The Brief

Nearly six months after Endeavour reached for the stars one last time for its “Go For Stack” mission, the California Science Center is giving visitors a first look at what’s to come for the space shuttle’s new permanent home in Exposition Park.

You can catch a sneak peek of some of the artifacts and exhibits at the “Work in Progress” gallery while construction is expected to continue on the Samuel Oschin Air and Space Center for about another year. Museum officials said crews are more than halfway done constructing the 200,000 square-foot building.

Jeffrey Rudolph, the president and CEO of the California Science Center, told LAist that the Electron rocket, the SpaceX Dragon cargo spacecraft, and some of the other objects currently on display may also be moved into the new building sooner than later.

“We'll bring other things in so that this gallery, during the next months, will have a changing set of artifacts in it, and every time you come you might see different things,” Rudolph said.

“Mission 26: The Big Endeavour” series includes more than 80 photos of the space shuttle's final flight over California in the Work in Progress Gallery.

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Makenna Sievertson

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Walking through the 'Work in Progress'

As you enter the gallery, you’re immediately met with a Dragon cargo spacecraft that helped carry people and supplies to and from the International Space Station.

It’s the first time this particular spacecraft, which was the first to reach orbit three times and has spent about 99 days in space, has ever been on display.

The back of the SpaceX Dragon cargo spacecraft, charred by the reentry into earth's atmosphere from its missions to the International Space Station.

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Makenna Sievertson

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Jessica Jensen, the vice president of customer operations and integration at SpaceX who leads their NASA and national security missions, told LAist that this Dragon was built in Hawthorne, and that’s one of the reasons the company wanted to donate it to the gallery.

“It's so cool for kids or families to be able to see, hey, you live in Los Angeles, you can come be a part of this,” she said. “Whether you're a designer, you're an analyst, you're a technician, you're a welder — we need all types of people to be able to make these programs successful, and it's right here, basically in our neighborhood.”

You can’t miss the nearly 60-foot-long Electron rocket that’s lying down near the ground towards the middle of the gallery space.

People can see a nearly 60-foot-long Electron rocket, designed by Rocket Lab in Long Beach, up close for the first time at the California Science Center.

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Makenna Sievertson

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Donated by Rocket Lab, Electron is the world’s first and only reusable small-launch vehicle.

The rocket delivers satellites to Earth’s orbit, and with dozens of launches to date, it’s deployed 190 satellites for commercial, defense, and academic missions.

Its 3D-printed Rutherford engines were designed in Long Beach, and it’s the first time people have been able to see the piece up close and personal.

The walls are covered with distinct details about the future of the Samuel Oschin Air and Space Center, but the gallery also brings you back to 2012, when the Endeavour made its final flight over California.

The “Mission 26: The Big Endeavour” series includes more than 80 photos of the space shuttle’s 12-mile, nearly three-day journey from LAX to Exposition Park.

Alyson Goodall, senior vice president of the California Science Center, told LAist the entire city came out to welcome Endeavour, and it can be a little emotional reliving that journey through the more than 80 photos in the Work in Progress gallery.

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Makenna Sievertson

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LAist

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What’s next for the Samuel Oschin Air and Space Center?

Construction for the Samuel Oschin Air and Space Center is well underway, Rudolph said, but there are still some major obstacles ahead.

The Endeavour itself is now covered up by construction, but you can still see part of the twin solid rocket boosters and external tank peaking over the soon-to-be Samuel Oschin Air and Space Center in Exposition Park.

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Makenna Sievertson

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“Getting the shuttle in was probably the most challenging part of the project, but the building construction itself, the part of the building that goes above and around the space shuttle, is a really complex structure,” he said.

That piece is called a diagrid, and the 200-foot-tall structure will eventually be self-supporting, so there’s no columns or walls obstructing your view of the Endeavour exhibit — but it can’t stand on its own until it's complete.

The California Science Center is also still about $35 million short of its $400 million funding goal, but Rudolph said there’s still plenty of space shuttle tiles available for people to sponsor.

“There's lots of things going on here, and in all of Exposition Park, this is going to be the go to place in L.A. without question,” Lynda Oschin, chairperson of the Mr. and Mrs. Samuel Oschin Family Foundation, told LAist.

In a cozy dance studio in Garden Grove, dancers of all experience levels, ages and backgrounds flock to Queer Latin Dance OC to learn the steps to salsa, cumbia and bachata.

For many, the dance class is more than educational — it’s a place to get away from it all, to find community and to uplift one another through art.

When Rodrigo Marquez founded Queer Latin Dance OC at the beginning of this year, he said he was filling a gap in Orange County that often lacks safe spaces for the LGBTQ+ community.

“I wanted to make creative communities for us to learn in a safe environment,” Marquez said. “Everyone's here to learn, and I want the pressure of whatever's going on in the world, just to forget for the next hour.”

Queer Latin Dance OC meets three times a week to learn the steps to salsa, cumbia and bachata.

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Destiny Torres

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What are the dance lessons like? 

When creating his teaching plan, Marquez said he considers the range of experience his students might have. Everybody starts somewhere, he added, and the hardest part is showing up.

“It is scary, but if you're already showing up, then just jump in and just forget about the world. It's a great distraction, and dancing makes you feel better,” Marquez said.

Philip Lee, an elementary school teacher from Tustin, took his first class with the group Monday night, trying the quick steps of salsa.

“I had a stressful day. … All my stress that I had in my neck and upper back just kind of went away,” Lee said, adding that the high energy in the room is infectious. “It was nice just laughing with people in the community and meeting new people.”

Lee said the dance lesson gave him a space to be with community.

“The queer community specifically, and just kind of let my guard down and just be free and laugh and enjoy being me and celebrated for a love for the arts,” Lee said. “That's not a space that is always safe.”

Before taking lessons at Queer Latin Dance OC, Melba Rivera said she came in with zero dance experience.

“You come as you are. No matter what level you're at or how you identify or what your experience is, everybody's here and everybody's learning,” Rivera said. “It's a very encouraging and motivating space.”

Salsa and bachata are social dances, Marquez said, but one thing that makes his class unique to many is that regardless of gender identity, anyone can follow or lead.

Typically, the lead falls to the male dancer, and women follow. Marquez said it was important that no one feels pressured to be one or the other.

“That's why I created this, so people like me can just come and learn, not be expected to be in a gender role based on how they look,” Marquez said. “They want to dance how they feel.”

Why it matters

Taryn Heiner said, especially in Orange County, it’s challenging to find spaces that are queer-friendly and queer-open.

“That's really what makes this space so kind and warm and welcoming,” Heiner said. “We have all that base understanding of respecting one another, no matter who they are, who they love and what they do.”

Growing up in Orange County, not every room you walk into is a safe space, Rivera added.

“So walking into a room like this, where everybody's friendly, everybody's learning, everybody's just here for the same purpose to get better, to support each other, is really important,” Rivera said. “Not just in the class, but [in] the friendships we make outside of the classroom.”

Outside of dance class, Marquez’s students meet up for monthly hikes and other get-togethers. Marquez said it is a privilege and an honor to bring people together through his love for dance.

“I've seen people become friends since January, and I see them practice outside of practice,” Marquez said. “I've always had a dream to do my own dance classes, but to do it in a way where people can connect and just be themselves. It's far greater than that.”

Queer Latin Dance OC offers lessons to dancers of all experience levels and has created a new community hub in Orange County.

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Destiny Torres

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LAist

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Want to dance? 

Salsa, cumbia and bachata classes are held three nights a week on Mondays, Tuesdays and Thursdays. Classes are $20 per session, but Marquez also offers a free beginner salsa class every Monday.

You can register for the class of your choice here. Payments are taken in person.

Border Patrol agents have been roving from city to city over the last 15 months, far from their home bases in California and elsewhere along the U.S.-Mexico border, engaged in an unprecedented mass deportation campaign.

A collaboration between CalMatters, Evident Media and Bellingcat has tracked these agents, documenting their tactics on the ground and through mountains of video footage, since their first proof-of-concept raid in Bakersfield in January 2025.

Exactly one year later, an Immigration and Customs Enforcement agent shot and killed Renée Good in Minneapolis, followed weeks later by the killing of Alex Pretti by a Border Patrol agent.

Our investigation shows that beyond those two shootings, immigration agents engaged in a pattern of force and questionable detention, aggressive tactics that courts have said likely violated the Constitution, as they moved from Bakersfield to Los Angeles, and then Chicago and Minneapolis.

In each city, federal courts stepped in to restrain them from violating civil liberties in that jurisdiction. Agents later deployed to another city. The video evidence suggests agents’ tactics became more brazen with each stop.

Under President Donald Trump, immigration agents have operated without typical public accountability. Many agents wear masks. Incident reports are largely hidden from the public.

“We are in a completely uncharted world now with these masked agents,” said John Roth, who served as inspector general of the Department of Homeland Security under Presidents Barack Obama and Trump.

“The first thing that you do when you give an agent a gun and a badge and the authority over American people is to make sure that they follow the Constitution, period,” he said.

In this new film, we focus on the activity of five agents from the US-Mexico border whose identities we’ve been able to confirm.

Watch the documentary

We are not aware of any disciplinary action taken against these agents. DHS did not respond to requests for comment; the individual agents either declined to comment or didn’t respond to calls or emails.

We showed the incidents to Roth and Steve Bunnell, former DHS general counsel. Both have testified before Congress, raising the alarm about what they see as a dismantling of the department’s accountability and credibility. Roth called the incidents “difficult to watch.”

“There are sort of two essential components of DHS and law enforcement generally being effective, and that’s trust and credibility,” Bunnell said. “And they have lost those things to the extent they had them.”