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Recently we found out LAist is full of film photography loving journalists. Here are several personal recommendations from our staff on where to go around Southern California for your film developing needs.
Why it matters: Finding the right film lab for yourself is an important part in film photography, according to Harvey Film Lab founder Kacie.
Read on:...to find your film photography home.
Before digital cameras and smartphones became ubiquitous it was film photography that reigned supreme. Back in the day that meant a trip to your local film processing store to get those negatives developed. Today a convenient alternative is the local CVS Photo Lab. They can get you scans and digital prints, but they no longer return your negatives.
So if you want those originals back, and for a chance to engage with your local photography scene – here are some independent film developing shops in L.A. and O.C. hand-picked by LAist’s photography-loving staff.
Powell Camera Shop
160 West Badillo Street
Covina, CA 91723
First up our General Assignment Reporter Destiny Torres frequents this San Gabriel Valley location.
What do they develop?
They take standard 35mm and medium format 120mm film and can use both C-41 and E-6 processing.
What’ll it cost me?
It varies depending on what you want back. Just developing the negatives will run you $9.99 before taxes. If you want color digital scans as well as prints: between $15 and 20 dollars. If you prefer black and white scans in addition to prints: between $22 and $32, according to Frankie Barron, a manager of Powell.
How long does it take to develop?
Your best bet is to go in person as Powell rarely accepts mail in negatives. It should take a week to get your photos back. The store doesn’t develop photos on site but sends them to professional developers at Swan Photo Labs in San Clemente.
Samy’s Camera
1759 E. Colorado Blvd.
Pasadena, CA 91106
If you’ve ever been interested in cameras and you’ve spent some time in Pasadena chances are you’ve heard of Samy’s Camera. This recommendation comes from AirTalk producer Lucy Copp.
What do they develop?
The shop takes various film formats including 35mm, medium format 120mm. They can also develop 4 by 5 and 8 by 10 large format or sheet film.
What’ll it cost me?
35mm film will cost you $6 a roll for color, $8 a roll for black and white. For color photo scans in 35mm and 120mm the cost is around $12 for low resolution, $18 for medium resolution, and $25 for high resolution. Adding prints? For 24 photos it'll be between $9.96 and $10.83. Thirty-six photos will cost you between $13.44 and $13.73.
How long does it take to develop?
Negatives will take two to five business days. Prints and scans will take about a week to 10 days. Samy's lets you drop off negatives in store at their locations in Santa Ana, Pasadena and Fairfax. Negatives are sent to their photo lab in the Fairfax area for development, according to Pasadena employee Dana Mooradian. All 35mm and 120mm color film development is done at the Fairfax location. Black and white and large format are sent to the Icon lab in Los Angeles for development.
Analog Photomart
416 E 2nd St.
Los Angeles, CA 90012
Our Major Gifts Officer Malka Fenyvesi also frequents Samy’s, but recently she’s noticed a new store in Little Tokyo.
What do they develop?
The store is about a year old, owner Bryan Hong says they’re able to take color, black and white, and slide film in both 35 mm and 120mm.
What’ll it cost me?
Getting negatives developed will cost you $9. Add scans and the price goes up to $15 for low resolution, $18 for medium, and higher resolution for $23. Black and white development will cost a buck more across the board. 35mm prints will be $12 a roll. 120mm will cost the same for developing and scanning, but getting prints will only cost you $6.
How long does it take to develop?
This small neighborhood shop only accepts in store drop offs. They don’t do any business online. To get the scans to your e-mail takes 3 to 4 business days. To get negatives back it takes about a week, and up to 10 days for prints.
Berry Flash Photo Lab
11445 Jefferson Blvd.
Culver City, CA 90230
AirTalk Senior Producer Lindsey Wright is also a Samy’s regular, but lately she’s been going to a spot on the Westside.
What do they develop?
Berry Flash has you covered when it comes to 35mm and 120 mm, in either color or black and white. Negatives-only for 110mm. For 35mm you can choose between two different film processes, E-6 or C-41.
What’ll it cost me?
Standard color C-41 35mm processing will cost you $9.99. 120mm processing will be $14.99. Scans plus negatives for 35mm is $19.99 for “social friendly scans.” They also offer higher resolutions at $24.99. 120mm starts at $24.99, and $29.99 for high res. According to Berry Flash lab technician Natalia Delgado, if you want prints too just tack on an extra $10.
How long does it take to develop?
If you drop off your film at the main lab location in Culver City typical turnaround time is 2 to 3 business days for color negatives. Up to 10 days for black and white. You can also mail in your photos to Berry Flash Photo Lab. Their P.O. Box for mailing in film is:
Berry Flash Photo Lab
3019 Ocean Park Blvd., #370
Santa Monica, CA 90405
Tuttle Cameras
5467 E. Carson St.
Long Beach, CA 90808
AirTalk associate producer Manny Valladares loves to hit up this Long Beach location for both film developing and film gear.
What do they develop?
Tuttle Cameras can handle 35mm, 120mm, and 110mm film. Store associate Julian Lee says they process color, black & white, and slide for all formats as well.
What’ll it cost me?
Developing your 35mm film will cost $8.25. Adding scans will be $18.50. Tuttle offers different size files. Scans larger than 12 mb will run about ten dollars more each. Prints will cost anywhere between $12 and $18 depending on the number of exposures you want.
How long does it take to develop?
To get your negative scans back it’ll take around 1 to 2 days on weekdays and 2 to 3 days on weekends. You can drop your film off or mail it directly to the store. Tuttle partners with local developer Fromex for film processing.
Bill’s Camera
6022 Warner Ave.
Huntington Beach, CA 92647
Bill's an O.C. favorite that’s been around since 1971.
What do they develop?
According to lab manager Josh Ventura, Bill's can develop all color film in 35mm, 120mm and APS formats.
What’ll it cost me?
$6.50 for 35mm negatives and $7.50 for 120mm negatives. Add scans to those and it’ll be $13.95 for 35mm and $14.90 for 120mm. Including prints will cost you anywhere between an additional $13 and $16 depending on the roll and the format.
How long does it take to develop?
Ventura says the typical turnaround time for the negatives is 24 hours. 120mm will take two days. You are also able to mail your negatives into the shop. All color film development is done on site. Black and white film is sent to a third party.
The Frida Cinema/Harvey Film Lab
305 E 4th St #100
Santa Ana, CA 92701
Sticking with Orange County for our final recommendation. Why not see a movie as you drop off your negatives? The one-person development operation Harvey Film Lab has a drop box at Orange County’s only independent art house theater.
What do they develop?
Kacie from Harvey Film Lab says they can develop 35mm and 120mm film, in both color and black & white.
What’ll it cost me?
Basic scans for 35mm will start at $14.70, which includes getting your negatives back too. If you want prints it’ll be an additional $14.99.
How long does it take to develop?
Film is developed exclusively on site and takes one to 7 business days. You can mail your film to them directly, or purchase services online then head over to the Frida Cinema for drop off. For pick-up you can go in-person or have them mailed to you.
That’s it! Go forth and take your pictures! But remember to get your film developed as soon as possible for the best looking photos.
Los Angeles Metro’s Board of Directors voted Thursday to re-approve the Dodgers Stadium gondola, clearing the path for state agencies and the city of L.A. to provide necessary sign-offs before shovels hit the ground. That means it's far from a done deal.
Next steps: Following Thursday’s vote, Zero Emissions Transit, the nonprofit developing the gondola, said the California State Parks Commission will consider amending the L.A. Historic State Park general plan and the city of L.A. will “evaluate land use permits.”
Tense meeting: The decision came after protesters showed up en masse, forced officials to retreat to an earlier-than-scheduled closed session meeting, and won their demand for a dedicated period of public comment on the project before the vote.
Read on … to learn more about where the city stands on the project and what the protest was all about.
The Los Angeles Metro’s Board of Directors voted Thursday to re-approve the Dodger Stadium gondola, clearing the path for state agencies and the city of L.A. to provide necessary sign-offs before shovels hit the ground.
The decision came after protesters showed up en masse, forced officials to retreat to an earlier-than-scheduled closed session meeting, and won their demand for a dedicated period of public comment on the project before the vote.
The gondola is not a Metro project. Rather, the transportation agency was tasked with preparing environmental studies and approving the project under the California Environmental Quality Act.
Following Thursday’s vote, Zero Emissions Transit, the nonprofit developing the gondola, said the California State Parks Commission will consider amending the L.A. Historic State Park general plan and the city of L.A. will “evaluate land use permits.”
L.A. County Supervisor Janice Hahn was the sole “no” vote on the gondola Thursday. At a Metro committee meeting in November, when the gondola was last discussed, Hahn said she wanted to “lean into” expanding, electrifying and making more efficient the Dodger Stadium Express, the existing Metro bus system that shuttles baseball fans to games.
If built, Metro projects the gondola will carry a maximum of 5,000 visitors every hour from Union Station in downtown L.A. to Dodger Stadium. The proposed route has an intermediate stop at L.A. Historic State Park.
The one-mile, one-way trip would last 7 minutes, according to Metro.
Yes. For the most part, Thursday’s vote was not materially different from last February, when the Metro Board of Directors initially approved the gondola.
Then, in May, following two separate lawsuits alleging inadequacies in Metro’s environmental documents for the gondola, the California Court of Appeal directed the countywide transportation agency to review ways the project’s construction noise could be mitigated.
The vote Thursday was to re-certify the project and its environmental documents with the added evaluation, which Metro released for public comment in September.
L.A. City Council last month voted 12-1 on a resolution opposing the gondola.
“People from Solano Canyon, Chinatown [and] Lincoln Heights have asked me to step up and help preserve green space and help preserve their privacy and to not acquiesce to a billionaire,” L.A. City Councilmember Eunisses Hernandez, who authored the resolution, said to LAist at the Metro meeting on Thursday. “I hope the mayor can hear us and see us.”
Mayor Karen Bass did not sign the resolution.
As a member of Metro’s Board, Bass voted in favor of moving forward with the gondola.
If you have a tip, you can reach me on Signal. My username is kharjai.61.
After Metro accepted the unsolicited proposal for the gondola in 2018, community members formed a formidable opposition campaign known as Stop the Gondola.
At Thursday’s meeting, they were dressed in red, equipped with a megaphone, banners and signs and supported by anti-gondola L.A. City Council members, including Hernandez, Ysabel Jurado and Hugo Soto-Martinez.
Local residents and activists used the one hour-long public comment period to highlight the effects construction and operations will have on nearby neighborhoods and L.A. Historic Park. They rejected Metro and the project developer’s claims that the gondola is a viable transportation option, instead calling it a “boondoggle.”
During public comment, Phyllis Chu asked the Metro Board of Directors whether they serve a “billionaire developer” or their constituents.
The “billionaire developer" refers to Frank McCourt, the former owner of the Dodgers. McCourt still owns some parking lot real estate near the stadium, and some critics believe the aerial tram is part of McCourt’s vision to develop the area.
Zero Emissions Transit, along with its allies from organized labor and business groups, say the gondola would provide an environmentally friendly transportation option for baseball fans, local residents and park-goers.
Dodger Blue-clad supporters also showed up at Thursday’s meeting and responded to the opposition with chants of their own. They walked in a procession around the Metro Board room holding up signs with a blunt message: “Build the Gondola.”
Zero Emissions Transit said in its news release that “nearly 18,000 individuals and more than 400 businesses in Chinatown, El Pueblo, and Lincoln Heights have signed up to support the project, and a recent poll found 72% of Los Angeles County residents support the project.”
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Frank Gehry died Friday at his home in Santa Monica after a brief respiratory illness, according to his chief of staff. He was 96.
What he's known for: Swooping, swirling, gleaming, sculpted — Gehry made buildings we'd never seen before. The architect behind the Guggenheim Museum in Spain and the Walt Disney Concert Hall in Los Angeles transformed contemporary architecture.
His career: Gehry won all the top awards — including the Pritzker Prize and the Presidential Medal of Freedom. In 1999, when the American Institute of Architects gave him their Gold Medal, Gehry looked out at an audience that included contemporary gods of building — Philip Johnson, Richard Venturi, Michael Graves — and said, "it's like finding out my big brothers love me after all."
Swooping, swirling, gleaming, sculpted — Frank Gehry made buildings we'd never seen before. The architect behind the Guggenheim Museum in Spain and the Walt Disney Concert Hall in Los Angeles transformed contemporary architecture. He died Friday at his home in Santa Monica, Calif., after a brief respiratory illness, according to his chief of staff. He was 96.
Gehry won all the top awards — including the Pritzker Prize and the Presidential Medal of Freedom. In 1999, when the American Institute of Architects gave him their Gold Medal, Gehry looked out at an audience that included contemporary gods of building — Philip Johnson, Richard Venturi, Michael Graves — and said, "it's like finding out my big brothers love me after all."
"He was probably the only truly great artist I've ever encountered who desperately cared what people thought of him and that people loved his work," says Gehry's biographer Paul Goldberger. The architect got his share of criticism — "accusations that he made crazy shapes and paid no attention to budget."
But the praise was louder, because his striking buildings made people happy.
"I've always been for optimism and architecture not being sad," Gehry told NPR in 2004. "You know, a building for music and performance should be joyful. It should be a great experience and it should be fun to go to."
There was exuberance in his work. The swoops and swirls — made possible with aerospace technology — lifted the spirits of viewers used to post-war modernism — strict, boxy glass and steel buildings that looked imposing and unwelcoming.
Gehry says he found that style, cold, inhuman and lifeless. "I thought it was possible to find a way to express feeling and humanistic qualities in a building," Gehry said. "But I wasn't clear about it until I started experimenting, quite accidentally, with fish forms."
He loved the shape of fish, and the way they moved. He drew them all his life, an inspiration that began in his grandmother's bathtub in Toronto.
"Every Thursday when I stayed at her house, I'd go with her to the market," he recalled. "And there would be a big bag of some kind filled with water that we would carry home with a big carp in it. We'd put it in the bathtub. I'd sit and watch it and the next day it was gone."
Those carp were turned into gefilte fish — a classic Jewish dish — but stayed in Gehry's memory long past suppertime. He translated their curves and motions into architecture. In Prague, Czechs call his elegant design for an office building "Fred and Ginger" — two cylindrical towers, one solid, the other glass, pinched in at the waist, like dancers. His Disney Hall and his Guggenheim museum swell like symphonies.
"He really wanted you to feel a sense of movement," Goldberger says. "A building is a static thing, but if it feels like it's moving, for him that was more exciting."
The Guggenheim — a billowing swirl of titanium in gold and sunset colors — excited viewers. After it opened in 1997, Gehry said everyone who came to him wanted a Guggeinheim. But Gehry wasn't interested.
"Like all great artists, he wanted to keep pushing himself and move forward," Goldberger says. "He did not want to copy himself. He did not want to do that building again."
The Guggeinheim Museum in Bilbao, Spain and The Disney Hall in Los Angeles (it opened in 2003, a swoosh of silver stainless steel, 1/16th of an inch thick) are Gehry's signature buildings. But they're a far cry from his early work. His own 1978 residence in Santa Monica sports common materials. If clients couldn't afford fancy — marble, say — he'd use cheap.
"He started using plywood and chain link fence and corrugated metal," Goldberger says.
Those buildings got attention. But the later ones made him a star — and a term was coined: Starchitect. Goldberger says Gehry hated it.
"He didn't really hate fame," Goldberger explains. "But he was too smart to sacrifice everything for it."
Gehry kept faithful to his vision. He turned down jobs that didn't feel right and imagined others that got built, were widely admired, but sometimes didn't live up to his imagination.
"You know, what's in my mind's eye is always 10 times better than what I ever achieve because the dream image can leak ..." Gehry said with a laugh. "But in terms of its public acceptance it's beyond anything I ever expected. I've never been accepted before like this."
Gehry received a National Medal of Arts from Bill Clinton and a Presidential Medal of Freedom from Barack Obama. The New Yorker called Bilbao "a masterpiece of the 20th century." Architect Philip Johnson said it was "the building of the century." And the public (with some exceptions, of course) adored the work.
"He made great architecture accessible to people," Goldberger says, and that re-shaped their sense of what buildings could be.
He describes Gehry's work as "one of those extraordinary moments where the most advanced art intersects with popular taste. That only happens very rarely in the culture, in any field."
It's been said that architecture is the message a civilization sends to the future. With walls that are shaped and sculpted, and buildings that look joyous and free, Frank Gehry's is a message of humanism and hope.
The author of this obituary, Susan Stamberg, died in October 2025. The story was updated and reviewed before publication.
Shannon Rhoades edited the audio of this story. Beth Novey adapted it for the Web.
Copyright 2025 NPR
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The State Department is instructing its staff to reject visa applications from people who worked on fact-checking, content moderation or other activities the Trump administration considers "censorship" of Americans' speech.
Who will be affected: The directive, sent in an internal memo on Tuesday, calls out H-1B visa applicants in particular "as many work in or have worked in the tech sector, including in social media or financial services companies involved in the suppression of protected expression."
The backstory: The Trump administration has been highly critical of tech companies' efforts to police what people are allowed to post on their platforms and of the broader field of trust and safety, the tech industry's term for teams that focus on preventing abuse, fraud, illegal content, and other harmful behavior online. President Donald Trump was banned from multiple social media platforms in the aftermath of his supporters' attack on the Capitol on Jan. 6, 2021. While those bans have since been lifted, the president and members of his administration frequently cite that experience as evidence for their claims that tech companies unfairly target conservatives — even as many tech leaders have eased their policies in the face of that backlash.
The State Department is instructing its staff to reject visa applications from people who worked on fact-checking, content moderation or other activities the Trump administration considers "censorship" of Americans' speech.
The directive, sent in an internal memo on Tuesday, is focused on applicants for H-1B visas for highly skilled workers, which are frequently used by tech companies, among other sectors. The memo was first reported by Reuters; NPR also obtained a copy.
"If you uncover evidence an applicant was responsible for, or complicit in, censorship or attempted censorship of protected expression in the United States, you should pursue a finding that the applicant is ineligible" for a visa, the memo says. It refers to a policy announced by Secretary of State Marco Rubio in May restricting visas from being issued to "foreign officials and persons who are complicit in censoring Americans."
The Trump administration has been highly critical of tech companies' efforts to police what people are allowed to post on their platforms and of the broader field of trust and safety, the tech industry's term for teams that focus on preventing abuse, fraud, illegal content, and other harmful behavior online.
President Trump was banned from multiple social media platforms in the aftermath of his supporters' attack on the Capitol on Jan. 6, 2021. While those bans have since been lifted, the president and members of his administration frequently cite that experience as evidence for their claims that tech companies unfairly target conservatives — even as many tech leaders have eased their policies in the face of that backlash.
Tuesday's memo calls out H-1B visa applicants in particular "as many work in or have worked in the tech sector, including in social media or financial services companies involved in the suppression of protected expression."
It directs consular officers to "thoroughly explore" the work histories of applicants, both new and returning, by reviewing their resumes, LinkedIn profiles, and appearances in media articles for activities including combatting misinformation, disinformation or false narratives, fact-checking, content moderation, compliance, and trust and safety.
"I'm alarmed that trust and safety work is being conflated with 'censorship'," said Alice Goguen Hunsberger, who has worked in trust and safety at tech companies including OpenAI and Grindr.
"Trust and safety is a broad practice which includes critical and life-saving work to protect children and stop CSAM [child sexual abuse material], as well as preventing fraud, scams, and sextortion. T&S workers are focused on making the internet a safer and better place, not censoring just for the sake of it," she said. "Bad actors that target Americans come from all over the world and it's so important to have people who understand different languages and cultures on trust and safety teams — having global workers at tech companies in [trust and safety] absolutely keeps Americans safer."
In a statement, a State Department spokesperson who declined to give their name said the department does not comment on "allegedly leaked documents," but added: "the Administration has made clear that it defends Americans' freedom of expression against foreigners who wish to censor them. We do not support aliens coming to the United States to work as censors muzzling Americans."
The statement continued: "In the past, the President himself was the victim of this kind of abuse when social media companies locked his accounts. He does not want other Americans to suffer this way. Allowing foreigners to lead this type of censorship would both insult and injure the American people."
First Amendment experts criticized the memo's guidance as itself a potential violation of free speech rights.
"People who study misinformation and work on content-moderation teams aren't engaged in 'censorship'— they're engaged in activities that the First Amendment was designed to protect. This policy is incoherent and unconstitutional," said Carrie DeCell, senior staff attorney and legislative advisor at the Knight First Amendment Institute at Columbia University, in a statement.
Even as the administration has targeted those it claims are engaged in censoring Americans, it has also tightened its own scrutiny of visa applicants' online speech.
On Wednesday, the State Department announced it would require H-1B visa applicants and their dependents to set their social media profiles to "public" so they can be reviewed by U.S. officials.
NPR's Bobby Allyn and Michele Kelemen contributed reporting.
Copyright 2025 NPR
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The U.S. will host Paraguay in Los Angeles when the 2026 FIFA World Cup arrives for the first time in over three decades. Friday morning’s draw in Washington D.C. laid out what the 48-team tournament will look like in what will be the largest World Cup ever.
Who is playing in L.A.? The U.S. will face Paraguay on June 12 at SoFi Stadium. The winner of that match will face Australia or the winning team in Playoff C, which could be Türkiye, Romania, Slovakia or Kosovo. FIFA will reveal the official schedule with kick-off times Saturday at 9 a.m.
Can you still get tickets? Around 2 million tickets have been sold globally, and yes, there’s still time to get yours. Ticketing for all games — including in Los Angeles — happens in phases through a lottery draw system. For access to all ticket sales, you’ll need to register a profile through FIFA’s site. The third phase of ticket sales begins on Dec. 11, according to FIFA officials.
What about the Women’s World Cup? There’s a chance that Southern California could host the 2031 Women’s World Cup. Four Los Angeles stadiums placed their bids as potential sites last month, including the Rose Bowl, L.A. Memorial Coliseum, Dignity Health Sports Park and SoFi Stadium.
Read on… for your essential LAist guide on the 2026 World Cup in Los Angeles here.
