The Brief

This story was originally published by Boyle Heights Beat on July 30, 2025.

For decades, the Sears tower loomed over Boyle Heights.

The 10-story, Art Deco complex, which once served as a mail-order warehouse, became a shopping hub for Eastsiders looking for clothing and household appliances. But in recent years, the landmark has stood at the center of debates over gentrification, homelessness and what the future of Boyle Heights would look like.

Now, the public once again has the chance to step inside.

Last week, the Mark Jude Gallery hosted a grand opening exhibition on the building’s fifth floor, welcoming visitors into the space that has largely been closed off to the general public.

For some, the gallery marks the beginning of a new chapter for the site located at Olympic Boulevard and Soto Street, surrounded by warehouses, gas stations and fast food restaurants.

The building has seen multiple development proposals since Izek Shomof bought the property in 2013. A plan to convert it to a high-end residential and commercial destination, drew ire from some community members who argued such a space would exacerbate wealth inequality in the neighborhood. Pivoting, Shomof instead unveiled plans for a Life Rebuilding Center, a hub offering housing, rehabilitation services and job training for unhoused residents.

The original plan included 10,000 beds for homeless people, which sparked community concern. Some likened the plans to a “concentration camp,” leading Shomof to scale back his ambitions and reduce the number of planned beds to just 2,500 in 2022.

But even the scaled-down version failed to gain political traction. In an email to Boyle Heights Beat, Jonathan Shomof of the Shomof Group said that the project represented a “comprehensive solution designed to address the homelessness crisis in our cities effectively,” but ultimately never materialized.

“Unfortunately, due to inaction by elected officials, this plan has been shelved for now,” Shomof said.

Despite describing homelessness as a humanitarian crisis, elected officials remained hesitant to offer backing. Former L.A. City Councilman Kevin de León told The Los Angeles Times in 2022 that he was “open to all solutions” to address homelessness.

That same year, L.A. County Supervisor Hilda Solis told the publication that the project, as it stood then, did not have support from her office.

Some community leaders like Monsignor John Moretta of Resurrection Church expressed cautious optimism about repurposing the building, but said it should be done with care and executed with more planning.

“It’s just a stupid idea to pack that many people with those many needs inside of that area,” Moretta said, referring to projects like the Life Rebuilding Center.

Shomof hopes the Mark Jude Gallery will bring more people and activity to the neighborhood and eventually inspires more retailers to the area. That’s something Vivian Escalante could get behind.

“I hope people don’t feel intimidated by this,” said Escalante, CEO of Boyle Heights Neighborhood Partners, a nonprofit focused on historic education and cultural preservation in the neighborhood. Escalante, who also serves on the Boyle Heights Neighborhood Council, said she met with Izek Shomof in the past and admired his interest in preservation and community engagement.

“I think overall, it’s a good change, because it is with the arts, and we should always support the arts,” she said.

But not everyone sees the gallery as a purely positive development.

In an Instagram post, Shmuel Gonzales described the opening as the latest in a pattern of art galleries “enabling gentrification for the ultra rich” in the working-class community.

In years past, activist groups like Defend Boyle Heights have resisted the introduction of galleries in the community.

“I can’t really tell you what fine art is, but I can tell you what #gentrification looks like,” Gonzales wrote. “Make no mistake about it, the community is going to resist the encroachment of the Arts District into our neighborhood.”

Gonzales added that what’s needed now is a conversation with building owner Izek Shomof to engage with the community “with honesty and in good faith about his true vision for this site.”

As for further plans, Jonathan Shomof said that for now, his group will maintain the building’s “historic uses, such as office space, distribution, and storage.”

The National Park Service has updated its policy to discourage visitors from defacing a picture of President Donald Trump on this year's pass.

The use of an image of Trump on the 2026 pass — rather than the usual picture of nature — has sparked a backlash, sticker protests, and a lawsuit from a conservation group.

The $80 annual America the Beautiful pass gives visitors access to more than 2,000 federal recreation sites. Since 2004, the pass has typically showcased sweeping landscapes or iconic wildlife, selected through a public photo contest. Past winners have featured places like Arches National Park in Utah and images of bison roaming the plains.

Instead, of a picture of nature, this year's design shows side-by-side portraits of Presidents George Washington and Trump. The new design has drawn criticism from parkgoers and ignited a wave of "do-it-yourself" resistance.

Photos circulating online show that many national park cardholders have covered the image of Trump's face with stickers of wildlife, landscapes, and yellow smiley faces, while some have completely blocked out the whole card. The backlash has also inspired a growing sticker campaign.

Jenny McCarty, a longtime park volunteer and graphic designer, began selling custom stickers meant to fit directly over Trump's face — with 100% of proceeds going to conservation nonprofits.

"We made our first donation of $16,000 in December," McCarty said. "The power of community is incredible."

McCarty says the sticker movement is less about politics and more about preserving the neutrality of public lands. "The Interior's new guidance only shows they continue to disregard how strongly people feel about keeping politics out of national parks," she said.

The National Park Service card policy was updated this week to say that passes may no longer be valid if they've been "defaced or altered." The change, which was revealed in an internal email to National Park Service staff obtained by SFGATE, comes just as the sticker movement has gained traction across social media.

In a statement to NPR, the Interior Department said there was no new policy. Interagency passes have always been void if altered, as stated on the card itself. The agency said the recent update was meant to clarify that rule and help staff deal with confusion from visitors.

The Park Service has long said passes can be voided if the signature strip is altered, but the updated guidance now explicitly includes stickers or markings on the front of the card.

It will be left to the discretion of park service officials to determine whether a pass has been "defaced" or not. The update means park officials now have the leeway to reject a pass if a sticker leaves behind residue, even if the image underneath is intact.

In December, conservation group the Center for Biological Diversity filed a lawsuit in Washington, D.C., opposing the new pass design.

The group argues that the image violates a federal requirement that the annual America the Beautiful pass display a winning photograph from a national parks photo contest. The 2026 winning image was a picture of Glacier National Park.

"This is part of a larger pattern of Trump branding government materials with his name and image," Kierán Suckling, the executive director of the Center for Biological Diversity, told NPR. "But this kind of cartoonish authoritarianism won't fly in the United States."

The lawsuit asks a federal court to pull the current pass design and replace it with the original contest winner — the Glacier National Park image. It also seeks to block the government from featuring a president's face on future passes.

Not everyone sees a problem with the new design. Vince Vanata, the GOP chairman of Park County, Wyoming, told the Cowboy State Daily that Trump detractors should "suck it up" and accept the park passes, saying they are a fitting tribute to America's 250th birthday this July 4.

"The 250th anniversary of our country only comes once. This pass is showing the first president of the United States and the current president of the United States," Vanata said.

But for many longtime visitors, the backlash goes beyond design.

Erin Quinn Gery, who buys an annual pass each year, compared the image to "a mug shot slapped onto natural beauty."

She also likened the decision to self-glorification.

"It's akin to throwing yourself a parade or putting yourself on currency," she said. "Let someone else tell you you're great — or worth celebrating and commemorating."

When asked if she plans to remove her protest sticker, Gery replied: "I'll take the sticker off my pass after Trump takes his name off the Kennedy Center."

The 83rd annual Golden Globe Awards take place Sunday evening beginning at 5 p.m. at the Beverly Hilton Hotel, and that means parking restrictions and street closures in the city.

Here are places to avoid, as well as some alternative routes:

North Santa Monica Boulevard:

• Westbound lane closures: Complete lane closures, from Wilshire Boulevard to Century Park East through 6 a.m. Monday.
  
• Eastbound lane closures: Complete lane closures, from Century Park East to Wilshire Boulevard from 2 p.m. Saturday through 6 a.m. Monday. 

The city suggests using South Santa Monica Boulevard, which will remain open in both directions. There also are alternative east-west routes such as Olympic, Sunset and Pico boulevards.

Wilshire Boulevard:

• Eastbound/Westbound lane reduction: Lane reductions are in effect and will last through 9 p.m. Wednesday.
  
• Eastbound/Westbound full closure: All of Wilshire Boulevard between Comstock Avenue and North Santa Monica Boulevard will be closed from 10 p.m. Saturday through 6 a.m. Monday.
  
• Eastbound lanes of Wilshire Boulevard: An eastbound closure from Comstock to North Santa Monica Boulevard will occur between 10 p.m. Monday through 6 a.m. Tuesday.

Other streets:

Several other streets like Whittier Drive, Carmelita Avenue, Elevado Avenue and Lomitas Avenue, as well as Trenton Drive and adjacent alleys will have limited closures with local access available only to residents. Closures begin at 10 p.m. Saturday and last through 6 a.m. Monday.

Parking notices:

Residential streets surrounding the venue will be completely restricted, no exceptions made, from 6 a.m. Sunday until 6 a.m. Monday on the following streets:

• Whittier Drive — from Wilshire Boulevard to Elevado Avenue
• Carmelita Avenue — from Wilshire Boulevard to Walden Drive
• Elevado Avenue — from Wilshire Boulevard to Walden Drive
• Trenton Drive — from Whittier Drive to Wilshire Boulevard
• Walden Drive — from Santa Monica Boulevard to Elevado Avenue
• Lomitas Avenue — from Wilshire Boulevard to Walden Drive

Residents without permit parking can obtain parking exemptions by contacting the city of Beverly Hills’ parking exemption line at (310) 285-2548 or online at beverlyhills.org/parkingexemptions.

Demonstrations against this week’s deadly ICE shooting in Minneapolis are planned this weekend across Los Angeles. The protests are being organized by the “ICE Out For Good Coalition” — a network of several groups including the ACLU and 50501.

Here are a some of the planned actions across the city:

Saturday

• Pasadena: Noon to 2 p.m. at Garfield and Colorado Boulevard, across from the Paseo Mall
• Eagle Rock: 1 to 2 p.m. at Colorado and Eagle Rock boulevards
• City of Los Angeles: 2 to 4:30 p.m. in Pershing Square

Sunday

• West Hollywood: 11 a.m. to 1 p.m. at 647 N. San Vicente Blvd., across from the Pacific Design Center.
• City of Los Angeles: Noon to 2 p.m. at The Home Depot on 2055 N. Figueroa St.
• Beverly Hills: 2 and 4 p.m. at 9439 Santa Monica Blvd., between Beverly and Canon drives

Jennifer Cacicio didn’t set out to move across the country.

Like thousands of others who fled the L.A. fires a year ago this week, Cacicio and her family left their Altadena home thinking they would be gone a night, maybe two.

But in the year since the Eaton Fire erased their house and neighborhood overnight, home has become somewhere entirely new.

Cacicio, a television writer, and her husband and 8-year-old daughter now live nearly 3,000 miles from L.A. — in Cold Spring, a village in New York’s Hudson Valley they’d never visited until this year.

Starting over somewhere completely new, Cacicio said, felt easier than rebuilding their lives in high-cost L.A. with the foothills of Altadena casting a long shadow.

“What we had in Altadena was so wonderful that anywhere else but Altadena feels like you're settling for less,” Cacicio said.

Jennifer Cacicio poses for a photo with her husband Matt Shallenberger and their daughter, Bruna.

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Matt Shallenberger

)

Cacicio is part of a growing fire diaspora — Altadenans scattered across the country and the world, searching for versions of the natural beauty and close-knit and artistic community they enjoyed in the San Gabriels.

Cacicio said she knows of three other Altadena families who’ve relocated to the Hudson Valley. Neighborhoods still edge up against the wilderness, but wooded slopes and river cliffs now define the landscape for them where canyons and ridgelines once did.

I also spoke with two other Altadena households who left post-fire, one for the Netherlands and the other for Asheville, North Carolina. Each family described decisions shaped by financial realities and the wrenching calculus of raising young children after a fire.

From Altadena to the Netherlands

The Sporcks left the Netherlands for L.A. over seven years ago, setting off on their American adventure.

Joep, a film composer, saw career opportunities in L.A, and his wife Sarah, was eager to try life in a new country.

Friends in Altadena introduced them to the San Gabriels, and eventually they found their own house in the west part of Altadena near the Jet Propulsion Laboratory.

Joep composed film scores and trailer music in a converted garage and Sarah commuted to her job as an education specialist at a school in Lincoln Heights. Three years ago, they welcomed their first child.

In the back yard, they planted fruit trees and raised chickens, and hiked along trails to favorite spots like Millard Falls.

“We loved it, and we never meant to leave,” Joep said.

This time last year, Sarah was pregnant with their second son and had just finished her first trimester when on Jan. 7 the couple saw flames shooting from the foothills.

The fire came within several blocks, but their house was ultimately spared.

In the month after the fire, Joep worked to remediate their home alongside professional crews, as Sarah looked after their toddler, whose daycare, Altadena Children’s Center, had burned down.

“With Sarah pregnant, it was really scary, even afterwards,” Joep said.

Added Sarah: “And with a toddler that wants to play outside.”

As they prepared for their second child, the fire forced questions: How long would it take for Altadena to recover and what would that look like?

“I'm sure there will be a new Altadena in a couple of years,” Joep said. “But it felt like it wasn't going to be the same ever again.”

Once-vague thoughts moved to the foreground. In the Netherlands, they would have more family support and a stronger social safety net, like lower-cost childcare.

And Joep had reached a point in his career that he could work remotely.

This past summer, after their baby was born, a listing landed in Joep’s inbox for a three-story brick villa in the southern part of the Netherlands where Joep is from — hilly just like Altadena. The couple made an offer for the house in Epen without seeing it in person.

The Sporcks have moved back to the Netherlands, to the village of Epen in the southern part of the country.

(

Gerlach Delissen

)

“We made some lists like pros and cons of staying or leaving, and it was just we couldn't deny it anymore,” Joep said.

They put their house on the market — and after some price cuts — sold it to another Altadena family that had lost their home in the fire.

In November, the Sporcks moved to their Epen home, where they are still unpacking — and grieving.

“I’m really sad to be leaving America and Los Angeles,” Joep said. “It feels a little bit like giving up this dream.”

But he said the ties to the area are strong. Their children are dual-citizens. Joep will return to L.A. regularly for work.

“Part of us is now like American, Altadenan forever, I guess,” Joep said.

It's something, he said, that will always set them apart from their friends and family in the Netherlands.

From Eaton Canyon to the Blue Ridge Mountains

Altadena wasn’t their first stop in Southern California. There was Sherman Oaks and Highland Park.

But for Carson Dougherty and Chris Gower, their Altadena cottage rental within walking distance of Eaton Canyon was the first place that felt like home in L.A.

Pushing their daughters in strollers to Altadena Beverage and Market and Prime Pizza, they would stop to speak with neighbors along the way.

“I would walk around and just be like, ‘Oh my God, I can’t believe we live here,'" Carson said. “I've just never loved a place more or felt more welcome.”

Carson, a spiritual coach, had moved from New York to L.A. about nine years ago when she was an actor, accompanied by Chris who works in tech sales.

Carson is originally from northern Virginia, while Chris grew up in Surrey, England. The call of family always beckoned, but the allure of life in Altadena kept it at bay.

Carson Dougherty and her family moved to Asheville, North Carolina.

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Courtesy Carson Dougherty

)

They had months earlier re-upped their lease for another two years, when the Eaton Fire happened.

The next day, they returned to find their rental standing — but coated in soot.

With no clear remediation plan being offered by the landlord and worried about their children’s health, the couple broke their lease and forfeited their full deposit.

As they planned their next move, Carson and Chris began rethinking what it meant to raise a family in California — from pre-school to housing.

“Life here is very hard,” Carson said. “We're obsessed with it, but it's not easy.”

Carson flew with the girls out to Virginia, and stayed with her parents. When Chris rejoined them, they discussed where they could live.

Using A.I., they researched cities within 500 miles of Carson’s parents that met their criteria for schools and property taxes. Starting with more than 50 places, Carson winnowed down the list by watching online walking tours of cities and asking for advice on social media.

Asheville, North Carolina — where she had once attended a wedding — kept coming up.

“But we were like, ‘We're not going to move to a place that just had a hurricane,” Carson said, recalling the devastation of Hurricane Helene in 2024.

After taking road trips to Pennsylvania, New York and New Jersey and feeling nothing was clicking, the couple traveled to Asheville. They were drawn to the Blue Ridge Mountains that ring the city and the artistic community that reminded them of Altadena’s.

“I was like, ‘OK, this is it,’” Carson said. “I don't know. It was just a feeling.”

Two months into living in their current spot in Asheville, they’re still adjusting.

“I can see this was the right move for us,” Carson said. “But it doesn't feel like home yet.”

“It still feels like a consolation prize,” Chris said. “Whereas Altadena was the one that we were like ‘Holy crap, we found it.'"

Giving her daughter home

In Cold Spring, New York, Jennifer Cacicio is also going through a range of emotions.

“I love Altadena so much, and there's so much grief in letting go of it,” she said.

She mourns her street of identical mid-century homes designed by the architect Gregory Ain. When neighborhood kids visited each other, they knew the exact layout of each others’ homes.

Jennifer estimates of the 28 houses in the neighborhood, about three-quarters are gone.

After struggling with the cost of renting or buying in L.A., she and her husband — a landscape photographer — began thinking about moving East, where she’s from.

During their daughter’s spring break, the family flew out for an expedition.

“We tried to frame it with my daughter, like, ‘You know what this terrible thing happened, and we're going to try to turn it into a family adventure and live closer to cousins and explore a new part of the world,'" Jennifer said.

Jennifer Cacicio's 8-year-old daughter surveys her new environs in Cold Spring, N.Y.

They looked at towns within an hour or so of New York City, located in the suburbs of New York and Connecticut. In New York’s Hudson Valley, they visited an open house for a school that their daughter instantly took a shine to.

“We were like, ‘Great, let's just build it around that — like one thing felt right,’” Cacicio said.

Another sign came when Jennifer, who was the showrunner for this year’s Paramount+ drama Happy Face, got an offer to work on a show based in New York.

“It kind of felt like the universe confirming the decision in a way,” Jennifer said.

In September, they moved into their new home in Cold Spring. Cacicio puts aside her sadness when she thinks about her daughter.

After an event as traumatic as a fire, she wants her childhood to feel stable again. Altadena will recover over the next decade, Cacicio said, but later than she would hope for her daughter.

Being in a new place has brought unknowns, but also a sense of excitement.

"That was kind of what it came down to," Cacicio said. "It didn't feel like settling. It just felt different."