Universe Record Donation Show
Featuring: Quasar (aka Brandon Jay), Sanglorians (Daniel Brummel) and The Acrylic.
Sunday, Dec. 14; 2 to 5 p.m.
1200 E. Walnut St., Pasadena
Tickets are $15 or you can donate 5 or more records at the door. More info here.

Topline:

The case: In September, the city settled a lawsuit brought forward by two brothers in their 70s who said they suffered serious injuries after an LAPD officer crashed into their car. Days before the $18 million settlement was reached, lawyers for the brothers said Feldstein Soto called an expert witness testifying for the plaintiffs and “attempted to ingratiate herself with him and asked him to make a contribution to her political campaign,” according to a sworn declaration to the court by the plaintiffs’ attorney, Robert Glassman.

The response: Feldstein Soto did not respond to an interview request. Her spokesperson said the settlement “had nothing to do” with the expert witness. Her campaign manager told LAist the city attorney had been making a routine fundraising call and did not know the person had a role in the case, nor that there were pending requests for her office to pay him fees.

What Jurado says: In a statement to LAist, Jurado said she wants to “make sure that the city’s legal leadership is guided by integrity and accountability, especially when their choices affect public trust, civic rights and the city’s limited resources."

What’s next: The motion needs to go through a few committees before reaching the full City Council. If it passes, the motion calls for the city attorney to “report to council in closed session within 45 days regarding the ethics breach violation and give updates to the City Council."