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The Brief

The most important stories for you to know today
  • Used car buyers get 3 days to return vehicle
    A row of new cars are seen on a lot.
    A line up of electric vehicles at a Hyundai dealership.

    Topline:

    California lawmakers made major changes to the state’s car-buying rules this year, including a controversial rewrite of the state law that allows buyers to get their money back if they are sold a defective vehicle and a right to return a used vehicle within three days.

    The context: After an intense lobbying push this year from automobile companies, dealers and consumer groups, more legislative battles over California vehicle purchases could follow in 2026. Sky-high car prices show no signs of falling, and a Republican-led Congress and the Trump administration have sought to thwart Newsom’s goal of having 100% of new cars sold in California be zero-emission by 2035.

    New 'lemon' law: Gov. Gavin Newsom signed Senate Bill 766, creating a first-in-the-nation policy that allows a buyer to return a used vehicle for a full refund within three days if the purchase price was less than $50,000. Dealers can charge a restocking fee. The law, which takes effect in October, also contains other protections for buyers intended to prevent them from getting suckered.

    Car pricing: Car dealers will have to tell a potential buyer — including in advertisements and initial written communications — the actual price of a vehicle instead of an unrealistic advertised price. Potential buyers will also have to be informed of the full financing costs and lease terms. The law also prohibits dealers from charging for add-ons that have no benefit to the buyer, such as free oil changes for electric vehicles — which don’t need oil changes.

    Read on... for more on the new state law changes for car sales.

    California lawmakers made major changes to the state’s car-buying rules this year, including a controversial rewrite of the state law that allows buyers to get their money back if they are sold a defective vehicle and a right to return a used vehicle within three days.

    After an intense lobbying push this year from automobile companies, dealers and consumer groups, more legislative battles over California vehicle purchases could follow in 2026. Sky-high car prices show no signs of falling, and a Republican-led Congress and the Trump administration have sought to thwart Newsom’s goal of having 100% of new cars sold in California be zero-emission by 2035.

    Sen. Ben Allen, a Democrat representing the El Segundo area, said he expects California’s Democratic-controlled Legislature will likely push back against national Republicans’ attack on California’s vehicle policies in some form next year, though he said it wasn’t yet clear how.

    “We’re very committed to this path, so stay tuned, but clean air is a priority for our state,” said Allen, who chairs the Senate’s Select Committee on Transitioning to a Zero-Emission Energy Future.

    In the meantime, Gov. Gavin Newsom signed Allen’s Senate Bill 766, creating a first-in-the-nation policy that allows a buyer to return a used vehicle for a full refund within three days if the purchase price was less than $50,000. Dealers can charge a restocking fee.

    The law, which takes effect in October, also contains other protections for buyers intended to prevent them from getting suckered.

    Car dealers will have to tell a potential buyer — including in advertisements and initial written communications — the actual price of a vehicle instead of an unrealistic advertised price. Potential buyers will also have to be informed of the full financing costs and lease terms. 

    The law also prohibits dealers from charging for add-ons that have no benefit to the buyer, such as free oil changes for electric vehicles — which don’t need oil changes.

    “That is a huge deal,” said Rosemary Shahan of Consumers for Auto Reliability and Safety, which championed the bill. “It’s historic. It’s going to make cars more affordable.”

    Allen said he came up with the idea for the bill after shopping for a used car in 2024. He said he wanted to see what it was like trying to buy a used car in California and didn’t tell the various dealerships he visited that he was a state senator.

    “I was kind of shocked by the hustle and the extent to which prices were quoted online and that ended up not really being truthful,” he said.

    He ended up buying a 2021 Ford Mustang Mach-E, an electric vehicle.

    Newsom blocked document fee increase

    Most bills take effect immediately the year after they are signed, but lawmakers delayed the implementation of Allen’s bill until October to give dealers time to change their paperwork, amend their contracts and change their signs to meet the new law’s requirements.

    Brian Maas, president of the California New Car Dealers Association, said the law should make buying a used car more transparent and easier for consumers.

    “The bill certainly is a net positive in terms of more transparency about the total price and advertising,” he said.

    But he said the new law “clearly imposed more responsibility on dealers,” which is why Maas said his group was extremely frustrated Newsom vetoed its bill that would have allowed dealers to raise document-processing fees by $175.

    Senate Bill 791 would have raised the fees dealers can charge to process Department of Motor Vehicles and other paperwork from the current cap of $85 to up to 1% of the purchase price, capped at $260.

    Maas said dealers were frustrated by Newsom’s veto message which said the fee increase wasn’t necessary because the state had imposed “no new state requirements” on car dealers.

    Maas said it was “especially frustrating that the veto message somewhat cavalierly said there are no new state requirements when the governor signed just such requirements a week earlier.”

    Before the veto, SB 791 passed the Legislature overwhelmingly and with bipartisan support. The California New Car Dealers Association has donated at least $3 million to legislators since 2015, according to the Digital Democracy database.

    Maas said there are so many forms car buyers must fill out, almost all of them stemming from a law the Legislature passed, they’re getting to be like click-through agreements on websites that everyone just agrees to without actually reading.

    “You shove form after form after form in front of consumers,” he said. “Consumers just tune it out, turn it off, and say, ‘You know what? I just want to know what my monthly payment is, what’s the interest rate, what the total price of the car is. And then let’s go. Why do I have to sit in here for a half hour or an hour and fill out all these forms?’ ”

    Consumers face a watered-down lemon law

    Newsom also signed Senate Bill 26, a bill that allows car manufacturers to opt out of changes to the state’s lemon law that gives consumers a right to get their money back if they buy a defective vehicle — sometimes referred to as a “lemon.”

    The result is that California car buyers have different legal protections under the state’s lemon law depending on which brand they buy.

    The bill Newsom signed was in response to a law lawmakers hastily passed at the end of the 2024 legislative session, watering down the state’s 55-year-old landmark lemon law. Some

    auto companies, namely GM and Ford, were being sued so often for allegedly selling so many lemons that state courts were clogged with lawsuits.

    The companies and some attorney groups persuaded lawmakers and Newsom to pass legislation in 2024 that shrank the length of time a car buyer could sue under the lemon law to just six years instead of the entire life of a vehicle’s warranty

    Last year’s legislation also puts more onus on car owners to initiate claims, not auto companies.

    But other companies that don’t get sued as often for selling defective vehicles, such as Toyota and Honda, opposed the rule change. Those companies said the new law didn’t give them time to prepare their best defense

    Newsom ended up reluctantly signing the 2024 bill, but he urged the Legislature to come back with a new bill in 2025 that would allow companies to opt out of the changes. SB 26 passed overwhelmingly and Newsom signed it.

    Meanwhile, several car companies, including Ford and GM and dozens of RV and motorcycle manufacturers, opted in to the 2024 law this year.

    Toyota and Honda, as expected, did not.

  • Here's all the details
    Topline:
    The Los Angeles Official Martin Luther King Day Parade will take Monday in South L.A. So, whether you’re attending the parade or watching it on TV, here’s everything you need to know about Monday’s parade.

    The details: The procession will begin at 10 a.m., with ABC7 set to begin a broadcast at 11 a.m. Organizers say the best place to catch the parade in person is the intersection of Crenshaw Boulevard and Martin Luther King Jr. King Boulevard, or “camera corner,” where the parade will culminate and organizers are planning a live preshow. Bleacher seats, though, will be limited.

    Getting there: The Metro K Line runs directly to the intersection, dropping people off at the Martin Luther King Jr. Metro station. Only residents will be allowed to drive into the band of neighborhoods directly along the length of the parade route. That includes the blocks from 39th Street to 42nd Street along King Boulevard and the blocks between McClung Drive and Victoria Avenue along the Crenshaw closure.

    Read on . . . for more information about street closures and the annual MLK Freedom Festival.

    In just four days, the Los Angeles Official Martin Luther King Day Parade will take over South L.A.

    The LA Local recently spoke with Sabra Wady, the parade’s lead organizer, who said this year’s parade will look much the same as recent years.

    So, whether you’re attending the parade or watching it on TV, here’s everything you need to know about Monday’s parade:

    The procession will begin at 10 a.m., with ABC7 set to begin a broadcast at 11 a.m.

    What time does the parade start? How can I watch? Is anything happening after?

    Wady said the best place to catch the parade in person is the intersection of Crenshaw Boulevard and Martin Luther King Jr. King Boulevard, or “camera corner,” where the parade will culminate and organizers are planning a live preshow. Bleacher seats, though, will be limited.

    The Metro K Line runs directly to the intersection, dropping people off at the Martin Luther King Jr. Metro station.

    Onlookers can also post up along the parade route with folding chairs and other self-arranged seating, Wady said.

    The parade broadcast will run until 1 p.m., but Wady said the procession is expected to keep going until mid-afternoon.

    “After the cameras stop rolling, it’s the people’s parade,” Wady said.

    LA City Council President Marqueece Harris-Dawson and Councilmembers Curren Price and Heather Hutt – who represent council districts 8, 9 and 10, respectively — will organize the annual MLK Freedom Festival in the Leimert Park Plaza from 11 a.m. to 5 p.m.

    What route will the parade take?

    The route will remain the same, running down King Boulevard from Western Avenue to Crenshaw Boulevard before turning south down Crenshaw and heading to Leimert Park. Much of the route will be closed to traffic overnight before the parade.

    More than 150 groups, including bands, floats, horseback riders and marchers, will trek down the boulevard. Wady said organizers cut off new sign-ups weeks ago in order to keep the parade manageable.

    What will road closures look like?

    Colin Sweeney, a spokesperson for the LA Department of Transportation, said in an email that the department will close off traffic down the main parade route overnight.

    Here are the roads that will be closed to all vehicles for the duration of the parade and festival.

    • King Boulevard from Vermont Avenue to Crenshaw Boulevard 
    • Crenshaw Boulevard from King Boulevard to 48th Street
    • Leimert Boulevard from 8th Avenue to Leimert Park 
    • Degnan Avenue between 43rd Street and Leimert Park

    Sweeney said only residents will be allowed to drive into the band of neighborhoods directly along the length of the parade route. That includes the blocks from 39th Street to 42nd Street along King Boulevard and the blocks between McClung Drive and Victoria Avenue along the Crenshaw closure.

    The transportation department will allow traffic to cross the parade route at major intersections — including Western Avenue, Arlington Avenue and Stocker Street — but those crossings will be shut down at 10 a.m. All closed roads will stay blocked off until the parade and festival wrap up and transportation officials determine crowds have sufficiently dispersed, Sweeney said.

    Wady said the parade is expected to peter out around mid-afternoon. The festival at Leimert Park Plaza is scheduled to end at 5 p.m.

    Vehicles parked in the parade assembly area, parade route and disbanding area will be subject to impound or tickets, Sweeney wrote.

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  • Shoot days up at end of 2025 but down from 2024
    A man with a professional camera for film and TV production sits on a cart that is situated on top of a metal track and films a scene. Other crew members holding microphones, cameras and other production equipment look on in the background.
    A film crew works on the set of author Michael Connelly's "Bosch," shooting in the San Fernando Valley. On-location film shoots in the last three months of 2025 rose 5.6% but were 16.1% lower overall during the year than in 2024.

    Topline:

    On-location filming in L-A increased over the last three months of 2025 but still lagged behind where it was at the end of 2024, according to an end-of-year report from Film L.A., the official filming office for the city and county.

    By the numbers: Film and television shoot days total 4,625 in the final three months of 2025, up 5.1 percent in that timeframe. But overall last year there were 19,694 shoot days, which is down 16.1 percent from 2024's total of 23.480.

    Why it matters: Production in Los Angeles has been slow to rebound since the COVID-19 pandemic and the Hollywood writers and actors strikes in 2023. There is also increased competition from other states that offer appealing film tax credits and other incentives for productions that decide to take their shoot outside of California. This summer, Governor Gavin Newsom expanded California's Film and TV Tax Credit Program in an effort to lure productions back to the Golden State.

    What's next: Film L.A.'s Phil Sokoloski says that many of the productions approved under the expanded tax credit program are just now getting underway, and he hopes the industry will start to see the effects of not only the tax incentive expansion in 2026, but also L.A. Mayor Karen Bass' directives to streamline the permitting and shooting process in the city.

    Topline:

    On-location filming in L.A. increased over the last three months of 2025 but still lagged behind where it was at the end of 2024, according to an end-of-year report from Film L.A., the official filming office for the city and county.

    By the numbers: Film and television shoot days totaled 4,625 in the final three months of 2025, up 5.1% in that timeframe. But overall last year, there were 19,694 shoot days, which is down 16.1% from 2024's total of 23.480.

    Why it matters: Production in Los Angeles has been slow to rebound since the COVID-19 pandemic and the Hollywood writers and actors strikes in 2023. There is also increased competition from other states that offer appealing film tax credits and other incentives for productions that decide to take their shoot outside of California. This summer, Gov. Gavin Newsom expanded California's Film and TV Tax Credit Program in an effort to lure productions back to the Golden State.

    What's next: Film L.A.'s Phil Sokoloski says that many of the productions approved under the expanded tax credit program are just now getting underway, and he hopes the industry will start to see the effects of not only the tax incentive expansion in 2026, but also L.A. Mayor Karen Bass' directives to streamline the permitting and shooting process in the city.

  • Events honoring Civil Rights leader
    U.S. civil rights leader Martin Luther King Jr., waves to supporters on August 28, 1963, on the National Mall in Washington D.C.
    The Rev. Martin Luther King Jr. waves to supporters during the March on Washington on Aug. 28, 1963.

    Topline:

    In L.A., there is no shortage of events to celebrate Martin Luther King Jr. Day, observed this year on January 19.

    Events at California African American Museum: The California African American Museum is hosting a King Day scavenger hunt on Sunday from 2 to 3 p.m.. On Monday, it is hosting an all-day event honoring the Rev. Martin Luther King Jr. that will culminate with a performance by the Inner City Youth Orchestra of L.A., which is billed as the largest majority Black youth orchestra in the country.

    Orchestra at Skirball: The orchestra will also perform at the Skirball Cultural Center on Saturday evening. The free event is already at capacity, but you can try your luck by signing up for the waitlist here. Earlier Saturday, the orchestra will join the Santa Monica Symphony for its annual MLK concert.

    Read on ... for more events to choose from.

    In L.A., there is no shortage of events to celebrate Martin Luther King Jr. Day this year.

    Since 1986, the federal holiday is observed on the third Monday of January to honor the life and legacy of the Civil Rights leader.

    California African American Museum

    The California African American Museum is hosting a King Day scavenger hunt on Sunday from 2 to 3 p.m. On Monday, it is hosting an all-day event honoring King that will culminate with a performance by the Inner City Youth Orchestra of L.A., which is billed as the largest majority Black youth orchestra in the country.

    Orchestra at Skirball

    The orchestra will also perform at the Skirball Cultural Center on Saturday evening. The free event is already at capacity, but you can try your luck by signing up for the waitlist here. Earlier Saturday, the orchestra will join the Santa Monica Symphony for its annual MLK concert.

    Parades and celebrations

    Cedric the Entertainer will be the grand marshal of this year’s official L.A. MLK Day Parade on Martin Luther King Jr. Boulevard between Western and Crenshaw avenues on Monday. If you’re looking for a parade earlier in the weekend, you can head to Long Beach’s MLK Day parade on Saturday. Also on Saturday is a celebration of King’s legacy at the Veterans Memorial Auditorium in Culver City.

    Volunteer opportunities

    In 1994, President Bill Clinton officially decreed MLK Day as a day of service. If you’re looking for opportunities to volunteer, grab free tickets to Monday’s MLK Day Volunteer Festival at the L.A. Memorial Coliseum.

    Free access to state parks

    Gov. Gavin Newsom announced Friday that more than 200 California state parks will be free to enter on Monday. The move comes after the Trump administration eliminated MLK Day and Juneteenth from the list of days when it’s free to access national parks. There are 12 free state parks on the list in L.A. County, including Los Angeles and Will Rogers State Historic Parks, as well as Topanga and Malibu Creek State Parks. See the full list here.

  • How a film helped tell a fuller story.
    A young man and a middle aged Asian woman smiling and holding each other's hands while standing in the ocean. A pier and waves are visible behind them.
    Lawrence Shou and Lucy Liu in a scene from 'Rosemead.'

    Topline:

    The new movie Rosemead, starring Lucy Liu, is based on a 2017 Los Angeles Times article about the tragic story of a terminally ill woman who killed her 18-year-old son, who’d been diagnosed with schizophrenia.

    The context: It’s a carefully reported story by journalist Frank Shyong about a family, about the shame and stigma that can surround mental illness in Asian American communities, and how media portrayals of people with mental disorders can perpetuate harmful misconceptions.

    Shyong had some concerns when he was first approached about the idea of adapting the story into a narrative film, but found that it ended up "sort of completing the circle a little bit. It added parts to the story that I wanted to see depicted."

    Read on ... for more about the true story behind 'Rosemead.'

    A 2017 Los Angeles Times article tells the tragic story of Lai Hang, a terminally ill woman who killed her 18-year-old son George, who’d been diagnosed with schizophrenia.

    It’s a carefully reported story by journalist Frank Shyong about a family, about the shame and stigma that can surround mental illness in Asian American communities, and how media portrayals of people with mental disorders can perpetuate harmful misconceptions.

    So when Shyong was first approached about the idea of adapting the story he wrote into a narrative film, he had some “very intense” concerns about whether a film would get the story right.

    But after conversations with the filmmakers, and thinking through the potential value of telling fictionalized stories based on real-life events, Shyong says, “ I think I realized that my story was in a lot of ways incomplete.”

    Nine years later, the film, titled Rosemead, is finished. Directed by Eric Lin and written by Marilyn Fu, the film stars Lucy Liu as Irene, a character based on Hang, and Lawrence Shou as Joe, who’s based on George.

    And Shyong, who is credited as an executive producer and served as a consultant on the film, says “it’s sort of completing the circle a little bit” — fleshing out Hang and George as “full 360 degree human beings” and giving glimpses of how their story might have ended differently.

    Reporting on trauma in Asian American communities

    Back in 2015, when the events depicted in Rosemead happened, the breaking news coverage revealed the basics of what was known at the time — that a woman had fatally shot her son in a Rosemead motel and turned herself in.

    “ I think a lot of people probably realized there was more story there,” Shyong says. But the only person who knew the details, Hang’s longtime friend Ping Chong, had declined to talk to the media.

    Still, Shyong kept following up because the court records hinted at a story that he thought should be told.

    The court records revealed that Hang had been dying of cancer, and that Chong continued to visit her after she turned herself in, performing Buddhist rituals for her.

    “Just knowing those two facts,” Shyong says, “and knowing Asian American families, and how complete and terrifying the sense of responsibility that a parent can feel toward a child, I just thought there's gotta be something there.”

    He would visit Chong’s shop, a traditional Chinese pharmacy, leaving notes for her and talking to her about why he wanted to know more. And he gained her trust.

     ”You just have to say, ‘This is [the] story I think is here. And do you think that story is true? And if so, can you help me tell it?’ And that's all I did,” Shyong says. “I think that's all any journalist ever does.”

    It’s a story that Shyong says he would come to learn is more common than many may expect.   “When you are a caregiver in these communities,” Shyong says, “you can find and name a tragic story like this in probably every zip code.”

    How filmmaking and journalism can complement each other

    Shyong’s article ends with this poignant quote from Chong, about her friend: “People will only know her as the mother who killed her son [...] But she was more.”

    The piece itself goes a long way toward dispelling Chong’s concern, including details about Hang’s life — that she was a talented graphic designer, that she was “beautiful, smart and ambitious,” that she’d lost her husband to cancer, and that she deeply cared about her son.

    But “in this case fiction,” Shyong says, “could give closure to characters in a way that I couldn't in reality. It could tell the fullness of this family story.”

    The film shows Liu’s character Irene having fun with her son at the beach, and joining his therapy sessions at the urging of a psychiatrist, despite being visibly uncomfortable doing so.

    It shows George (Joe in the film) with his friends, who come to visit him after he has an intense schizophrenic episode at school.

    The sound design gives a sense of what it’s like to experience schizophrenia, and a part of the film where Joe runs away shows how quickly a boy with a mother and friends who care about him can become an unhoused person who someone might fear on the street.

    Ultimately, the film ends on a note of hope, which grew out of something that Shyong learned from Chong after the article was published. In a way that he couldn’t do in print, “It added parts to the story that I wanted to see depicted.”