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The Brief

The most important stories for you to know today
  • Altadena residents share how it's affected them
    A woman with light skin tone and short gray hair wearing a black and white flannel and jeans stands in the doorway outside of a one-story home with gray walls and white accents.
    Joan Collazo and her family went months without home internet after the fires.

    Topline:

    In some burn areas, residents still don't have reliable internet back four months after the January fires. We look at the alternative ways residents have used to get online and what service providers are doing to restore service.

    Who’s still offline? The two primary providers for broadband are AT&T and Spectrum. Roughly 40% of AT&T customers in Altadena don’t have service back yet. For Spectrum, about 25% of customers between the two burn zones haven’t had the internet restored yet. These figures may include properties where people can’t return.

    How are residents connecting? Residents have frequently used their phones’ mobile hotspots to stay online. Folks have also used university conference rooms, generators and hotels.

    What’s being done? AT&T offered three months of free service through personal hotspot devices and Spectrum opened up Wi-Fi access points. Crews are working daily to get service back up. They’re replacing burned infrastructure, such as cables and boxes, which can take time because the companies often have to wait on utilities to finish their work first.

    Residents who’ve returned home after the L.A. firestorm are facing another issue: getting back online.

    The primary high-speed internet service providers in the area, Spectrum and AT&T, say service hasn’t been fully restored.

    LAist spoke to residents in Altadena about the barriers they’ve faced, and what service providers are doing to reconnect homes.

    A street’s ‘little black hole’

    The night the Eaton Fire broke out, longtime Altadena resident Joan Collazo remembered reading in an online group that if flames ignited during the high winds, people should plan on leaving.

    “ I did not think a fire was gonna start, but a neighbor called us after dinner… and said ‘you have to evacuate,’” she said. “I looked out and we could see the flames from the end of the street.”

    That night, Collazo’s family left the house in less than half an hour. Luckily their house didn’t burn down, but it did need weeks of remediation. When the utilities were restored, they were going to move back in until they realized the ongoing lack of internet posed a big problem.

    A woman with light skin tone and short gray hair wearing a black and white flannel stands in a black counter in the middle of a large home kitchen looking down at an iPad.
    Joan Collazo and her family rely on internet service for both work and daily tasks like finding recipes. When internet was down due to the fires, the family had to find creative ways to access reliable service.
    (
    Samanta Helou Hernandez
    /
    LAist
    )

    While they could have used the mobile hot spot function on their cell phones, it typically can’t handle heavier internet traffic, like the video conferencing that Collazo’s daughter needed for work.

    So they decided to camp out at a hotel, which did have internet. However, it was slow and speeds would “crawl to a halt” at times, which made things like uploading insurance documents incredibly time-consuming. They also drove to Caltech to work out of a conference room, but none of it was ideal.

    Collazo’s family finally returned home in February after her internet service provider, AT&T, gave them a 5G mobile hotspot, but that posed another problem. The Altadena area can have shoddy cell service, she said.

    They would take turns using the internet to prevent bandwidth issues, reserving most of the hotspot for their daughter. But the three months of free service the hotspot came with has since run out.

    A hand holds a black square with an inscription that reads "AT&T" and a blue scree that reads "For settings & info, visit http://mobile.hotspot."
    Altadena homeowner, Joan Collazo, holds the hotspot device that AT&T sent her when her internet was down due to the Eaton Fire in January.
    (
    Samanta Helou Hernandez
    /
    LAist
    )

    Collazo’s regular AT&T internet service still hasn’t been restored. Other people in her neighborhood can connect, but not them yet.

    “ It was like we were this little black hole of like two-and-a-half blocks with nothing,” she said. “ We didn't expect the electricity and the gas and the water the next day. We gave them time. But three months, four months? That's pushing it.”

    She ended up switching temporarily to Spectrum because their service is back on in her neighborhood.

    “ It’s dependable,” she said. “It’s just not as fast as what we were used to.”

    Phones were a lifeline

    Becky Janes, who lives on the same block as Collazo, also faced challenges. Except for about a day, she’s been home during the entire course of the fires and recovery. Janes came back because she didn’t know what to do with her pets — 16 canaries and 20-year-old fish.

    A woman with light skin tone and short white hair wearing a black long sleeve sweater and a puffy gray vest stands in a backyard with a pond and a burned down wall that leads to the neighboring lot with a burned garage.
    Becky Janes, who has lived in her childhood Altadena home for decades, decided to stay during the fires in order to tend to her birds and fish. She was without internet service until she received a hotspot from AT&T.
    (
    Samanta Helou Hernandez
    /
    LAist
    )

    When Janes returned, the homes directly adjacent to hers were on fire. She and her neighbors formed a bucket brigade with pool and pond water to tamper the flames. After that feat, her next hurdle was to hold out with zero utilities, including her AT&T internet.

    “ I have a cell phone, but it’s an old one, so it doesn’t keep the charge that much,” Janes said. “I have my Prius that only had a little bit of gas in it, but I figured, well I can juice up my cell phone from my car.”

    She also got an old gas generator from a family member, allowing her to get online in limited ways. She kept her use to a minimum, but the cell service was how she learned to properly clean her home.

    Orange koi fish in a pond with green lily pads.
    While Becky Janes was disconnected, she used her phone's internet to purchase a pump for her pond that burned during the fires.
    (
    Samanta Helou Hernandez
    /
    LAist
    )

    “I looked up on the internet and it [said], if you have soot in the house, don’t vacuum it.  Scoop it up with, um, paper towels,” Janes said. “And that’s what I did.”

    She also used her phone to order things online. Janes needed an air purifier and a new pump for her pond.

    AT&T also gave her the free hotspot, which allowed her to watch shows on BritBox, a streaming service for British media. But it took months for her reliable internet to return. At the time of our interview last week, her connection had just came back on.

    “ I don’t know that much about internet,” Janes said. “I just know that it was my lifeline. That’s all I had was this [phone], and it was limited.”

    Getting service turned back on

    While there are other internet providers that serve the burn zones, Spectrum and AT&T are typically the most popular because of their broadband speeds.

    In a statement to LAist, an AT&T spokesperson said they’re making progress on restoration efforts.

    “In Altadena, more than 60% of our internet customers have had their service restored,” the company said. “Restoration efforts in this area have been extensive and require close coordination with other utility providers before we’re able to place our cables.”

    A white utility truck parked on a residential street with a man wearing a helmet on the sidewalk.
    AT&T workers in Altadena working to restore internet service.
    (
    Samanta Helou Hernandez
    /
    LAist
    )

    It’s worth noting AT&T doesn’t service the Palisades area that burned, but Spectrum does. They seem to be further ahead on repairs overall.

    “We have already restored service either permanently or temporarily to more than 75% of the affected homes in the fire areas,” said Spectrum in a statement. “Those remaining require new utility infrastructure rebuild and we are coordinating with them and others on it.”

    According to Spectrum, the roughly 25% remaining includes properties where customers may not be able to move back in. They’ve replaced more than a hundred miles of network lines so far.

    Meanwhile, crews are going in and doing the painstaking work of replacing damaged and destroyed equipment, both above and below ground. Sometimes, that can include splicing internet cables together with hundreds of fibers.

    Residents typically have to reach out to schedule an appointment to turn on service since the companies don’t know who’s back and who isn’t. For Spectrum, current customers can call (833) 499-3306. At AT&T, the number listed is (800) 288-2020.

  • Questions of accuracy around Washington Post plan
    The incoming editor of <em>The Washington Post</em>, Robert Winnett, has withdrawn from the job and will remain in the U.K.
    The Washington Post is experimenting with personalized news podcasts created by AI.

    Topline:

    The Washington Post's new offering, "Your Personal Podcast," uses artificial intelligence to customize podcasts for its users, blending the algorithm you might find in a news feed with the convenience of portable audio.

    What critics are saying: The AI podcast immediately made headlines — and drew criticisms from people questioning its accuracy, and the motives behind it.

    What the Post is saying: Bailey Kattleman, head of product and design at the Post, calls it "an AI-powered audio briefing experience" — and one that will soon let listeners talk back to it.

    Read on ... for more details and answers to the biggest questions about this new experiment.

    It's not your mother's podcast — or your father's, or anyone else's. The Washington Post's new offering, "Your Personal Podcast," uses artificial intelligence to customize podcasts for its users, blending the algorithm you might find in a news feed with the convenience of portable audio.

    The podcast is "personalized automatically based on your reading history" of Post articles, the newspaper says on its help page. Listeners also have some control: At the click of a button, they can alter their podcast's topic mix — or even swap its computer-generated "hosts."

    The AI podcast immediately made headlines — and drew criticisms from people questioning its accuracy, and the motives behind it.

    Nicholas Quah, a critic and staff writer for Vulture and New York magazine who writes a newsletter about podcasts, says the AI podcast is an example of the Post's wide-ranging digital experiments — but one that didn't go quite right.

    "This is one of many technologically, digitally oriented experiments that they're doing" that is aimed at "getting more audience, breaking into new demographics," he says. Those broader efforts range from a generative AI tool for readers to a digital publishing platform. But in this case, Quah adds, "It feels like it's compromising the core idea of what the news product is."

    On that help page, the newspaper stresses that the podcast is in its early beta phase and "is not a traditional editorial podcast."

    Bailey Kattleman, head of product and design at the Post, calls it "an AI-powered audio briefing experience" — and one that will soon let listeners talk back to it.

    "In an upcoming release, they'll be able to actually interact and ask follow up questions to dig in deeper to what they've just heard," Kattleman says in an interview with NPR.

    As technically sophisticated as that sounds, there are many questions about the new podcast's accuracy — even its ability to correctly pronounce the names of Post journalists it cites. Semafor reported that errors, cited by staffers at the Postincluded "misattributing or inventing quotes and inserting commentary, such as interpreting a source's quotes" as the paper's own stance.

    In the newspaper's app, a note advises listeners to "verify information" by checking the podcast against its source material.

    In a statement, the Washington Post Guild — which represents newsroom employees and other staff — tells NPR, "We are concerned about this new product and its rollout," alleging that it undermines the Post's mission and its journalists' work.

    Citing the paper's standing practice of issuing a correction if a story contains an error, the guild added, "why would we support any technology that is held to a different, lower standard?"

    So, why is the Post rolling out an AI podcast? And will other news and audio outlets follow its lead?

    Here are some questions, and answers:

    Isn't AI podcasting already a thing?

    "The Post has certainly gone out on a ledge here among U.S. legacy publishers," Andrew Deck tells NPR. But he adds that the newspaper isn't the first to experiment with AI-generated podcasts in the wider news industry.

    Deck, who writes about journalism and AI for Harvard University's Nieman Lab, points to examples such as the BBC's My Club Daily, an AI-generated soccer podcast that lets users hear content related to their favorite club. In 2023, he adds, "a Swiss public broadcaster used voice clones of real radio hosts on the air."

    News outlets have also long offered an automated feature that converts text articles into computer-generated voices.

    Even outside of the news industry, AI tools for creating podcasts and other audio are more accessible than ever. Some promise to streamline the editing process, while others can synthesize documents or websites into what sounds like a podcast conversation.

    Why do publishers want to experiment with AI podcasts?

    "It's cost-effective," says Gabriel Soto, senior director of research at Edison Research, which tracks the podcast industry. "You cut out many of the resources and people needed to produce a podcast (studios, writers, editors, and the host themselves)."

    And if a brand can create a successful AI virtual podcast in today's highly competitive podcasting market, Soto adds, it could become a valuable intellectual property in the future.

    Deck says that if the Post's experiment works, the newspaper "may be able to significantly scale up and expand its audio journalism offerings, without investing in the labor that would normally be required to expand."

    In an interview, Kattleman stresses the new product isn't meant to replace traditional podcasts: "We think they have a unique and enduring role, and that's not going away at the Post."

    What's unique about the Post AI podcast?

    For Deck, the level of customization it promises is an innovation. Being able to tailor a podcast specific to one person, he says, "is arguably beyond what any podcast team in journalism right now can produce manually."

    In an example the Post published, listeners can choose from voice options with names like "Charlie and Lucy" and "Bert and Ernie."

    Kattleman says her team was working from the idea that for an audience, there isn't a "one size fits all" when it comes to AI and journalism.

    "Some people want that really straight briefing style; some people prefer something more conversational and more voicey," she says.

    Quah says that adding an AI podcast is a bid to make stories accessible to a broader audience.

    He says that with the podcast, the Post seems to be trying to reach young people who "don't want to read anymore, they just want to listen to the news."

    A key goal, Kattleman says, is to make podcasts more flexible, to appeal to younger listeners who are on the go.

    Outlining the process behind the Post's AI podcast, Kattleman says, "Everything is based on Washington Post journalism."

    An LLM, or large language model, converts a story into a short audio script, she says. A second LLM then vets the script for accuracy. After the final script is stitched together, Kattleman adds, the voice narrates the episode.

    Will listeners embrace an AI news podcast?

    Soto, of Edison Research, says that 1 in 5 podcast consumers say they've listened to an AI-narrated podcast.

    But, he adds that for podcast listeners, "many prefer the human connection, accepting AI tools to assist in creating the content, but not in executing or hosting the podcast."

    The new AI podcast reminds Deck a bit of the hyper-personalized choices for users offered by TikTok and other social media.

    "There is a level of familiarity
    and, arguably, comfort with algorithmic curation among younger audiences," he says.

    But while younger audiences tend to be tech savvy, many of them are also thoughtful about authenticity and connection.

    "Community is at the core of why people listen to podcasts," Soto says.

    Then there's the idea of a host or creator's personality, which drives engagement on TikTok and other platforms.

    "These creators have built a relationship with their audience — and maybe even trust — even if they haven't spoken to sources themselves," Deck says. "This type of news content is a far cry from the disembodied banter of AI podcast hosts."

    What are the potential downsides of AI podcasts?

    One big potential consequence is the loss of jobs — and for companies, the loss of talent.

    "The automation of it kind of erases the entire sort of voice performance industry," Quah says. "There are people who do this for a living," he adds, who could "produce higher quality versions of these recordings."

    There are also concerns that, if AI chooses a story and controls how it's presented, it might create an echo chamber, omitting context or skepticism that a journalist would likely provide.

    "AI-based news personalization tends to land firmly in the camp of delivering audiences what they want to know," Deck says.

    Deck says he's willing to give the Post's AI podcast a bit of time to see how it plays out. But Deck does have a chief concern: "I can say point blank, generative AI models hallucinate."

    And when AI models are wrong, he says, they're often confidently so.

    Blurring boundaries between human and AI voices could also raise questions of trust — a critical factor for a news organization.

    As Soto puts it, "What happens when your audience expects content from the real you and ends up finding AI instead?"

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  • Legendary OC venue to close
    Four people -- three men and one women -- posing in the backstage of a concert venue.
    No Doubt, Tony Kanal, Gwen Stefani, Adrian Young and Tom Dumont, backstage at the Wadsworth Theater before a taping of ABC Family's "Front Row Center" in Los Angeles, Ca. Sunday, November 11, 2001. *Exclusive* Photo by Kevin Winter/Getty Images.

    Topline:

    Sad news for pretty much anyone who went out to see bands big and small over the past few decades. A storied Orange County indie venue is closing down after some 30 years.

    Why it matters: Over the years the venue has hosted budding local bands and big acts alike, including No Doubt and Turnstile.

    Last shows: Chain Reaction in Anaheim announced on their Instagram that their final shows will be on Dec. 18 and Dec. 19. The Rancho Santa Margarita band Movements will headline.

    No word on why the venue is shutting down.

    "This call wasn't made quickly. We wrestled with it and have ultimately made the decision to close our doors," said Chain Reaction management on Instagram.

    "We want to thank you for the friendships and memories made in our special club. Thank you for supporting us through the years and when we needed it most," the post continued.

  • Fewer characters went through with the procedure
    A teenage girl with brown hair and a jean jacket with a hospital bracelet on talks to a woman with a brownish-red sweater and short brown hair.
    Abby Ryder Fortson portrayed Kristi Wheeler, a teen who came into the hospital for a medication abortion, on The Pitt.

    Topline:

    Storylines about abortion and conversations about it showed up on television 65 times this year, on prestigious dramas like The Pitt and Call the Midwife, on reality shows such as W.A.G.s to Riches and Love is Blind and on lowbrow animated comedies like Family Guy and South Park. That's about the same as last year. In 2024, TV shows featured 66 such plotlines.

    Why it matters: "I think there still is a lot of stigma, even in allegedly liberal Hollywood," says researcher Steph Herold. She says the report, which has come out for about a decade, reflects a profound lack of accurate representation of abortion use in America.

    Read on ... for more details from the annual Abortion Onscreen report.

    Storylines about abortion and conversations about it showed up on television 65 times this year, on prestigious dramas like The Pitt and Call the Midwife, on reality shows such as W.A.G.s to Riches and Love is Blind and on lowbrow animated comedies like Family Guy and South Park. That's about the same as last year. In 2024, TV shows featured 66 such plotlines.

    But in the past few years, there's been a significant drop in the number of characters who actually went through with an abortion. 37% obtained an abortion in 2025, a 14% decline since 2023.

    That's according to the annual Abortion Onscreen report. It comes from Advancing New Standards in Reproductive Health, a research program on abortion and reproductive health based at the University of California San Francisco.

    "I think there still is a lot of stigma, even in allegedly liberal Hollywood," says researcher Steph Herold. She says the report, which has come out for about a decade, reflects a profound lack of accurate representation of abortion use in America. For example, she points to research showing that about 60% of real life Americans who seek an abortion deal with some sort of barrier.

    "But only about a third of people who are characters on screen face any kind of barrier to abortion," Herold said. "Whether it was not being able to come up with the cost of the abortion, not having somebody to watch their kids or cover for them at work, having to deal with clinics that are miles away, or in other states having insurance that wouldn't cover the cost." Most TV shows in 2025 depicting women struggling to get abortions focused on legal obstacles in the past and present.

    On TV, 80% of characters seeking abortions are upper or middle class, but in real life, most abortion patients struggle to make ends meet. "This [disparity] obscures the role that poverty plays in obstructing access to abortion, and perhaps explains why we so rarely see plotlines in which characters wrestle with financial barriers to abortion access," the study says.

    This year, a teenager on The Pitt sought abortion pills to end her pregnancy — one of only three stories depicting medication abortion out of 65 plotlines about abortion this year. That's another disparity between representation on-screen and real-world numbers: research shows that abortion pills account for the majority of abortions in the U.S. Another difference: only 8% of people seeking abortion on TV are parents. In real life, most abortion patients have at least one child.

    It is unrealistic, says Herold, to expect TV to perfectly reflect current abortion use in the U.S., but she said she was disappointed by certain trends. Fewer characters this year received emotional support around their abortions, and more shows, she said, including Chicago Med, 1923, Breathless and Secrets We Keep featured plotlines that emphasized shame and stigma around abortions, especially because of religion. These storylines, the report says, "both obscure the diversity of religious observance among people having abortions, portraying religious patients as exclusively Christian, and also only associating religion with prohibiting abortion, instead of being a meaningful or supportive part of someone's abortion decision-making and experience."

    But even though abortion has long been a hot-button political issue, Herold says millions of Americans have had some sort of experience with abortions. "Whether it's having one themselves or helping a daughter or a friend," she said, adding that stories that reflect a diversity of abortion experiences will be familiar to many viewers.

    One bright spot, she added, was that television is doing a better job of reflecting the racial realities of abortion. A slight majority of characters in abortion plotlines are people of color — and although they are by far the majority of abortion seekers in real life, this marks a notable improvement from a decade ago, when TV shows more often portrayed women seeking abortions as wealthy and white.

  • Is the brightest meteor show of the year
    A meteor is seen burning in space over a desert. Various stars surround the meteor. A caravan of stargazers is seen in the bottom left.
    A meteor burns up in the sky over al-Abrak desert north of Kuwait City during the annual Geminid meteor shower.

    Topline:

    Geminids, the strongest meteor shower of the year hit their peak this weekend.

    Why it matters: Over 150 meteors per hour are expected to burn through the night sky tonight and Sunday.

    Read on ... to find the best places and learn the best time to watch the celestial phenomenon.

    Geminids, the strongest meteor shower of the year, hit a peak this weekend, sending over 150 meteors per hour through the night sky tonight and Sunday.

    Vanessa Alarcon, an astronomical observer at the Griffith Observatory, says despite being the best and brightest every year, these meteors don’t tend to get many fans.

    " It's usually not as heavily attended, I think because it's a lot colder in the winter. So it's definitely a deterrent, but technically, it's more meteors per hour than the Perseids are," Alarcon said.

    The Perseids are typically visible between July and August, but this summer, they were mostly drowned out because of light pollution from the full moon.

    Alarcon says it will be a different story this weekend.

    " The Geminids ... there's about a 25% crescent moon. So it's actually going be even better than the Perseids," Alarcon said.

    Where to go for the best view

    For the best viewing experience, you'll have to brave the cold of the deserts and mountains at night, but it should be worth the trip.

    "You should go to a darker sky," Alarcon said. "And basically, you just want to get away from the city lights — anything away from the city lights is going to be an improvement from trying to watch it at home."

    When to best see it

    The Geminids are notable for being exceptionally bright, burning like fireballs for several seconds. The meteors can be seen after 8 p.m. tonight, Alarcon said, peaking between 1:20 and 2:20 a.m. and visible until 5:20 a.m.