The Brief

There’s a frenzy of madness and tangled limbs on the basketball court until someone shoots for a goal. Then it’s all eyes on the ball as everyone holds their breath, watching its graceful airborne arc in anticipation.

But this time, the ball narrowly misses and bounces off the rim, sending a dozen queer ballers scurrying to the opposite end of the court to play offense and defense. The heat is picking up on the courts of Highland Park Recreation Center.

Here, a group of queer basketball players in Northeast L.A., aptly named WNBGAY, meet up twice a week for a pickup basketball game. WNBGAY isn’t the only queer recreational sports group in Los Angeles — there are at least a dozen more scattered throughout the region — ranging from a dozen to a hundred attendees a week. Spaces like WNBGAY have become safe gatherings for gay men, lesbians, trans, non-binary and queer people alike to meet up and play sports, make friends and find community.

Cass Spillman, who runs an event staffing agency, says WNBGAY started two years ago informally as a group chat on Instagram amongst friends who wanted to play ball, until the desire for a queer space for ballers grew into something official. Spillman started helping to organize set locations and times for regular meetups.

Now they have official WNBGAY merch they use to raise money for equipment they need, like basketballs and more.

The most exciting part has been seeing real WNBA players sport their attire while playing.

“[There’s] joy that comes across my face when I just see somebody wearing WNBGAY merch in the wild,” Spillman says. “Because even though I don't know that person, they're repping us [and] they're proud of what we're doing here.”

Dream Team Society

Queer recreational sports groups like WNBGAY and Dyke Soccer LA reflect the large sapphic fanbase that supports many of the women’s professional leagues like the Women’s National Basketball Association and the U.S. Women’s National Soccer Team.

But groups are carving out new spaces within other sports that aren’t typically friendly to queer and trans people.

Surfing, a sport often associated with a laidback counter-culture, can often be exclusionary to newcomers with unspoken rules around locals who claim certain beaches. When the World Surf League moved to include transgender people in competitions, famous surfers like Bethany Hamilton spoke up to boycott the WSL.

But Dream Team Society has been pushing to normalize queer bodies in the ocean. Freelance photographer and videographer Shelly Simon organizes monthly meetups for Dream Team Society. Back in March, they hosted an event at the beach for Trans Day of Visibility with over 100 attendees. More recently, Simon collaborated with San Diego Gay Surf to celebrate the end of Pride Month with a bonfire at Ocean Beach.

Members of San Diego Gay Surf and Dream Team society celebrate a bonfire with hamburgers and pets before heading out to the waves.

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For Sergio Morales, who founded San Diego Gay Surf a year and a half ago, the effort started with simply reposting photos to connect with other queer and gay surfers. But Morales quickly wanted to have in-person meetups at the beach.

“There isn't a space for us out there. There's no representation for the queer community in surfing and most of the sports,” says Morales. “So why not start a space where we can bring the local community together and just build that?”

Queer recreational groups aren’t just for those who identify as LGBTQ. Allies of the spaces are similarly drawn to the welcoming atmosphere of inclusivity that allows them to show up fully as themselves. Like Valeria Diaz, who doesn’t identify as queer but comes from a racially mixed background. In other spaces, it feels like her heritages clash, but as a member of San Diego Gay Surf, she’s found acceptance beyond the binaries of identity.

Valeria Diaz (right) and Noah Fox (left), members of San Diego Gay Surf, practice their headstands on the grass.

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“There's a lot of people who work within boxes. Like you have to be Caucasian or you have to be Hispanic,” Diaz says. “This group really just encompasses the idea of love for all, no matter if you're gay, straight … we're all humans, and I think that's why I keep coming back to this group, because our values align.”

Queer Run Club

New queer recreational sports groups like Queer Run Club formed last August out of the need for a connection from the isolation experienced during the pandemic. From Silver Lake to Long Beach to Culver City, Jessi Baron and DJ Ki have made it their mandate to rotate their weekly runs throughout Los Angeles to make their events accessible throughout the county.

Members of the Queer Run Club run at Los Angeles Historic State Park on a Monday evening in June.

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Baron and Ki have made it their goal to reach a diverse range of queer runners, not just geographically, but across identities. They say it's important to note that Queer Run Club was started by two queer people of color.

“That was like an intentional move on our part to let people know, like, this isn't just going to be a white-only space,” says Ki. They point out that there are few sapphic bars beyond the newly established Honey’s at Star Love and Ruby Fruit. “This isn't only going to be like a gay man's space. It's for everyone. I feel like the turnout is so diverse as well. Not just ethnic and racial but like age groups.”

WeHo Dodgeball

One neighborhood is home to some of the most active queer sports groups. The West Hollywood Recreation Center is home to multiple queer sports that utilize its facilities. West Hollywood Aquatics brings together local swimmers and water polo players who compete internationally.

But WeHo Dodgeball’s Tuesday and Thursday games at the recreational center bring the friendly competition to another level. At any time during their evening tournaments, four games are happening simultaneously, with referees managing the organized chaos as people hurtle balls to knock the opposing team out of play.

Competing teams rush to grab dodgeballs after the referee’s whistle signals the start of a new match.

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For some, the connections forged in the heat of the sport go beyond friendly competition. It’s helped people find queer friends, partners and even chosen families. MJ Rios works as a high school choir teacher in East L.A. and has been part of WeHo Dodgeball since its inception over a decade ago in 2010 by local organizer Jake Mason. They’ve been grateful for how the space not only destigmatizes queer athletes but also female-identifying athletes who are allies to the LGBTQ community like herself.

“The group of people here, I will tell you that even at my own wedding, most of my invites were dodgeball people,” Rios says. “They've been my family for over a decade.”

Chris Witherspoon only joined WeHo Dodgeball a few months ago, but he’s already been sucked into the sport’s social orbit. He works as an audio engineer and commits to making the sometimes two-hour round trip from the San Fernando Valley, where he lives, to West Hollywood on Tuesdays to play dodgeball. For Witherspoon, it’s difficult trying to make LGBTQ friends in his neighborhood, so as someone who isn’t from Los Angeles, WeHo Dodgeball has helped him find a group of friends where he feels seen and included in his queerness.

“Because the LGBT community is smaller, you see a lot of the same people and the same faces,” Witherspoon says of WeHo Dodgeball. “These leagues tend to be more social. So every time we play a game, afterward, we go out to the bars.”

It’s hard to dismiss the fact that the whole reason why these queer recreational sports teams exist is because of the exclusion of queer athletes from sports. Val Horton, a league manager with WeHo Dodgeball, wants to center joy in queer recreational sports in light of all the contemporary challenges that queer and transgender people face in sports and beyond.

“We're living in a world where queer rights are being challenged every single day. And to have a place where we can come and not really have to think about that [and just be] with our people feels even more important now,” says Horton.

Trans Boxing

At Trans Boxing, over half a dozen attendees practice their fight stances, pivoting in circles while sharing grass space with their feathery neighbors at MacArthur Park on a Saturday morning (and avoiding duck poop).

As people pair up for pad work, they’re learning lifesaving skills for defense in the real world. Cal Xu has been training in martial arts long before they came out as queer. But since coming out as non-binary, Xu is uniquely aware that every time they step out into the world, they face a threat as a visibly queer person; training has helped them feel safer in their body.

“It's hard to exist as a queer person and just not hear what's going on politically,” Xu shares. “Dressing the way that I want to dress, presenting the way I want to present has felt so much more safe. Because I know that if push comes to shove and I really need to, I can defend myself.”

Trans Boxing members practice hand movements and mock sparring at MacArthur Park on a Saturday morning.

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Miles Enriquez-Morales founded Trans Boxing during the pandemic when the New York City-based organization ran classes online.

After recovering from top surgery, Enriquez-Morales started the Los Angeles chapter to offer a sanctuary for transgender and gender non-conforming people who want to participate in sports like martial arts without the toxic machismo and homophobia that can be prevalent in institutional spaces. Learning at the park is only temporary until they can find a place to call home.

“I have options where I could move the gym into a space that's very queer but maybe it's not as boxing [focused] as I would want it to be. And then maybe I could move it to a place that's very boxing-oriented and it's not as LGBTQ-accepting as I would want it to be,” Enriquez-Morales says. “Feeling like those are my only two options is really disheartening because it feels like I have to compromise.”

For now, all the equipment they use is funded by Trans Boxing’s Patreon subscribership and paid out of Enriquez-Morales’s own pocket when there is further gear needed for classes.

LBians

But not all queer groups face the same constraints on physical space. Like the lesbian bike riding group, LBians, which meets monthly to ride throughout Long Beach’s LGBTQ neighborhood. Locals call the Broadway corridor and its rainbow crosswalks “the gayborhood,” with half a dozen gay bars within walking distance.

Every month, LBians meets at Hot Java Coffee on Broadway for some exercise, and a lot of socializing — the end of every ride usually ends with drinks and food at a local brewery or bar.

Vanessa Cisneros juggles organizing these meets alongside their full-time job as a fraud analyst and stacked courseload studying software engineering. It’s not easy, but Cisneros says seeing the joy on the faces of her peers makes it all more worth it.

LBians meet up at the Beach Garden Social House, a local queer bar on Broadway after their monthly bike ride.

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“I love after every single ride someone comes to me, hugs me and thanks me for creating this awesome space. There's people who made lifelong friends here,” Cisneros says.

“Seeing this community is just awesome … [you’re] making new friends with people you won’t meet anywhere else.”

Queer Racquet Society

Part of the inclusivity of queer sports is how organizers have prioritized athletes of all skill levels and sought to make queer recreational sports the genesis for genuine connections outside the bar.

Through Queer Racquet Society, Teline Guerra has shown up amongst her sapphic peers at Griffith Park Tennis Courts while reclaiming the sport she used to play in high school.

“No one's dating-focused. You're focusing on tennis. When you're working out, no one's dressed to impress here,” said Guerra. She also points out that relationships like these, built outside the queer clubs, create change for the LGBTQ community.

On the courts of Griffith Park Tennis, Queer Racquet Society play friendly rounds of doubles.

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“Community is not who you f**k … the community that gets laws passed, the community that protests, the community that stands up for others starts with this kind of thing.”

On water and land, queer people are reclaiming access to the physicality of their bodies in the sports they love and are learning. There are still moments of discomfort when a safe space is burst, like when members of the Queer Run Club notice a man catcalling them from the sidelines. But they're able to shrug off moments like this because they have safety in numbers. And perhaps a safe space in queer sports isn’t necessarily about where you are at, but who you are with.

This story first appeared on The LA Local.

The leadership of the Los Angeles Police Commission experienced a significant shakeup Tuesday during a regularly scheduled meeting, when it was announced that Teresa Sánchez-Gordon had stepped down as president of the police oversight body.

Rasha Gerges Shields was appointed the commission’s new president, and Daniel Tabor was appointed vice president soon after the announcement. Sánchez-Gordon was not present at the meeting.

Shields announced that Sánchez-Gordon would be stepping down and added that she would be playing some continued role on the commission, but did not provide further details before the group went into closed session. A spokesperson for the commission said that Sánchez-Gordon would continue to serve as a commissioner.

“Thank you and I look forward to serving all of you in the community in this role,” Shields said after being appointed president.

The announcement came as a surprise to those present at the meeting. There was no indication on the commission’s agenda or other public forum that the president would be stepping down. The commission’s website was updated with the new titles shortly after the votes.

Sánchez-Gordon had been serving on the commission since 2024, and was appointed president in late 2025. She has shared her experience as an immigrant who settled in East L.A. as a child and has expressed concern about widespread federal immigration enforcement in the city, according to reporting by the Los Angeles Times.

Erroll Southers preceded Sánchez-Gordon as president of the commission before stepping down last October.

Shields was appointed to the commission in 2023. She has worked both as a federal prosecutor and as a lawyer in private practice.

Tabor was appointed to the commission in January and formerly served as the mayor of the City of Inglewood.

The Los Angeles Police Commission did not immediately respond to request for comment. This story will be updated if it does.

LA Documenter Martin Romero contributed reporting for this piece from the LAPD Board of Police Commission meeting. LA Documenters trains and pays LA residents to take notes at local government meetings around Los Angeles. You can find meeting notes and audio at losangeles.documenters.org

As Californians rush to file their taxes before the April 15 deadline, the candidates vying to be California’s next governor have laid out competing visions for the future of taxation in the nation’s largest state.

Leading candidates have proposed eliminating income taxes, cutting taxes for businesses, increasing taxes on corporations and raising taxes on commercial properties.

Not on that list: taxing billionaires.

None of the candidates polling in double digits has embraced the tax proposal, sending shockwaves through California politics: a one-time tax on the wealth of billionaires that a health care union is trying to qualify for the November ballot. But while Gov. Gavin Newsom has spent his final year in office arguing that the state has a spending problem, not a revenue problem, the Democrats most likely to succeed him are eyeing ways to bring new money into the state’s coffers.

Democrats Katie Porter and Tom Steyer have proposed new taxes on large corporations — albeit in different forms — to offset federal health care cuts, boost education funding and help fill structural budget deficits projected to reach $35 billion in the coming years. Porter has also aligned with Republicans Steve Hilton and Chad Bianco in promising to cut taxes for working families and businesses, though the Republicans’ plans would go much further.

None of the leading candidates has indicated which state programs they would cut to make up for lost tax revenue. But in a year when affordability is the dominant voter concern, taxes are top of mind.

“If you’re gonna talk about affordability — and affordability is the main kind of buzzword of the campaign — well, you gotta start with taxes,” said Tim Anaya of the Sacramento-based Pacific Research Institute, a libertarian, free-market think tank.

A tax code ‘frozen in amber’

California’s tax code has been largely frozen in amber for the past century. When voters limited property tax increases through Proposition 13 in 1978, they made the state more dependent on a progressive income tax that relies disproportionately on the high incomes and capital gains of a relatively small number of residents. As a result, California tax revenues fluctuate wildly based on how tech and other large companies perform in the stock market.

Over the past 40 years, efforts to change California’s tax law have largely nibbled around the edges. No one has proposed a wholesale reform of the system, Anaya said.

The governor’s race is playing out against the backdrop of negotiations to shave billions of dollars off state spending next year to close the state’s growing structural deficit. In budget hearings this spring, finance officials in Newsom’s administration have made clear that the governor is not interested in pursuing any new taxes.

Like his predecessor, Jerry Brown, Newsom has bemoaned the annual swings between surpluses and deficits driven by gyrations in personal income tax and capital gains revenue. But he has done little to either broaden the tax base or bring in new forms of revenue, said Chris Hoene, executive director of the left-leaning California Budget & Policy Center.

“He has not done very much on the tax front,” Hoene said. “He’s been more inclined to actually give away new or expanded tax credits — like he became a big proponent of expanding the film tax credit.”

The top Democratic candidates for governor — Porter and Steyer — are vowing to boost state revenues, primarily by honing in on big business.

Hoene said it’s no surprise that their proposals lean into familiar ideas such as raising taxes on corporate profits or property, rather than the relatively novel approach of taxing overall wealth.

“Some of these newer ideas, like taxing wealth … those are things that need to be cooked a bit longer,” Hoene said. “If I were a gubernatorial candidate, I’d be saying, ‘hey, there’s some low-hanging fruit we should be going after first.’”

There’s also some unlikely overlap. Porter and Hilton both propose eliminating state income tax on earnings less than $100,000, a change that would affect more than 70% of California residents who file tax returns. (Porter’s proposal focuses on families, while Hilton said he would extend the exemption to all filers.)

Hilton also proposed reducing the $800 minimum franchise tax that businesses have to pay, regardless of their profits.

Among the lower-polling candidates, San José Mayor Matt Mahan and Superintendent of Public Instruction Tony Thurmond — both Democrats — have offered tax plans on opposite ends of the party’s ideological spectrum.

Thurmond supports the one-time 5% tax on the wealth of billionaires, which could raise up to $100 billion for health care and food assistance. Mahan vows to oppose all tax increases until oversight measures are in place.

The other candidates have not released detailed tax proposals.

Here’s what we know about the leading candidate’s tax plans so far:

Tom Steyer

Steyer argued that while the richest Californians should pay more, the state should focus on taxing corporations. He supports a proposal to close the so-called “water’s edge” loophole that allows multinational corporations to shelter their profits in countries with low tax rates to shield their international profits from state taxes. The proposal would require these corporations to pay taxes based on a share of their global income.

It’s an idea that progressives have floated for years but never managed to pass. This year, ahead of the November governor’s race, Sacramento legislators will debate closing the loophole again.

Steyer also floated a special election in 2027 to pass an increase on commercial property taxes, which were capped by Proposition 13.

Steyer and other progressives have long wanted to split off commercial properties from Proposition 13 protections, an idea known as “split roll.” In 2020, state voters rejected a measure to do just that.

“I am proposing closing a corporate real estate tax loophole that’s existed for over 40 years,” Steyer told KQED’s Political Breakdown. “That brings in more money to the state, that is permanent, that is completely fair.”

Steve Hilton

Hilton argued California’s budget problems are due to overspending, noting that the state budget has nearly doubled since 2017. He also said the state’s affordability problem is tied to how expensive it is to do business in California.

Hilton noted that California, the nation’s most populous state, has more people in poverty than any other state, according to federal government statistics.

“Why?” he said on Political Breakdown. “Because of all these combinations of the spending and the policies that are making it so difficult to start and grow businesses. As a result of that, costs go up. As a result of that, we increase welfare payments because people are struggling. That means taxes go higher. That means it becomes even more expensive. And we’ve got to get out of that cycle.”

Hilton said he will make the state more affordable by eliminating state income tax for Californians earning less than $100,000 and imposing a flat 7.5% tax on earnings over $100,000. Currently, the income tax tops out at 12.3% for individuals making more than $722,000 a year.

He opposed any changes to Proposition 13 and wants to eliminate the minimum franchise tax, which is about $800 annually for all businesses.

Hilton believes the tax cuts will grow California’s economy, which could result in more tax revenue.

Katie Porter

Porter framed her tax plan as key to tackling affordability. At its center: eliminating state income taxes for families who make under $100,000.

“The state takes a chunk of many people’s paychecks,” she said on Political Breakdown. “$100,000 allows people to make ends meet, but also to do the things we need them to do: To save for retirement. To be able to get a house, to be able to put a little money away for college.”

Porter said she would pay for that tax cut by changing California’s corporate tax, which is currently a flat 8.84%, no matter how much a company makes. She wants to increase it gradually, with the highest-earning corporations paying up to 9.75%.

“That would generate enough revenue … to deliver on my promise of free college tuition,” Porter said.

Her free college tuition plan would allow Californians to attend two years of community college for free, then transfer to a University of California or California State University campus, where the state would cover their tuition.

Chad Bianco

Bianco’s campaign said his tax priorities are “straightforward”: he wants to cut them and make up for lost revenue with undefined “wasteful spending” cuts.

Bianco proposed eliminating the state income tax entirely, opposing any new taxes and reducing “cost drivers like the gas tax,” according to a campaign spokesperson.

In a recent interview with KVCR, Bianco accused Democratic leaders of “bilking” the state for billions of dollars, pointing toward state contracts with nonprofits. He estimated annual waste and fraud at up to $50 billion — without providing specifics.

“California government is broken,” he said. “Number one, we absolutely have to stop the waste, the fraud, and the abuse going on in our government … So you eliminate all of the fraud, you become oil independent and use that to fund government, and now we don’t have to pay income taxes.”

He also would “provide targeted relief, including reducing or eliminating state taxes on tips.”

But in a debate with Hilton April 4 at the Lincoln Club of Coachella Valley, Bianco suggested that upending the state’s tax system would be more difficult than repealing regulations enacted by previous governors.

“Regulations are easy, we sign all of those away…all of those boards and commissions can be suspended, the regulations can be suspended,” Bianco said. “The taxes are going to be a different story.”

KVCR’s Madison Aument contributed reporting to this story.

The Rock & Roll Hall of Fame announced its 2026 class of inductees on Monday night, a list of eight performers that includes an R&B legend, a heavy metal band and a drummer-turned-frontman whose music dominated mainstream pop-rock in the 1980s.

In recent years, the Rock Hall has expanded its definition of rock icons to include artists from a wider range of genres and backgrounds. The basic rules for induction have remained the same, though:

Artists become eligible for nomination 25 years after the release of their first commercial recording (in other words, artists whose debuts came out in 2001 are newly eligible this year). There are four different categories of inductees:

• Performers whose music and cultural impact has changed the course of rock and roll. 
• Influential musicians whose innovative styles have propelled cultural change, which this year includes key innovative voices in African and Latin music. 
• A "musical excellence" award designated for writers, producers and session musicians who have played a key role in rock history.
• The Ahmet Ertegun award, honoring industry professionals who are not performers but have made a significant impact on the business of music. 

The official induction ceremony will take place on Nov. 14 at the Peacock Theater in Los Angeles. It will be streamed on ABC and Disney+ in December.

Performer Category

Phil Collins
Even though he was inducted into the Rock Hall as a member of Genesis in 2010, it was Collins' solo career, especially a string of hits in the 1980s, that helped turn him into one of the most commercially successful artists of that decade. The drummer-turned-singer is widely known for popularizing the "gated snare" recording technique — which cut off the lingering reverb from the drums — and resulted in an explosive sound that became a signature sound of the era. Collins' career spans over five decades and has earned him a long list of accolades, including an Academy Award for best original song in 2000 for "You'll Be In My Heart" from Disney's Tarzan.

Billy Idol
The British rocker Billy Idol enters the Rock Hall on his second nomination. Known for hits like "Dancing with Myself," "Rebel Yell" and "White Wedding," the bleach-blonde singer's punk rock attitude continues to reach fans around the world more than four decades since the release of his debut solo album.

Iron Maiden
Heavy metal fans rejoice! Iron Maiden is finally being inducted into the Rock Hall on its third nomination. Since the 1980s, the band has been redefining heavy rock with anthemic storytelling, full-throttle instrumentation and spooky iconography. Different iterations of the band's mascot, Eddie, have appeared on Iron Maiden's album covers and merch for decades, becoming a key fixture of a particular strain of teen rebellion.

Joy Division/New Order
After three nominations, Joy Division and New Order are entering the Rock Hall under a joint induction, recognizing the link between the groups. Both bands featured guitarist Bernard Sumner, bassist Peter Hook and drummer Stephen Morris, who were forced to reimagine their sound after the death of singer and songwriter Ian Curtis in 1980. Joy Division's moody post-punk sound, which featured the baritone vocals of Curtis, gave way to New Order's more electronic, dance-driven rhythms, which proved massively popular in the 1980s.

Oasis
Today is gonna be the day that Oasis gets into the Rock Hall. (Well, November 14 will be the actual day.) The Britpop group, led by brothers Liam and Noel Gallagher, has had a resurgence since their highly-anticipated reunion tour last year (which briefly broke Ticketmaster and had fans on both sides of the Atlantic crying their hearts out).

Sade
The English band named for lead vocalist Sade Adu changed the sonic landscape of the 1980s and '90s with its blend of jazz, soul and R&B. The velvety, intimate quality of Sade's music echoes across generations of artists, from Drake to Adele, and has now earned the group Rock Hall inductee status.

Luther Vandross
After starting his career as a background vocalist for stars including David Bowie, Roberta Flack, Stevie Wonder and many more, Luther Vandross became an R&B and soul legend under his own name, thanks to the sheer power of his voice beginning in the 1980s. (He was also a producer for A-listers like Whitney Houston, Aretha Franklin and Diana Ross.) With over a dozen studio albums, his influence has reached across generations to stars including Beyoncé, Alicia Keys and most recently, Kendrick Lamar, who named one of the biggest hits of 2025 after him. Vandross will be inducted after his first Rock Hall nomination.

Wu-Tang Clan
You can see the Rock Hall's effort to expand the definition of rock icons in past years particularly strongly when it comes to the hip-hop acts it inducts. At least one act from the genre — including the Notorious B.I.G., Missy Elliott, A Tribe Called Quest and Jay-Z — each year since 2020. Considering Wu-Tang Clan's collective and individual output, which spans more than 30 years and expanded the East Coast's mark on the genre with references to vintage kung-fu movies and dark humor, it's no wonder the Rock Hall is finally giving the Staten Island crew its long-deserved flowers.

Early Influence Award

Celia Cruz
The Cuban singer, widely known as The Queen of Salsa, becomes the first primarily Spanish-language artist to be inducted into the Rock Hall. After rising through the ranks of Havana's music scene in the 1950s, Cruz left her home country in exile and eventually landed in New York City, where she became one of the most prominent voices of the legendary salsa label, Fania Records.

Fela Kuti
At the end of the 1960s and into the '70s, the Nigerian singer and political activist helped create the Afrobeat genre by combining West African highlife with elements of jazz and funk. Known for his electrifying, unconventional live performances, the multi-instrumentalist is the Rock Hall's first African pop star.

Queen Latifah
Queen Latifah was only 19 years old when she released her debut album, All Hail the Queen, in 1989. Female empowerment has been at the forefront of her music and image since the beginning of her career. With songs like "Ladies First" and "U.N.I.T.Y.," Queen Latifah changed the landscape of male-dominated rap; alongside her music career, she has found arguably greater success as an actor.

MC Lyte
Another teenage pioneer in the world of hip-hop, the Brooklyn-raised rapper gained popularity with socially-conscious lyricism that tackled issues including street violence and drug addiction.

Gram Parsons
Gram Parsons played with The Byrds and helped spearhead the band's seminal country rock album Sweetheart of the Rodeo, which came out in 1968 — but he was technically considered a "sideman" and not a full member of the band. That's why Parsons was not inducted alongside his bandmates when The Byrds entered the Rock Hall in 1991. Now, the Americana visionary — who recorded a pair of celebrated and influential solo albums that featured duets with Emmylou Harris and also played with the Flying Burrito Brothers and the International Submarine Band — gets his due for melding folk, Southern twang and rock and roll before his death at the age of 26, in 1973.

Musical Excellence Award

Linda Creed
In the 1970s, Linda Creed wrote and produced love songs that would come to define the sound of Philadelphia soul, including the Stylistics' hits "Stop, Look, Listen (To Your Heart)" and "You Are Everything," both of which were later covered by Diana Ross and Marvin Gaye. After being diagnosed with cancer at age 26, Creed wrote the song "The Greatest Love of All." Whitney Houston's rendition of the song would go on to top Billboard's Hot 100 chart shortly after Creed's death in 1986.

Arif Mardin
Arif Mardin's producer credits span more than four decades and dozens of legendary collaborations, including with Aretha Franklin, the Bee Gees, John Prine and Norah Jones. Born in Turkey, Mardin started working at Atlantic Records in the early 1960s and eventually became an executive and one of the label's most reliable hitmakers.

Jimmy Miller
Jimmy Miller signed a recording contract as a singer before finding his true calling behind the console, particularly for his work with the Rolling Stones across five albums: Beggars Banquet, Let It Bleed, Sticky Fingers, Exile on Main St. and Goats Head Soup. Known for encouraging and harnessing a group's raw, live energy in recording sessions, the producer left an indelible mark on the sound of rock and roll in the 1960s and '70s.

Rick Rubin
Rick Rubin co-founded Def Jam Recordings while studying film and television at New York University. He went on to turn the label into a powerhouse of 1980s and '90s hip-hop, producing and releasing albums by acts including LL Cool J, Beastie Boys, Run-DMC and Public Enemy. He later founded the label American Recordings and served as co-president of Columbia Records. Since the founding of American Recordings, and particularly in his work with Johnny Cash, Rubin has become known for his skill in musical subtraction — paring down a recording to its essential elements.

Ahmet Ertegun Award

Ed Sullivan
He began his career as a sports journalist, but in 1948, Sullivan became the host of a television program — originally called Toast of the Town and later renamed The Ed Sullivan Show — that was welcomed into millions of people's living rooms every week. Sullivan's show widely introduced Americans to countless musicians, including Elvis Presley, The Jackson 5, The Supremes and, maybe most famously, The Beatles, whose first appearance on his show, in February 1964, was, at the time, one of the most-watched programs in history.
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