The Brief

Masked federal officers, descending on workplaces and immigration courts in dramatic scenes across the country, have drawn comparisons to secret police in authoritarian regimes.

But under a new state bill from two Bay Area lawmakers, Immigrations and Customs Enforcement officers and others would have to identify themselves while working in California. The legislation introduced Monday by state Sens. Scott Wiener (D–San Francisco) and Jesse Arreguín (D–Berkeley) would prevent police at all levels from covering their faces with masks or balaclavas while working — and would require them to be identifiable via uniform.

“We are seeing more and more law enforcement officers, particularly at the federal level, be in our community covering their faces entirely, not identifying themselves at all,” Wiener said at a press conference at San Francisco City Hall. “You can’t tell — are these law enforcement officers or a vigilante militia?”

Senate Bill 627, dubbed the No Secret Police Act, comes as tensions have escalated between the state and the Trump administration, which has vowed to carry out the largest deportation campaign in U.S. history.

No specific federal law requires law enforcement to wear uniforms or show their faces during arrests. Meanwhile, images of masked ICE agents forcing people into unmarked police vans have proliferated on social media, catalyzing debate over whether such arrest tactics are a form of intimidation.

Sen. Jesse Arreguín speaks during a press conference with leaders from community groups throughout Alameda County in the Fruitvale neighborhood of Oakland on Jan. 22, 2025, to discuss support for immigrant families in the Bay Area after President Donald Trump promised mass deportations.

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Arreguín and Wiener say the masks allow officers to evade accountability for their actions, adding that more transparency is needed around who is conducting these immigration operations.

“People covering their faces, impersonating police officers — it erodes trust in law enforcement and it undermines community safety,” Arreguín said.

ICE declined to comment on the bill, saying that the agency does not comment on pending legislation. But in an emailed statement, an ICE spokesperson maintained that masks and other anonymizing practices are essential to prevent “doxxing,” or the collection of someone’s information online to shame or harass them, following high-profile ICE raids in Los Angeles and the mass protests that followed.

“U.S. Immigration and Customs Enforcement fully respects the Constitutional rights of all people to express their opinions peacefully,” the statement said. “That being said, ICE remains committed to performing its immigration enforcement mission professionally in a manner consistent with federal law and agency policy.”

Recently, a North Texas man was charged in federal court for threatening to shoot and kill ICE agents on April 7, the spokesperson added.

In San Francisco, ICE has requested journalists blur officers’ faces after a San Francisco Standard reporter took cellphone images of arrests outside immigration court and published those images.

Critics have been quick to point out what they say is hypocrisy surrounding ICE officers’ tendency to wear masks.

On June 8, President Trump posted on his social media platform Truth Social that protesters should not be allowed to wear masks, asking, “What do these people have to hide, and why?”

His administration has also criticized student protesters for wearing masks while protesting the war in Gaza.

Masked immigration officers can create a lot of “confusion,” the state lawmakers behind the new bill said.

“It is critically important that people know who they’re interacting with and that they’re interacting with actual law enforcement officers,” Wiener said.

Meanwhile, a federal bill introduced in Congress this month by Rep. Mike Thompson (D–St. Helena) would prohibit immigration officers from wearing clothing that bears the word “police.”

According to the National Immigrant Justice Center, immigration enforcement will often introduce themselves as police officers even though they are not legally considered to be so. That can confuse immigrant communities and sour the relationship with local police, Thompson argued.

News of the California bill also followed what authorities have labeled a political assassination in Minnesota by a man posing as a police officer.

Vance Boelter, 57, is accused of targeting two politicians, fatally shooting Democratic Rep. Melissa Holtman and her husband, Mark. Boelter currently faces federal murder charges for the attacks.

Some critics have raised concerns that immigration officers operating in masks and unmarked vehicles could sow distrust and make it easier for bad actors to pose as law enforcement.

Filmmaker Frederick Wiseman has died. The celebrated documentarian started making documentaries that captured the weirdness and wonder of everyday life in the mid 1960s and did not stop until 2023.

Wiseman died Monday. His family issued a joint statement with Zipporah Films. He was 96.

Making movies was always an adventure, Wiseman said in 2016, during a speech at the Academy Awards when he won an honorary Oscar.

"I usually know nothing about the subject before I start," he said at the black-tie ceremony. "And I know there are those that feel I know nothing about it when it's finished!"

Wiseman was extremely prolific. He made roughly 50 documentaries, many of which chronicled the inner workings of institutions as diverse as the Idaho state legislature (State Legislature, 2007), the New York Public Library (Ex Libris, 2017), and a high school in Philadelphia (High School, 1968).

"I wish I could be more like him," said Oscar-winning documentarian Errol Morris in an interview with NPR about Wiseman before the elder filmmaker died.

Morris said Wiseman's super-charged yet subtle way of interpreting everyday life had more in common with the Theater of the Absurd than documentary filmmaking. (Indeed, Wiseman also had a career as a theater director in the U.S. and Europe, helming plays by the likes of Samuel Beckett and Luigi Pirandello.)

"He has a way of finding in reality some of the most surreal, absurd moments that I've ever seen anywhere," Morris said.

By way of example, Morris points to a scene in Wiseman's 1993 documentary Zoo, in which an all-women surgical team at Miami zoo castrates a wolf.

"And it seems like the entire scene is populated by women except for the janitor standing by the exit door, looking nervously on with his hands folded over his crotch," Morris said. "To me, this is really almost as good as it gets."

Morris added Wiseman was a mentor to him and a close friend. After Morris lost both his father and brother to heart disease, and was worried about his own fate, the filmmaker said Wiseman organized medical help for him. "I can even credit Fred with saving my life," Morris said.

Frederick Wiseman was born in Boston in 1930. After serving in the U.S. Army during the Korean War and living in Paris during the 1950s, he taught law at Boston University.

Frederick Wiseman poses with his Golden Lion Lifetime Achievement Award at the Venice Film Festival in August 2014.

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It was taking his students on field trips to Bridgewater State Hospital, a Massachusetts prison facility for the criminally insane, that compelled the then law professor to direct his first, and most famous, film. Made in 1967, Titicut Follies gets its title from a stage show put on by the inmates at the institution.

After its seemingly benign opening, the movie captures the appalling conditions under which the inmates are kept, with unblinking scenes of bullying, force feeding, strip searches and squalor.

Titicut Follies was so shocking, the state of Massachusetts managed to get it banned from public screenings for more than two decades.

"In order for anyone to see that film, for years you had to sign a declaration saying that you were a professional in one of the following fields, like criminology, law or film studies," said film scholar Barry Keith Grant, author of Voyages of Discovery: The Cinema of Frederick Wiseman.

Still, Grant said the movie sealed Wiseman's future.

"It gave him a lot of notoriety and it helped establish his career," Grant said.

Over the years, Wiseman became known for his meticulous, hands-on process. He directed, produced and edited his movies. In a 2014 interview with NPR, the filmmaker described making National Gallery, his documentary about the famed London art museum.

"I was there for three months, every day for twelve weeks, probably twelve, fourteen hours a day," Wiseman said of the shoot, adding he amassed 170 hours of footage. "So the ratio between film shot and film used is about 60 to one."

Wiseman's films were also known for their prodigious length, running for as long as six hours. "I don't tailor the length to meet any commercial needs," Wiseman said. "I assume if people are interested, they'll watch it, whether it's 75 minutes or three hours."
Copyright 2026 NPR

This story will be updated. Check back for details.

A series of severe weather advisories — ranging from extreme marine conditions to severe thunderstorms and the possibility of hail and water spouts — have peppered Southern California on Monday. The wet start to the week is expected to continue, with concerns about possible mudslides and debris flows in areas hard hit by recent fires.

L.A. Mayor Karen Bass issued an evacuation warning for the Palisades, Sunset and Hurst burn scar areas ahead of the rain Monday. That warning went into effect at 9 p.m. on Sunday and will be in place until 9 a.m. on Tuesday.

Most of L.A. County is under a flood watch as a powerful rainstorm hits the region, that's in effect until midnight Monday. Areas that include much of Central and Southern L.A. County are additionally under a flash flood warning until 2 p.m. Monday. That's due to an observed rainfall rate that's between 0.5 to 0.75 inches in 15 minutes.

Some mountain communities are also under a winter storm warning through Thursday where up to a foot or two of snow is possible for elevations above 6,000 feet.

Forecasters are also warning that it's going to be windy along mountain passes where gusts could reach up to 70 mph Monday afternoon.

Rainfall totals

Weather forecast this week for Southern California.

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Widespread rain began to fall on Southern California overnight, as of 11 a.m. Monday here are preliminary rainfall totals over the last 24 hours, reported by the National Weather Service:

• Agoura: 1.66 inches
• Bel Air: .78 inches
• Canoga Park: 1.25 inches
• Downtown L.A. .11 inches
• Eaton Dam: .50 inches
  

Evacuations and closures

We will update as needed.

According to the National Weather Service, locations that will experience flash flooding include Monday afternoon: Long Beach, West Covina, Glendora, San Dimas, Pomona, Whittier, La Verne, Covina, Azusa, Baldwin Park, Diamond Bar, Hacienda Heights, Monrovia, Claremont, Santa Fe Springs, Norwalk, Cerritos, Artesia, Bellflower and Walnut.

Traffic conditions

Rancho Palos Verdes

• As of Monday afternoon: Rancho Palos Verdes Drive South is closed in both directions from Wayfarers Chapel to Peppertree Drive due to flooding. Please use an alternate route if you must drive at this time. It is unknown when the road will reopen.

San Fernando Valley

• As of Monday afternoon: The 5 Freeway north is closed in Sun Valley from Tuxford Street and Lankershim Boulevard because of flooding.

Orange County

• As of Monday afternoon: All lanes Northbound and Southbound at PCH from Seapoint Street to Warner Avenue are closed until further notice.
  
• See latest road conditions in Southern California

Forecast

Meteorologists for the National Weather Service have warned that a powerful storm system will move through the region Monday "bringing the potential for severe thunderstorms, burn-scar debris flows, flash flooding with rock and mud slides, damaging winds, heavy mountain snow, and high surf with coastal flooding."

They say Southern Californians should expect "cold and blustery conditions with periodic rain" through "at least the middle of the week."

The expected rainfall is significant enough that they're warning people near vulnerable areas, which include recent burn scars from last January's fires and other recent fires, to take precautions immediately and be ready to leave if evacuation orders are issued.

Severe weather could include:

• Small tornadoes
• 60 mph or higher winds
• Rainfall rates that hit 1 inch per hour or more

Understanding National Weather Service warnings

Here’s an excerpt from our guide to understanding flood warnings, if any are issued:

• Flood advisories are how the NWS begins to raise the alarm. The goal is to give people enough time to take action.
• Flood watches are your indicators to get prepared to move.
• A flood warning is issued when a hazardous weather event is imminent or already happening. When one is issued for your area, you need to get to higher ground immediately.
• A flash flood warning is issued when a flash flood is coming or in progress. Flash floods are sudden and violent floods that can start within minutes.

Read more: Flash Flood warnings? Watches? Here’s what you need to know

Tips for driving in the rain

Advice on driving in the rain:

• Check weather and road conditions all along your planned route.
• Slow down.
• Keep a wider-than-usual distance between your vehicle and the one in front.
• Don't drive through standing water — as little as 12 inches of rushing water can carry away most cars, and two feet can carry away SUVs and trucks.
• Make sure tires are fully inflated.
• Check windshield wiper blades and replace if necessary.

Read more: What you should do if you end up driving in a flooded area

Downed tree, power line or flooded road?

Dial 911 in an emergency.

However, if you need to report a flooded road or a downed tree, you can call the following non-emergency numbers:

• L.A. city: Dial 311 for a flooded road or downed tree. Call (800) DIAL-DWP if you see a downed power line.
• L.A. County: (800) 675-HELP
• Ventura County: (805) 384-1500
• Orange County: (714) 955-0200 or visit here.

If you're in L.A. County and need sand bags, you can find some at local fire houses.

Staying safe when the winds are high

• Watch for traffic signals that may be out. Approach those intersections as four-way stops.
• Make sure you have a battery-operated radio and flashlights. Check the batteries to make sure they are fresh. Use flashlights for lighting during a power outage; do not use candles because they may pose a fire hazard.
• If you’re in a vehicle with a fallen power line on it, stay in the vehicle and remain calm until help arrives. It is OK to use your cellphone to call 911. If you must leave the vehicle, exit away from downed power lines and jump from the vehicle, landing with both feet together. You must not touch the vehicle and the ground at the same time. Then proceed away from the vehicle by shuffling and not picking up your feet until you are several yards away. 
• Water and electricity don’t mix. Water is an excellent conductor of electricity. Do not step in or enter any water that a downed power line may be touching.
• Do not use any equipment indoors that is designed for outdoor heating or cooking. Such equipment can emit carbon monoxide and other toxic gases.
• If you use a generator, place it outdoors and plug individual appliances directly into it, using a heavy-duty extension cord. Connecting generators directly to household circuits creates “backfeed,” which is dangerous to repair crews.
• Leave the doors of your refrigerator and freezer closed to keep food as fresh as possible. Place blocks of ice inside to help keep food cold. Check food carefully for signs of spoilage. 
• Check on your neighbors to make sure everyone is safe.

Tips on staying warm

• State law requires residential units to have heating systems that can keep indoor temperatures at a minimum of 70 degrees. That means every dwelling unit and guest room offered for rent or lease should offer heating equipment.
• Use heat smartly to save money: Cranking heaters can be expensive. If money is tight, be judicious about how and when you use your utilities. For example, only use heaters at night or only set the thermostat to around 70 degrees.
• Open and close those vents: If you have central A/C, look at where the vents are around your home. Are any open in places where you don’t stay long? Practice opening and closing those so warm air only goes where you need it (most vents should have a small toggle lever). Humidifiers can also help you warm things up — and it’s useful to add moisture into our dry air.
• Adjust your wall heaters: If you have a wall heater, you can change the output by adjusting the knob (usually at the bottom). Since wall heaters can only warm the areas where they’re placed, it’s essential to close doors to rooms you won’t be in so hot air doesn’t get wasted.
• Turn on your ceiling fan (really): If you have a ceiling fan, try turning it on. This sounds counterintuitive, but there’s science behind it. Since hot air floats up, your fan can help move it around. For warming, your fan should spin clockwise to create an updraft. Not all fans will have this option.
  

Sign up for emergency alerts

• L.A. City: Notify L.A.
• L.A. County: Ready L.A. County
• Ventura County: Ready Ventura County
• Orange County: AlertOC
• Riverside County: AlertRivCo
• San Bernardino County

How we're reporting on this

This is a developing story. We fact check everything and rely only on information from credible sources (think fire, police, government officials and reporters on the ground). Sometimes, however, we make mistakes or initial reports turn out to be wrong. In all cases, we strive to bring you the most accurate information in real time and will update this story as new information becomes available.

Over his long career, Robert Duvall brought a wide range of characters to life, from tough Marines to wistful, tender-hearted cowboys.

Duvall died on Sunday. His wife Luciana posted on Facebook on Monday, "Yesterday we said goodbye to my beloved husband, cherished friend, and one of the greatest actors of our time. Bob passed away peacefully at home, surrounded by love and comfort."

He was 95 years old.

In his first major movie role, in 1962, Robert Duvall appeared in only a handful of scenes. He didn't have a single word of dialogue. Yet the actor managed to make an indelible, star-making impression. The film was To Kill a Mockingbird. The role was Boo Radley.

Boo is the small town's recluse; he spends the movie as little more than a mysterious shape, cloaked in shadows. But in the film's final moments, he steps out nervously, into the light.

Duvall's features soften, he smiles slightly — and the menacing presence of Boo Radley transforms before our eyes into a figure radiating kindness and concern. The pure, elegantly nuanced physicality of that moment launched his career.

Robert Duvall came from a military family. He told NPR's All Things Considered in 2010 that he didn't so much discover acting as have it thrust upon him by his parents.

"I was at a small college in the Midwest," he said. "It was the end of the Korean war. I did go in the army eventually but [only] to get through college, to find something that would give me a sense of worth, where I got my first 'A'. It was my parents I had to thank for that."

As a young actor, he ended up in New York City, where he palled around with Gene Hackman, James Caan and his roommate Dustin Hoffman. It was over many coffees and conversations with them at Cromwell's Drug Store on 50th and 6th Avenue that he struck upon his personal philosophy of acting. His approach was direct and unpretentious, as he explained to the TV series Oprah's Masterclass in 2015: "Basically just talk and listen, and keep it simple. And however it goes, it goes."

After Mockingbird, his parts grew bigger: Films like Bullitt, True Grit, and M*A*S*H, in which he originated the role of the uptight Major Frank Burns.

But it was his role in 1972's The Godfather, as Tom Hagen, the Corleone family lawyer, that changed everything. Amid the film's operatic swirl of emotion, Tom Hagen was an island of calmness and restraint, so it might seem odd that Duvall often said it was one of his favorite roles of his career.

But his strength as an actor was always how unforced he seemed, how true. Others around him emoted, showily and outwardly — he always directed his energy inward, to find a character's heart. This was true even when he played roles with a harder edge.

In two films that came out in 1979 — The Great Santini and Apocalypse Now, both of which earned him Oscar nominations — Duvall played military men. In Santini, he was a bluff, belligerent Marine who bullied his sensitive son in an attempt to harden him into a man.

In Francis Ford Coppola's epically trippy Vietnam War film Apocalypse Now, Duvall was all charismatic swagger as Lieutenant Colonel Kilgore, who calls down an airstrike and delivers one of the most quotable lines in film history: "I love the smell of napalm in the morning. ... It smells like ... victory."

As he told Terry Gross on Fresh Air in 1996, the words followed him for the rest of his life.

"Yeah, that was a wonderful line," he said. "People come up to me and quote it to me like it's this in thing between me and them. Like they're the only ones who ever thought of it, but it happens with everyone in the same way."

He finally won the Oscar for 1983's Tender Mercies. He played a recovering alcoholic country singer trying to start his life over. Duvall did his own singing in that film.

He directed 1997's The Apostle, which he also wrote, produced and starred in, as an evangelical preacher on the outs with God. It earned him his fifth Oscar nomination for acting.

Over the course of an acting career that spanned decades, Duvall appeared in over 90 films. He took traditional, old Hollywood archetypes of masculinity — soldiers, cops and cowboys — and imbued them with notes of melancholy, a vulnerability that made them come alive onscreen.

Copyright 2026 NPR